You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
An account of the radical impact of the events of 1968 on French film journals within the context of earlier debates about modernism and attempts to arrive at a materialist understanding of cultural production.
The Black Madonna has long protected her mountain villagers in southern Italy, and some say she followed her people to America. What else explains the magic and miracles on Spring Street in Little Italy over the decades? Teresa, whose son Nicky should never have walked again after his four-story fall, keeps a holy card of the Black Madonna hidden beneath her underwear. Magdalena, beautiful and mysterious, can make any man fall in love with her, including her stepson Salvatore, by praying secretly to an image of the Black Madonna in her attic. And Antoinette, after giving birth to five girls, had Jumbo, the biggest baby Spring Street ever saw -- once she had the Black Madonna's portrait in he...
The first of two volumes, this book has been a classic of film studies for as long as it's been available and is considered the gold standard in the field of film criticism.
THE STORIES: Welcome to the darkly comic world of Shel Silverstein, a world where nothing is as it seems and where the most innocent conversation can turn menacing in an instant. The ten imaginative plays in this collection range widely in content,
During May 1968, students and workers in France united in the biggest strike and the largest mass movement in French history. Protesting capitalism, American imperialism, and Gaullism, 9 million people from all walks of life, from shipbuilders to department store clerks, stopped working. The nation was paralyzed—no sector of the workplace was untouched. Yet, just thirty years later, the mainstream image of May '68 in France has become that of a mellow youth revolt, a cultural transformation stripped of its violence and profound sociopolitical implications. Kristin Ross shows how the current official memory of May '68 came to serve a political agenda antithetical to the movement's aspiratio...
The 19th century has become especially relevant for the present--as one can see from, for example, large-scale adaptations of written works, as well as the explosion of commodities and even interactive theme parks. This book is an introduction to the novelistic refashionings that have come after the Victorian age with a special focus on revisions of Charlotte Bronte's Jane Eyre and Charles Dickens's Great Expectations. As post-Victorian research is still in the making, the first part is devoted to clarifying terminology and interpretive contexts. Two major frameworks for reading post-Victorian fiction are developed: the literary scene (authors, readers, critics) and the national-identity, political and social aspects. Among the works examined are Caryl Phillips's Cambridge, Matthew Kneale's English Passengers, Peter Carey's Oscar and Lucinda and Jack Maggs, Lloyd Jones's Mister Pip, Jean Rhys's Wide Sargasso Sea, D.M. Thomas's Charlotte, and Jasper Fforde's The Eyre Affair.
How can policy keep up with the developments in a converging information society? How can all interests be taken into account when the value chains are being transformed? Addressing these questions, this title states that it is necessary to fundamentally reconsider the legal and policy frameworks
The countryside is changing faster than ever. Fifty years of conservation achievements in the UK are now being confronted by a new complexion of economic forces that are driving change in the countryside. At the same time new ideas in conservation are altering the role that conservation is being asked to play in negotiating the transition from past to future. This revised edition of Bill Adams classic work Future Nature tackles the new challenges in the countryside and wildlife conservation head-on through a new Introduction and Postscript with updated arguments about naturalness and our social engagement with nature, and complemented by a new Foreword by Adrian Phillips. Concepts such as bi...
Settling and Unsettling Memories analyses the ways in which Canadians over the past century have narrated the story of their past in books, films, works of art, commemorative ceremonies, and online. This cohesive collection introduces readers to overarching themes of Canadian memory studies and brings them up-to-date on the latest advances in the field. With increasing debates surrounding how societies should publicly commemorate events and people, Settling and Unsettling Memories helps readers appreciate the challenges inherent in presenting the past. Prominent and emerging scholars explore the ways in which Canadian memory has been put into action across a variety of communities, regions, and time periods. Through high-quality essays touching on the central questions of historical consciousness and collective memory, this collection makes a significant contribution to a rapidly growing field.
Publisher description