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The Ancestors' Instructions Must Not Change: Political Discourse and Practice in the Song Period
This book offers an account of the development and transformations of the discourse of ancestors’ instructions in the Song period. It explains how rulers selected words and deeds of ancestors in tandem with changes in current affairs, and how they gave them different meanings to create not only an image of the ancestors that were suitable for emulation but also a talisman to safeguard their administration. Using abundant resources, exercising an economy of words and academic rigor, the author digs deep to tease apart the complex and versatile relationship between the meaning and the truth of the Song discourse on ancestors’ instructions.
A Library of Clouds
From early times, Daoist writers claimed to receive scriptures via revelation from heavenly beings. In numerous cases, these writings were composed over the course of many nights and by different mediums. New revelations were often hastily appended, and the resulting unevenness gave rise to the impression that Daoist texts often appear slapdash and contain contradictions. A Library of Clouds focuses on the re-writing of Daoist scriptures in the Upper Clarity (Shangqing) lineage in fourth- and fifth-century China. Scholarship on Upper Clarity Daoism has been dominated by attempts to uncover “original” or “authentic” texts, which has resulted in the neglect of later scriptures—includ...
Daoist Identity
Daoist Identity is an exploration of the various means by which Daoists over the centuries have created an identity for themselves. Using modern sociological studies of identity formation as its foundation, it brings together a representative sample of in-depth analyses by eminent American and Japanese scholars in the field. The discussion begins with critical examinations of the ways identity was found among the early movements of the Way of Great Peace and the Celestial Masters. The role of sacred texts and literary culture in Daoist identity formation is discussed. The volume then focuses on lineage formation and the increasing role of popular religious practices, such as spirit-writing, ...
The Chinese Love Story from the Tenth to the Fourteenth Century
Love stories formed a major part of the classical short story genre in China from as early as the eighth century, when men of letters began to write about romantic encounters. In later centuries, such stories provided inspiration for several new literary genres. While much scholarly attention has been focused on the short story of both the medieval and late imperial eras, comparatively little work has been attempted on the interim stage, the Song and Yuan dynasties, which spanned some five hundred years from the tenth to the fourteenth centuries. Yet this was a crucial developmental period for many forms of narrative literature—so much so that any understanding of late imperial narrative s...
Chinese Art
China's entry into the modern era was shaped by unprecedented internal turmoil and external pressures, which brought a forceful end to two millennia of imperial rule and cultural insularity. The essays in this volume offer a variety of perspectives on the impact of the West on indigenous literature, architecture, painting, and calligraphy during this period (ca. 1860-1980). This book is published in conjunction with the exhibition "Nineteenth- and Twentieth-Century Chinese Paintings from the Robert H. Ellsworth Collection in The Metropolitan Museum of Art", held at the museum from 30th January-19th August 2001.
A Topsy-Turvy World
Playwriting in many forms flourished during the late Ming and early Qing dynasties. Shorter theatrical genres in particular offered playwrights opportunities for experimentation with both dramatic form and social critique. Despite their originality and wit, these short plays have been overshadowed by the lengthy masterpieces of the southern drama tradition. A Topsy-Turvy World presents English translations of shorter sixteenth-to-eighteenth-century plays, spotlighting a lesser-known side of Chinese drama. Satirical and often earthy, these mostly one-act plays depict deceit, dissembling, reversed gender roles, and sudden upending of fortunes. With zest and humor, they portray henpecked husban...
A Short History of Paper in Imperial China
Paper has become the most common writing material worldwide in the course of a two millennia history. This study provides a magisterial synthesis of recent scholarship and original insights into the origins of papermaking and its subsequent history in imperial China, including a wide range of archaeological evidence and literary sources. The volume introduces the materials and technologies of paper production and presents the cultural history of paper in traditional China. A comprehensive survey of literary sources on the production and use of paper is undertaken starting with the ongoing debate about the origin and genesis of paper, which was fuelled by recent archaeological discoveries of paper or proto-paper from the last two centuries BCE. In addition to its having become a popular writing material produced in many different qualities for both handwriting and printing, it also served as a material for wrapping or decorating, money and numerous uses in everyday life, such as umbrellas, windows, clothing, wallpapers, curtains and kites. Precious paper contributed to the aesthetics of calligraphy and painting, catering to the taste of the educated elite and artists.
Invitation to a Banquet: The Story of Chinese Food
The world’s most sophisticated gastronomic culture, brilliantly presented through a banquet of thirty Chinese dishes. Chinese was the earliest truly global cuisine. When the first Chinese laborers began to settle abroad, restaurants appeared in their wake. Yet Chinese has the curious distinction of being both one of the world’s best-loved culinary traditions and one of the least understood. For more than a century, the overwhelming dominance of a simplified form of Cantonese cooking ensured that few foreigners experienced anything of its richness and sophistication—but today that is beginning to change. In Invitation to a Banquet, award-winning cook and writer Fuchsia Dunlop explores t...
The Chinese Virago
Drawing from a broad array of literary, historical, dramatic and anecdotal sources, Yenna Wu makes a rich exploration of an unusually prominent theme in premodern Chinese prose fiction and drama: that of jealous and belligerent wives, or viragos, who dominate their husbands and abuse other women. Focusing on Chinese literary works from the sixteenth to the eighteenth centuries, she presents many colorful perspectives on this type of aggression, reviewing early literary and historical examples of the phenomenon. Wu argues that although the various portraits of the virago often reveal the writers' insecurities about strong-willed women in general, the authors also satirize the kind of man whose behavioral patterns have been catalysts for female aggression. She also shows that, while the women in these works are to some extent male constructs designed to affirm the patriarchal system, various elements of these portraits constitute a subversive form of parody that casts a revealing light on the patriarchal hierarchy of premodern China.
Chinese Encyclopaedias of New Global Knowledge (1870-1930)
This is a set of pioneering studies on Chinese encyclopaedias of modern knowledge (1870-1930). At a transitional time when modern knowledge was sought after yet few modern schools were available, these works were crucial sources of information for an entire generation. This volume investigates many of these encyclopaedias, which were never reprinted and are hardly known even to specialists, for the first time. The contributors to this collection all specialize in the period in question and have worked together for a number of years. The resulting studies show that these encyclopaedias open a unique window onto the migration and ordering systems of knowledge across cultural and linguistic borders.
