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The Swiss Institute Experience
This anthology summarizes seven years of exhibitions at the Swiss Institute in New York. Contributors include John Armleder, Andrew Blake, Michael Bracewell, Tom Burr, Antoine Catala, Florence Derieux, Dan Graham, Harmony Korine, Piper Marshall, Malcolm McLaren, John Miller, Bob Nickas, Walter Pfeiffer, Haim Steinbach and Lawrence Weiner.
Hans Haacke: Swiss Institute Visitors Poll
Complete documentation of the longest-running work from Hans Haacke's famous Poll series German artist and institutional critique pioneer Hans Haacke (born 1936) is famed worldwide for examining museums by directly asking their audiences questions. Hans Haacke: Swiss Institute Visitors Poll documents the results of his longest ever poll work, which was conducted at Swiss Institute from June 21, 2018 to October 24, 2019. Newly commissioned for this publication, Haacke's featured essay outlines the history of his poll works, discussing the context and development of this body of work over four decades--all leading up to the Swiss Institute Visitors Poll. The book documents the results of the poll, including 652 pages of facsimile index cards that were written by poll respondents in response to Question #20: "What multiple-choice question would you also have liked to see in this poll?"
The Swiss Institute for Nuclear Research SIN
This book tells the story of the Swiss Institute for Nuclear Research (SIN). The institute was founded in 1968 and became part of the Paul Scherrer Institute (PSI) in 1988. Its founding occurred at a time when physics was generally considered the key discipline for technological and social development. This step was unusual for a small country like Switzerland and showed courage and foresight. Equally unusual were the accomplishments of SIN, compared with similar institutes in the rest of the world, as well as its influence on Swiss, and partially also on international politics of science. That this story is now available in a widely understandable form is due to the efforts of some physicists, who took the initiative as long as contemporary witnesses could still be questioned. As is usually the case, official documents always show just an excerpt of what really happened. An intimate portrayal of people who contributed to success requires personal memories. This text relies on both sources. In addition, the events are illustrated with numerous photos.
Performing Image
An examination of how artists have combined performance and moving image for decades, anticipating our changing relation to images in the internet era. In Performing Image, Isobel Harbison examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism. Over this period, artists have used a variety of DIY modes of self-imaging and circulation—from home video to social media—suggesting how and why Western subjects might seek alternative platforms for self-expression and self-representation. In the course of her argument, Harbis...
Shahryar Nashat: Keep Begging
A major monograph on artist Shahryar Nashat that will be co-published with Kunsthalle Basel and Lenz Press. The publication presents newly commissioned essays on seven significant bodies of work by Shahryar made in recent years. The featured pairings include Negar Azimi on Psych Twombly; Elena Filipovic on Image is an Orphan and The Cold Horizontals; Huw Lemmey on Bone In and Genevas; Adam Linder on Prosthetic Everyday; Hamza Walker and Aram Moshayedi on Hard Up for Support; Jordan Carter on Sore and Chômage Technique; and Laura McLean-Ferris on Keep Begging; amidst graphic interventions and artist projects by Shahryar that will unfold throughout the book.
Since 1986
Key exhibitions and histories from Swiss Institute, one of New York's most innovative art spaces This volume chronicles New York's Swiss Institute, providing a chronology of exhibitions on art, graphic design, performance art, dance and architecture in its various locations--including its current East Village home on St. Mark's Place--as well as oral histories from key figures.
Bioinformatics
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Acceleration and Improvement of Protein Identification by Mass Spectrometry
At present where protein identification and characterisation using mass spectrometry is a method of choice, this book is presenting a review of basic proteomic techniques. The second part of the book is related to the novel high throughput protein identification technique called the 'molecular scanner'. Several protein identification techniques are described, especially the peptide mass fingerprint with MALDI-MS based method. E.g. ionisation process, matrix available, signal reproducibility and suppression effect, as well as date treatment for protein identification using bioinformatics tools.
Shadow Fux
Separately renowned in their respective mediums of film and painting, Harmony Korine and Rita Ackermann meet in their mutual affection for unorthodox, mischievous beauty, and more specifically in the creation of psychologically jarring figures amplified through fragmented narratives. Shadowfux documents the artists' first collaboration. Taking Korine's recent film Trash Humpers (2009) as its point of departure, it features large-scale works in which Ackermann and Korine have collaged, painted and drawn over stills of the film's beguiling young bodies with old faces. Generated through a call-and-response method, Shadowfux illustrates the importance of cutting to both artists' works. Additionally, it presents short texts by Korine, as well as previously unpublished deleted scenes from Trash Humpers. Accompanying the artists' works are short illustrative texts by exhibition curator Gianni Jetzer, curators Richard Flood and Piper Marshall, and critics Antoine Catala and Cameron Shaw.
