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The Modern Restoration
This book seeks to move twentieth-century German literary history away from its stubbornly persistent reliance on the political turning-points of 1933 and 1945. In the first part of the book, the authors analyze a synchronic corpus of literary journals, identifying a restorative aesthetic mood in the years 1930-1960 which persists across political date boundaries. In the second part, the careers of five writers are considered diachronically against this prevailing restorative climate: Gottfried Benn, Johannes R. Becher, Bertolt Brecht, Günter Eich, and Peter Huchel. Combining these two approaches, the authors show that a fresh perspective that challenges established literary-historical periodisations can shed light on the common cultural and aesthetic ground shared by writers, editors and critics across the ideological divides of the era.
Italian Renaissance Painting According to Genres
Jacob Burckhardt (1818-1897) was one of the first great historians of culture and art. In his manuscript on the genres of Italian Renaissance painting-still unpublished in the original German and published here in English for the first time-Burckhardt assayed a transformative approach to the study of art history. Rather than undertaking a biographical or a chronological reading of artistic development, Burckhardt chose to read the source materials and extant works of the Italian Renaissance synchronically, by genre. Probably written between 1885 and 1893, this manuscript takes up twelve different categories of paintings, ranging from the allegorical to the historical, from the biblical to the mythological, from the glorification of saints to the denunciation of sinners. Maurizio Ghelardi's introductory essay analyzes Burckhardt's innovative treatment of his subject, establishing the importance of this text not only within Burckhardt's oeuvre but also within the continuum of art historical research.
Truth in Serial Form
This volume has its starting point in the veritable explosion of serialized formats in all of forms representation, from painting to printing, beginning in the mid nineteenth century and the well-known fascination with series in biology, mathematics, music, art, or literature. The new media culture of the late nineteenth century, very much shaped by these serialized formats, sees itself confronted with questions of truthfulness in new and profound ways, just as perhaps the accelerated rhythm, anonymity, and broadened accessibility of new media today have created new possibilities for the dissemination of misinformation and, conversely, give us cause to interrogate anew our notions of truthfu...
Architecture and the Nazi Cultural Landscape
This book traces cultural landscape as the manifestation of the state and national community under the Nazi regime, and how the Nazi era produced what could be referred to as a totalitarian cultural landscape. For the Nazi regime, cultural landscape was indeed a heritage resource, but it was much more than that: cultural landscape was the nation. The project of Nazi racial purification and cultural renewal demanded the physical reshaping and reconceptualization of the existing environment to create the so-called "new Nazi cultural landscape." One of the most important components of this was a set of monumental sites thought to embody blood and soil beliefs through the harmonious synthesis of...
A Broad Place
Among the most acclaimed and accomplished theologians of the last 100 years, Jurgen Moltmann is also one of the most popular. This autobiography will certainly be widely read in the churches and the academy and will shed light on the intellectual development of this enormously influential theologian. He has marked the history of theology after the Second World War in Europe and North America like no other. He is the most widely read, quoted, and translated theologian of our time. Now, after Jurgen Moltmann has celebrated his eightieth birthday, he looks back on a life engaged in and forging a Christian response to the tumult and opportunities of our time. In his autobiography Jurgen Moltmann tells his life story, from the Hamburg youth in the "alternative" parental home up to the present moment, and he reflects on the journey of his own theological development and creativity. A wide-ranging document alert to the deeper currents of his time and ours, A Broad Place is an entertaining reconsideration of a life full of intense experience and new beginnings.
Ezekiel
This work is the first major commentary to focus on the text of LXX Ezekiel in any modern language. Rather than seeing LXX mainly as a text-critical resource with variants to be explained, this commentary, as part of the Septuagint Commentary Series, examines a specific manuscript in its own right as a document used by Greek readers unfamiliar with Hebrew. Included are transcription and English translation of Codex Vaticanus, the oldest extant manuscript of the whole book, and a detailed commentary that also compares the earlier P967 and the Masoretic Text where they differ. Another major new contribution is the utilisation of the sense-delimitation (paragraphs) of Codex Vaticanus itself, exploring how this influences reading of the text.
Language Contact, Colonial Administration, and the Construction of Identity in Ancient Israel
In Language Contact, Colonial Administration, and the Construction of Identity in Ancient Israel, Boyd offers the first book-length incorporation of language contact theory with data from the Bible. It allows for a reexamination of the nature of contact between biblical authors and the Assyrian, Babylonian, and Achaemenid empires.
Refractions of Canada in European Literature and Culture
Ever since the first exploratory expeditions in the early modern period, North America has epitomized to Europeans a promise and the hope for the fulfilment of great expectations, be it of more freedom, greater wealth, social liberation or religious tolerance. While numerous features in this dialogic intercontinental relationship will hold true for North America in its entirety, the vast northern territories which we know as Canada today began to emerge early on as a specific iconic location in European mind-maps, and they definitely acquired a distinctive profile after the formation of the USA. As a rich source of cultural exchange and an important partner in political and economic cooperation Canada has come to occupy an important position in the cultural discourses of many European nations. It is these refractions and images of Canada which this volume thoroughly explores in European literature and culture. The contributions include literature, philosophy, language, life-writing and the concept of 'Heimat' (homeland) as well as the cultural impact of the World Wars. While there is an emphasis on literary texts, other fields of cultural representation are also included.
Schoenberg's Correspondence with Alma Mahler
Schoenberg's Correspondence with Alma Mahler documents a modern music friendship spanning a half century (1903-1951) and two continents.
