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The history of Harbin, ruled by the Russians, by an international coalition of allied powers, by Chinese warlords, by the Soviet Union and finally by the Chinese Communists - all in the course of 100 years - is presented here as an example of Chinese local-history writing.
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The papers brought together in this highly actual book are grouped around three themes. Not only the physical and digital preservation of newspapers are treated, but also the service and access models that are currently under development; examples are provided, with a focus on Southeast Asia. Moreover the dynamism of online newspapers is discussed. This volume contains cutting-edge information which is indispensable for the modern newspaper librarian. Also researchers, educators and journalists may benefit from the introduction to current aspects of the important medium.
Most existing scholarship on Japan’s cultural policy toward modern China reflects the paradigm of cultural imperialism. In contrast, this study demonstrates that Japan—while motivated by pragmatic interests, international cultural rivalries, ethnocentrism, moralism, and idealism—was mindful of Chinese opinion and sought the cooperation of the Chinese government. Japanese policy stressed cultural communication and inclusiveness rather than cultural domination and exclusiveness and was part of Japan’s search for an East Asian cultural order led by Japan. China, however, was not a passive recipient and actively sought to redirect this policy to serve its national interests and aspirations. The author argues that it is time to move away from the framework of cultural imperialism toward one that recognizes the importance of cultural autonomy, internationalism, and transculturation.
A review of education, science, and academic relations with the PRC.
This text argues that the underlying theme of China's development trajectory in the 20th century is reconstruction. Contributors examine how movements and transitions have affected China at regular periods during this century.
This book shows how knowledge about China became part of European general knowledge. It examines English, French, and German encyclopaedias published between 1700 and 1850 and explores the use and presentation of information on China in works of general knowledge. The first chapters explore the origins of early European perceptions of China until 1850, the development of European encyclopaedias, and the sources used for entries on China. The second major part of the book examines the ways in which encyclopaedias presented information on things Chinese (geography, government, economy, history, language and literature, arts and sciences) and how this information was shaped, expanded, perpetuated, revised, and updated.
In the 1930s and ’40s, Japanese rulers in Manchukuo enlisted writers and artists to promote imperial Japan’s modernization program. Ironically, the cultural producers chosen to spread the imperialist message were previously left-wing politically. In Glorify the Empire, Annika A. Culver explores how these once anti-imperialist intellectuals produced avant-garde works celebrating the modernity of a fascist state and reflecting a complicated picture of complicity with, and ambivalence toward, Japan’s utopian project. A groundbreaking work, Glorify the Empire magnifies the intersection between politics and art in a rarely examined period of Japanese history.
The Cultural Revolution began from above, yet it was students and workers at the grassroots who advanced the movement's radical possibilities by acting and thinking for themselves. Resolving to suppress the resulting crisis, Mao set events in motion in 1968 that left out in the cold those rebels who had taken it most seriously, Yiching Wu shows.