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This collection provides the first comprehensive account of eResearch and the new empiricism as they are transforming the field of Australian literary studies in the twenty-first century.
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Remembering Popular Music’s Past capitalizes on the growing interest, globally, in the preservation of popular music’s material past and on scholarly explorations of the ways in which popular music, as heritage, is produced, legitimized and conferred cultural and historical significance. The chapters in this collection consider the spaces, practices and representations that constitute popular music heritage to elucidate how popular music’s past is lived in the present. Thus the focus is on the transformation of popular music into heritage, and the role of history and memory in this process. The cultural studies framework adopted in Remembering Popular Music’s Past encompasses unique approaches to popular music historiography, sociology, film analysis, and archival and museal work. Broadly, the collection deals with the precarious nature of popular music heritage, history and memory.
This volume sets out the state-of-the-art in the discipline of journalism at a time in which the practice and profession of journalism is in serious flux. While journalism is still anchored to its history, change is infecting the field. The profession, and the scholars who study it, are reconceptualizing what journalism is in a time when journalists no longer monopolize the means for spreading the news. Here, journalism is explored as a social practice, as an institution, and as memory. The roles, epistemologies, and ethics of the field are evolving. With this in mind, the volume revisits classic theories of journalism, such as gatekeeping and agenda-setting, but also opens up new avenues of theorizing by broadening the scope of inquiry into an expanded journalism ecology, which now includes citizen journalism, documentaries, and lifestyle journalism, and by tapping the insights of other disciplines, such as geography, economics, and psychology. The volume is a go-to map of the field for students and scholars—highlighting emerging issues, enduring themes, revitalized theories, and fresh conceptualizations of journalism.
"The Psychology and Sociology of Literature" is a collection of 25 chapters on literature by some of the leading psychologists, sociologists, and literary scholars in the field of the empirical study of literature. Contributors include Ziva Ben-Porat, Gerry Cupchik, Art Graesser, Rachel Giora, Norbert Groeben, Colin Martindale, David Miall, Willie van Peer, Kees van Rees, Siegfried Schmidt, Hugo Verdaasdonk, and Rolf Zwaan. Topics include literature and the reading process; the role of poetic language, metaphor, and irony; cathartic and Freudian effects; literature and creativity; the career of the literary author; literature and culture; literature and multicultural society, literature and ...
Ya-Hui Cheng examines the emergence of popular music genres – jazz, rock, and hip-hop – in Chinese society, covering the social underpinnings that shaped the development of popular music in China and Taiwan, from imperialism to westernization and from modernization to globalization. The political sensitivities across the strait have long eclipsed the discussion of these shared sonic intimacies. It was not until the rise of the digital age, when entertainment programs from China and Taiwan reached social media on a global scale, that audiences realized the existence of this sonic reciprocation. Analyzing Chinese pentatonicism and popular songs published from 1927 to the present, this book...
For sociologists, making, distributing, and using art and cultural products constitute social practices, yet, sociologists disagree on how to investigate these practices. Organised around three main schools of thought – critical sociology, symbolic interactionism, and social systems theory – Sociology about Art serves as an introduction to, and a self-reflective discussion about, how sociologists study the Arts. Providing a wide spectrum of approaches in art sociology, the book focuses on examining not only the famously cited theorists (notably Bourdieu, Becker, and Peterson) but also offers an overview of the sociologists who are often overlooked (Hennion, Heinich, Luhmann, and Van Maan...
Cover -- Table of contents -- Preface -- The Invasion of Books -- Contra-flows in Literary Journalism? Coverage of Foreign, Non-Western and Ethnic Minority Literatures in French, German, Dutch and American Newspapers, 1955-2005 -- Monsters and Blowflies. The Representation of Nynorsk and its Speakers in Three Norwegian Newspapers -- The Colour of Female Choice. Czech and Flemish Women's Magazines as Cultural Patchworks -- A New Golden Era for Finnish Poetry? Nuoren Voiman Liitto and Nihil Interit as Cultural and Literary Transmitters in the 1990s and 2000s -- In the Wake of a Nobel Prize. On Modern Icelandic Literature in Swedish1940-1969 -- Ways of Being. Familiarity with Playwrights as Expression of Taste -- Transmitter Profiles, Power Circles and Canonising Cultural Transfer. The Case of Annie Posthumus - the First Modern Scandinavist within Dutch Academia -- A Foreigner to Her Mother Tongue. Zenta Mauriņa (1897-1978) and Konstantin Raudive (1909-1974) as German-speaking Latvian Writers in Swedish Exile -- About the Authors -- Bibliography -- Index
The Handbook of Comparative Communication Research aims to provide a comprehensive understanding of comparative communication research. It fills an obvious gap in the literature and offers an extensive and interdisciplinary discussion of the general approach of comparative research, its prospect and problems as well as its applications in crucial sub-fields of communications. The first part of the volume charts the state of the art in the field; the second section introduces relevant areas of communication studies where the comparative approach has been successfully applied in recent years; the third part offers an analytical review of conceptual and methodological issues; and the last section proposes a roadmap for future research.