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Dismantling the Dream Factory
The history of postwar German cinema has most often been told as a story of failure, a failure paradoxically epitomized by the remarkable popularity of film throughout the late 1940s and 1950s. Through the analysis of 10 representative films, Hester Baer reassesses this period, looking in particular at how the attempt to 'dismantle the dream factory' of Nazi entertainment cinema resulted in a new cinematic language which developed as a result of the changing audience demographic. In an era when female viewers comprised 70 per cent of cinema audiences a 'women's cinema' emerged, which sought to appeal to female spectators through its genres, star choices, stories and formal conventions. In addition to analyzing the formal language and narrative content of these films, Baer uses a wide array of other sources to reconstruct the original context of their reception, including promotional and publicity materials, film programs, censorship documents, reviews and spreads in fan magazines. This book presents a new take on an essential period, which saw the rebirth of German cinema after its thorough delegitimization under the Nazi regime.
Ruins of Modernity
Images of ruins may represent the raw realities created by bombs, natural disasters, or factory closings, but the way we see and understand ruins is not raw or unmediated. Rather, looking at ruins, writing about them, and representing them are acts framed by a long tradition. This unique interdisciplinary collection traces discourses about and representations of ruins from a richly contextualized perspective. In the introduction, Julia Hell and Andreas Schönle discuss how European modernity emerged partly through a confrontation with the ruins of the premodern past. Several contributors discuss ideas about ruins developed by philosophers such as Immanuel Kant, Georg Simmel, and Walter Benja...
Hollywood Behind the Wall
This book is a representative history of East German film culture from 1946 to the present, examining both DEFA's celebrated classics and the most acclaimed post-unification feature films by East German directors. As Berghahn shows, East German cinema occupies an ambivalent position between German national cinema on the one hand and East European and Soviet cinema on the other. It includes a wide-ranging exploration of post-unification cinema from East Germany, including cult films such as Sun Alley and Goodbye, Lenin! and provides contextualized readings of twenty significant films, referencing one hundred and ninety East German films in total, along with numerous West German and East European classics.
The Perfect Wave
Almost weightless and able to pass through the densest materials with ease, neutrinos may offer answers to questions ranging from relativity and quantum mechanics to more radical theories about dark energy and supersymmetry. Heinrich Päs serves as our fluent guide to a particle world that tests the boundaries of space, time, and human knowledge.
The Higgs Mechanism Explained
The Standard Model explains how the universe works at distances a billion times smaller than the size of an atom. However, in the Standard Model, none of the particles have mass, yet one only has to look around to see that things do have mass. Explaining the source of mass has been the goal of particle physicists for over half a century, culminating in the discovery of the Higgs boson at the Large Hadron Collider in 2012. Supporting the Next Generation Science Standards' emphasis on scientific collection and analysis of data and evidence-based theories, this book simplifies the difficult concept of the Higgs mechanism through analogies to everyday experiences as well as pictures, diagrams, and intuitive explanations.
Histories of the Aftermath
In 1945, Europeans confronted a legacy of mass destruction and death: millions of families had lost their homes and livelihoods; millions of men had lost their lives; and millions more had been displaced by the war's destruction. This volume explores how Europeans came to terms with these multiple pasts.
Functional Foods for Chronic Diseases - Diabetes and Related Diseases
Each year since 2004, the Functional Foods Center has held international conferences under the series "Functional Foods for the Prevention and Treatment of Chronic Diseases". The 6th annual conference held on December 4-5, 2009, at Texas Woman's University in Denton, TX, USA is entitled, "Functional Foods for Chronic Diseases: Diabetes and Related Diseases." The main goal of the 2009 conference is to bring together experts in medicine, biology and food industry to discuss the contribution of functional foods in the prevention and treatment of diabetes and its related complications such as cardiovascular diseases, obesity and other disorders. Main conference topics include: the role of nutrition in diabetes occurrence, as well as the creation of functional products for the prevention and treatment of diabetes. Scientific sessions will cover these main aspects of diabetes: 1. the epidemiology and health economics of diabetes, 2. the modern mechanisms and contributing factors of diabetes, 3. diabetes and its related complications, 4. modern diets for diabetes: prevention and control, 5. functional foods for the prevention and management of diabetes.
European Public Procurement
This detailed Commentary provides an authoritative interpretation of each provision in the main EU Directive on public procurement - Directive 2014/24/EU, and is rich in its critical analysis of the provisions of the 2014 Directive and the case-law. The Commentary also highlights the application problems and interpretative issues being raised in EU Member States, which in due time will make their way up to the CJEU or even require further legislative interventions.
Rubble, Ruins and Romanticism
Traditional criticism on German post-war cinema tends to define rubble films as simplistic texts of low artistic quality which serve to reaffirm the spectator's image of him or herself as »a good German« during »bad times«. Yet this study asserts that some rubble films are actually informed by a type of visual and narrative Romantic discourse which aims at provoking a »critical discussion« on German national identity and its reconstruction in the aftermath of the Third Reich. Considering the lack of previous analyses with regard to the key aspects of Romantic visual style, narration and literary motifs in rubble films, this study points to a major gap in research.
