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Occupied Pleasures
Occupied Pleasures by Tanya Habjouqa is a testimony to Palestinian resilience as they pursue simple pleasures in the face of the modern world's longest occupation. Tanya's lens explores how people find normalcy through the daily absurdities and indignities of occupation.Inspired by Martin Parr, Tanya documents the growing "fringe pleasures," from the flying parkour boys of Qalqilya to the surfers and break-dancers of Gaza. She focuses on the quiet moments of release and escape.As Dr. Laleh Khalili says about Occupied Pleasures in her introduction, "We also need imagery that captures the poetry of everyday life, and not only the prose of strife. We need the fleeting wash of pleasure to color ...
Realism in Rawiya
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In Between
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Palestinian Berlin
How do Palestinian immigrants perceive and use the public space in the city of Berlin? Is their perception and use of space homogenous as a group? What are the main patterns of their socio-spatial practices in public spaces? How do they influence the urban landscape of the neighborhoods in which they live? Which factors play a role in their perception and use of public space and how do the hybrid identities of the second and third generations affect their socio-spatial behavior in comparison to the first generation? This book aims to present a study about Palestinian immigrants in Berlin and answer these questions and more about Palestinian identity, socio-spatial practices and use of public space.
The War In-Between
Explores the ambiguities and contradictions that disrupt the assumed boundaries of battle zones Against the fabric of suffering that unfolds around more spectacular injuries and deaths, The War In-Between studies visual depictions of banal, routine, or inscrutable aspects of militarized violence. Spaces of the in-between are both broader and much less visible than battlefields, even though struggles for survival arise out of the same conditions of structural violence. Visual artifacts including photographs, video, data visualizations, fabric art, and craft projects provide different vantage points on the quotidian impacts of militarism, whether it is the banality of everyday violence for non...
Women Photograph: What We See
Open your eyes to a new world view with 100 women and nonbinary photojournalists’ stories from behind the lens. 85% of photojournalists are men. That means almost everything that is reported in the world is seen through men’s eyes. Similarly, spaces and communities men don’t have access to are left undocumented and forgotten. With the camera limited to the hands of one gender, photographic ‘truth’ is more subjective than it seems. To answer this serious ethical problem, Women Photograph flips that bias on its head to show what and how women and nonbinary photojournalists see. From documenting major events such as 9/11 to capturing unseen and misrepresented communities, this book pr...
What it Means to be Palestinian
"What It Means to be Palestinian" is a narrative of narratives, a collection of personal stories, remembered feelings and reconstructed experiences by different Palestinians whose lives were changed and shaped by history. Their stories are told chronologically through particular phases of the Palestinian national struggle, providing a composite autobiography of Palestine as a landscape and as a people. The book begins with the 1936 revolt against British rule in Palestine and ends in 1993, with the Oslo peace agreement that changed the nature and form of the national struggle. It is based on in-depth interviews and conversations with Palestinians, male and female, old and young, rich and poor, religious and secular, in Jordan, Lebanon, Syria, Israel and the Occupied Territories. Presented as remembered personal narratives and as 'social' histories, these conversations provide a deep & intimate account of what it means to be Palestinian in the 21st century.
From the River to the Sea
From the River to the Sea: Palestine and Israel in the Shadow of ‘Peace’ provides original analyses of how different coping strategies were developed as well as new forms of political expression, interaction, and mobilization since the 1993 peace deal between the Palestine Liberation Organization and Israel. Its premise is that an historical realism is essential in order to develop a route out of the post-Oslo impasse that extended and solidified the power imbalance under the auspices of ‘peace’. The book includes chapters from experts across the disciplines of anthropology, economics, law, political science and sociology to map out and critically assess the impacts and responses to this ‘peace’ in different geographical and political settings. These innovative analyses also investigate processes that might enable a future to be built based on greater equality and an end to the oppression and violence that currently exists between the Jordan River and the Mediterranean Sea (and beyond).
Queer Palestine and the Empire of Critique
From Ramallah to New York, Tel Aviv to Porto Alegre, people around the world celebrate a formidable, transnational Palestinian LGBTQ social movement. Solidarity with Palestinians has become a salient domain of global queer politics. Yet LGBTQ Palestinians, even as they fight patriarchy and imperialism, are themselves subjected to an "empire of critique" from Israeli and Palestinian institutions, Western academics, journalists and filmmakers, and even fellow activists. Such global criticism has limited growth and led to an emphasis within the movement on anti-imperialism over the struggle against homophobia. With this book, Sa'ed Atshan asks how transnational progressive social movements can balance struggles for liberation along more than one axis. He explores critical junctures in the history of Palestinian LGBTQ activism, revealing the queer Palestinian spirit of agency, defiance, and creativity, in the face of daunting pressures and forces working to constrict it. Queer Palestine and the Empire of Critique explores the necessity of connecting the struggles for Palestinian freedom with the struggle against homophobia.
Muhajababes
Meet Allegra Stratton, hip young journalist. She's been wrong about the war in Iraq, fallen out with her friend, and is fast approaching a quarter-life crisis. In her disillusionment she takes herself to Beirut, Amman, Cairo, Dubai, Kuwait City and Damascus to understand what daily life is like for Arabs of her own age. She finds that two-thirds of the Middle East population is younger than 25. That there are more graduates than at any time in history, but few jobs to go round.The youth are trying to come to terms with the Middle Eastern ripple of change: Iraq's first post-Saddam elections, Lebanon's Cedar Revolution, Kuwait giving women the vote. Islamic revival is in the wind. Or is it? While looking for youth culture as she knows it, Allegra soon discovers that it is the massive video industry of airbrushed, heavily produced, scantily clad singers who hold the affections of young Arabs-the Muhajababes. And there's a contradiction: many of the fans of these semi-naked popstrels are also very devout.Is this trendy Islam, or just another form of religious conservatism? The answer to this question may lie closer to home than Allegra thought.
