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In addition to the classical literary corpus, Chrysostom, like many other educated Christians, relied upon the Scriptures as an equally important source. Focusing on the use which writers made of the Scriptures in order to convey their moral, social, and theological ideas, this study is unique in that it offers a detailed analysis of patristic rhetoric against the background of the scriptural corpus. A close examination of a wide range of Greek exegetical and homiletic writings, in particularly the newly-available edition of the Greek Catena, reveals that the Fathers wrote and preached in accordance with well-established literary conventions. Chrysostom, his Antiochene colleagues and his Ale...
In The Heirs of Theodore Seth M. Stadel examines Aḥob of Qatar, a late 6th-century East Syriac biblical commentator, and his surviving Old Testament exegetical works. He further investigates what can be deduced of Aḥob’s influence on the later East Syriac exegetical tradition, and he details the originality of Aḥob’s exegesis, especially in comparison with earlier and contemporary Greek and Syriac sources. By presenting the first annotated edition, English translation, and study of Aḥob’s extant Old Testament exegetical works, Stadel is able to show that Aḥob represents a distinct voice within the East Syriac exegetical tradition.
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Maarten Vanvolsem explains how the strip technique can tell a different story of time and space in photographic images, a story that leads to new expressions and experiences of time and movement.
This book enables one to judge Theodore's christological statements in the wider context of how he conceives of Christ's roles in salvation.
In Tradition and Innovation, Nathan Witkamp convincingly argues that Narsai of Nisibis’ (d. ca. 503) baptismal rite and mystagogy, as portrayed in his Liturgical Homilies 21-22, are much less dependent on Theodore of Mopsuestia (ca. 350-ca. 428) than scholars have previously supposed. Narsai’s baptismal rite turns out to represent a particular East Syrian liturgical tradition, independent of Theodore. In his mystagogy, Narsai uses Theodore’s Baptismal Homilies 1-3 as just one source among others to create the artwork he desires. This detailed comparative study contributes to our understanding of rite and mystagogy in Theodore and Narsai within the broader early Syrian context, as well as to the reception of Theodore by Narsai and the East Syrian Church.
It is a remarkable fact that the writings of Philo, the Jew from Alexandria, were preserved because they were taken up in the Christian tradition. But the story of how this process of reception and appropriation took place has never been systematically research. In this book the author first examines how Philo's works are related to the New Testament and the earliest Chritian writing, and then how they were used by Greek and Latin church fathers up to 400 c.e., with special attention to the contributions of Clement, Origen, Didymus, Eusebius, Gregory of Nyssa, Ambrose, and Augustine. Philo in Early Christian Literature is a valuable guide to the state of scholarly research on a subject that has thus far been investigated in a rather piecemeal fashion.
On choreography: "Choreography is a negotiation with the patterns your body is thinking" On rules: "Try breaking the rules on a need to break the rules basis" A Choreographer’s Handbook invites the reader to investigate how and why to make a dance performance. In an inspiring and unusually empowering sequence of stories, ideas and paradoxes, internationally renowned dancer, choreographer and teacher Jonathan Burrows explains how it’s possible to navigate a course through this complex process. It is a stunning reflection on a personal practice and professional journey, and draws upon five years’ of workshop discussions, led by Burrows. Burrows’ open and honest prose gives the reader access to a range of exercises, meditations, principles and ideas on choreography that allow artists and dance-makers to find their own aesthetic process. It is a book for anyone interested in making performance, at whatever level and in whichever style.
In a supportive article covering the 4th Berlin Biennial, critic Steven Henry Madoff took a moment to question what many have termed "Biennial Fever," writing, "Are [biennials] here to capture trends or to advance artists' voices in a larger social dialogue? Do they promote international understanding or local interests? Are they bully pulpits for curators turned ideologues, or are they simply there to tap the art market's stopwatch till the next survey of hot new things draws the attention of an ever expanding universe of collectors?" For the 2008 edition of this always-provocative international fair, Curators Adam Szymczyk and Elena Filipovic brought together primarily newly commissioned work by 50 emerging and established international artists for a round-the-clock exhibition that included 63 nightly events. This expansive volume documents it all, and contains contributions by writers, critics and artists including Beatriz Colomina, Bettina Viesmann, Cameron Jamie, Gabriel Kuri, Babette Mangolte, Ahmet Ögüt and Katerina Seda.
The art of interpreting Holy Scriptures flourished throughout the culturally heterogeneous pre-modern Orient among Jews, Christians and Muslims. Different ways of interpretation developed within each religion not without considering the others. How were the interactions and how productive were they for the further development of these traditions? Have there been blurred spaces of scholarly activity that transcended sectarian borders? What was the role played by mutual influences in profiling the own tradition against the others? These and other related questions are critically treated in the present volume.