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Tania Bruguera: Talking to Power / Hablándole Al Poder
The work of Cuban artist Tania Bruguera (born 1968) researches and performs the ways in which art can be applied to collective everyday life, focusing on the transformation of emotion into political action. Talking to Power / Hablándole al Podersurveys Bruguera's artworks for the public sphere created between 1985 and 2017, all of which position art as a resource for social change. This collection of works offers the reader a deep understanding of the artist's strategies for intervening in power. Richly illustrated and including rarely seen documentation of Bruguera's actions, this volume features texts by José Luis Falconi, Grant Kester, Suzanne Lacy, Cuauhtémoc Medina and Peggy Phelan.
Tania Bruguera in Conversation with Claire Bishop
A controversial figure working in installation and performance, Cuban artist Tania Bruguera (born 1968) has consistently blurred the lines between art and activism. Defining herself as an initiator rather than an author, she often invites spectator participation and works in a collaborative mode, working with various organizations, institutions and individuals to challenge political and economic power structures and the control they hold over society. She researches and performs the ways in which art can be applied to everyday life, and how its effects can translate into political action. From offering Cubans one minute of uncensored time in Havana's Plaza de la Revolución (#YoTambienExijo,...
Tania Bruguera: Let Truth Be, Though the World Perish
Key performances and new works from the Cuban activist and artist famed for her courageous defiance of governmental oppression Over the past three decades, Cuban performance artist Tania Bruguera (born 1968) has consistently and inventively blurred the line between art and activism. She first gained notoriety for her 1997 solo performance The Burden of Guilt (El peso de la culpa), a response to the mass suicide of a group of Indigenous Cubans who had consumed soil to demonstrate resistance to Spanish occupation. Subsequent works have frequently put her in conflict with the Cuban government: most notoriously, in Tatlin's Whisper #6, performed in her native Havana in 2009, she set up a stage for audience members to speak uncensored for one minute. Featuring a die-cut cover, Tania Bruguera: Let Truth Be, Though the World Perish includes her most significant performances and installations, as well as a new work designed for Milan's Padiglione d'Arte Contemporanea.
Tania Bruguera
Tania Bruguera is an interdisciplinary artist who explores exile and survival. Bruguera recently developed a form she calls "Arte de Conducta," or behavior art, in which she constructs situations that compel audience response.
Tania Bruguera
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Hyundai Commission: Tania Bruguera
Since Tate Modern opened in 2000, the Turbine Hall has hosted some of the world's most memorable and acclaimed works of contemporary art, reaching an audience of millions. The way artists have interpreted this vast industrial space has revolutionised public perceptions of contemporary art in the twenty-first century. The annual Hyundai Commission, now in its fourth year, gives artists an opportunity to create new work for this unique context. In 2018 the Hyundai Commission will be undertaken by a Cuban0installation and performance artist, Tania Bruguera (b.1968), who is world-renowned for her complex and absorbing performance pieces. Bruguera's work often pivots around issues of authority, power and control, and several of her past works have interrogated0and re-presented events in Cuban history. For this new installation Bruguera will be exploring the vitally contemporary issue of immigration and examining how that expands into notions of community and 'the neighbourly'.00Exhibition: Tate Modern, London, UK (02.10.2018-24.02.2019).
The Francis Effect
“The Francis Effect was about proposing something completely absurd, as absurd as borders are. If Immigrant Movement was for the thousands of people who went there, The The Francis Effect was just for one person, the pope. But the more people that participated, the more personal it became.” –Tania Bruguera Stemming from a performance that originated at the Guggenheim Museum, The Francis Effect explores Tania Bruguera’s work as an artist, activist, and Cuban immigrant to the US engaging the tension between art’s pragmatic, activist, and aesthetic possibilities. The performance of The Francis Effect follows the guise of a political campaign, aiming to request that the Pope grant Vati...
Artificial Hells
Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the developme...
Life on the Hyphen
An expanded, updated edition of the classic study of Cuban-American culture, this engaging book, which mixes the author’s own story with his reflections as a trained observer, explores how both famous and ordinary members of the “1.5 Generation” (Cubans who came to the United States as children or teens) have lived “life on the hyphen”—neither fully Cuban nor fully American, but a fertile hybrid of both. Offering an in-depth look at Cuban-Americans who have become icons of popular and literary culture—including Desi Arnaz, Oscar Hijuelos, musician Pérez Prado, and crossover pop star Gloria Estefan, as well as poets José Kozer and Orlando González Esteva, performers Willy Chirino and Carlos Oliva, painter Humberto Calzada, and others—Gustavo Pérez Firmat chronicles what it means to be Cuban in America. The first edition of Life on the Hyphen won the Eugene M. Kayden National University Press Book Award and received honorable mentions for the Modern Language Association’s Katherine Singer Kovacs Prize and the Latin American Studies Association’s Bryce Wood Book Award.
New Art of Cuba
Starting with the groundbreaking 1981 exhibit called "Volumen I," New Art of Cuba provided the first comprehensive look at the works of the first generation of Cuban artists completely shaped by the 1959 revolution. This revised edition includes a new epilogue that discusses developments in Cuban art since the book's publication in 1994, including the exodus of artists in the early 1990s, the effects of the new dollar economy on the status of artists, and the shift away from socialist themes to more personal concerns in the artists' works. Twenty-four new color plates augment the more than 200 b&w illustrations of the original volume.
