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Whole Faith
Intro -- Contents -- Preface -- Acknowledgments -- Introduction -- 1. Franciscan Principles -- 2. Imitation and Deviation -- 3. Travels through Catholic Europe -- 4. Toward the Lamb, with the Lamb -- Conclusion -- Bibliography -- Index
A History of the Spanish Novel
A History of the Spanish Novel is the only volume in English that offers comprehensive coverage of the history of the Spanish novel, from the sixteenth century to the present day, with chapters written by some of the world-leading experts in the field.
Marginal Subjects
Late nineteenth-century Spanish fiction is populated by adulteresses, prostitutes, seduced women, and emasculated men - indicating an almost obsessive interest in gender deviance. In Marginal Subjects, Akiko Tsuchiya shows how the figure of the deviant woman--and her counterpart, the feminized man - revealed the ambivalence of literary writers towards new methods of social control in Restoration Spain. Focusing on works by major realist authors such as Benito Pérez Galdós, Emilia Pardo Bazán, and Leopoldo Alas (Clarín), as well as popular novelists like Eduardo López Bago, Marginal Subjects argues that these archetypes were used to channel collective anxieties about sexuality, class, race, and nation. Tsuchiya also draws on medical and anthropological texts and illustrated periodicals to locate literary works within larger cultural debates. Marginal Subjects is a riveting exploration of why realist and naturalist narratives were so invested in representing gender deviance in fin-de-siècle Spain.
Modern Spanish Women as Agents of Change
This volume brings together cutting-edge research on modern Spanish women as writers, activists, and embodiments of cultural change, and honors Maryellen Bieder's invaluable scholarly contributions. The critical analyses are situated within their specific socio-historical context, and shed new light on nineteenth- and early twentieth-century Spanish literature, history, and culture.
Bulletin
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Striking Their Modern Pose
Cover -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction -- Chapter One: Fashioning Womanhood and Making Modernity in Galdós's La desheredada -- Chapter Two: What Is a Man of Fashion? Manuel Pez and the Dandy in Galdós's La de Bringas -- Chapter Three: Fashion and Feminity in Pardo Bazán's Insolación -- Chapter Four: The Sartorial Charm of the Modern Man in Pardo Bazán's Insolación -- Chapter Five: Dressing the New Woman in Picón's Dulce y sabrosa -- Conclusion -- Notes -- Bibliography -- Index -- About the Book -- About the Author.
UFO: Are We in Danger ?
Should we be afraid of UFOs? In June 2021, NASA's boss admitted that "I’ve talked to those pilots, and they know they saw something, and their radars locked onto it, and then all of a sudden it was here, on the surface and then it’s there. And they don’t know what it is, and we don’t know what it is. We hope it’s not an adversary here on Earth that has that kind of technology." The fear? That the "unexplained phenomena" are a sign of an advancement, terrestrial or extraterrestrial, which is part of an aggressive project that is still in its infancy. In April 2022, a Pentagon report counted 57 effects suffered by people in contact with a UFO: abductions by extraterrestrials, brain l...
Emilia Pardo Bazan
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Painting on the Page
This book examines psychoanalysis, feminism, philosophy, and semiotics to examine late 19th- and 20th-Century Spanish and Spanish-American literature in relation to painting, and to larger questions of art theory and literary history.
Uma Vida Só Não Basta
Thiago de Menezes é nobre de título e alma, uma pessoa abençoada com muito talento por Deus, um intelectual, possui dezenas de livros publicados e é mestre na arte de lidar com pessoas. Transitamos muito em meio à alta sociedade e à boemia do Rio de Janeiro quando nos conhecemos e nos tornamos amigos de prima. Muita coisa em comum. Assim como ele, também transito bem entre muitos mundos, muitas festas e incontáveis momentos emocionantes nessa nossa trajetória. Thiago é elegante e cordial como todo nobre deve ser. Aturou-me em meus momentos de maluquice causando pela noite carioca. E ele sempre impávido em seu pedestal, não precisa descer para se misturar aos outros, faz isso altivamente do auge de sua candura e formalidade.
