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Despite increasingly nuanced understandings of the neurobiology of addiction and a greater appreciation of the social and economic conditions that allow drug dependency to persist, there remain many unknowns regarding the individual experience of substance abuse and its treatment. In recent years, novel pharmaceutical therapies have given rise to both new hopes for recovery and renewed fears about drug diversion and abuse. In The Clinic and Elsewhere, Todd Meyers looks at the problems of meaning caused by drug dependency and appraises the changing terms of medical intervention today. By following a group of adolescents from the time they enter drug rehabilitation treatment through their reen...
While studying caregiving and chronic illness in families living in situations of economic and social insecurity in Baltimore, anthropologist Todd Meyers met a woman named Beverly. In All That Was Not Her Meyers presents an intimate ethnographic portrait of Beverly, stitching together small moments they shared scattered over months and years and, following her death, into the present. He meditates on the possibilities of writing about someone who is gone—what should be represented, what experiences resist rendering, what ethical challenges exist when studying the lives of others. Meyers considers how chronic illness is bound up in the racialized and socioeconomic conditions of Beverly’s life and explores the stakes of the anthropologist’s engagement with one subject. Even as Meyers struggles to give Beverly the final word, he finds himself unmade alongside her. All That Was Not Her captures the complexity of personal relationships in the field and the difficulty of their ending.
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The injuries suffered by soldiers during WWI were as varied as they were brutal. How could the human body suffer and often absorb such disparate traumas? Why might the same wound lead one soldier to die but allow another to recover? In The Human Body in the Age of Catastrophe, Stefanos Geroulanos and Todd Meyers uncover a fascinating story of how medical scientists came to conceptualize the body as an integrated yet brittle whole. Responding to the harrowing experience of the Great War, the medical community sought conceptual frameworks to understand bodily shock, brain injury, and the vast differences in patient responses they occasioned. Geroulanos and Meyers carefully trace how this emerging constellation of ideas became essential for thinking about integration, individuality, fragility, and collapse far beyond medicine: in fields as diverse as anthropology, political economy, psychoanalysis, and cybernetics. Moving effortlessly between the history of medicine and intellectual history, The Human Body in the Age of Catastrophe is an intriguing look into the conceptual underpinnings of the world the Great War ushered in.
Set in Pleasanton, California, Todd James Myers lives between a world of light and darkness, but the bridge connecting him to his death is calling out to claim his soul. The demons from his childhood followed him to the dark side but he's not the only one to take the fall. Kaleigh, a beautiful girl from his past, has a horrific secret that unexpectedly hurled her into Todd's realm. This intricate web of abuse, addiction and an awakening, that no one see's coming, will make them fight for life!
At the time of his death in 1995, Georges Canguilhem was a highly respected historian of science and medicine, whose engagement with questions of normality, the ideologization of scientific thought, and the conceptual history of biology had marked the thought of philosophers such as Michel Foucault, Louis Althusser, Pierre Bourdieu, and Gilles Deleuze. This collection of short, incisive, and highly accessible essays on the major concepts of modern medicine shows Canguilhem at the peak of his use of historical practice for philosophical engagement. In order to elaborate a philosophy of medicine, Canguilhem examines paramount problems such as the definition and uses of health, the decline of t...
During the last thirty years, biophysicist and philosopher Henri Atlan has been a major voice in contemporary European philosophical and bio-ethical debates. In a massive oeuvre that ranges from biology and neural network theory to Spinoza's thought and the history of philosophy, and from artificial intelligence and information theory to Jewish mysticism and to contemporary medical ethics, Atlan has come to offer an exceptionally powerful philosophical argumentation that is as hostile to scientism as it is attentive to biology's conceptual and experimental rigor, as careful with concepts of rationality as it is committed to rethinking the human place in a radically determined yet forever changing world. --Book Jacket.
As the work of thinkers such as Michel Foucault, Fran ois Jacob, Louis Althusser, and Pierre Bourdieu demonstrates, Georges Canguilhem has exerted tremendous influence on the philosophy of science and French philosophy more generally. In Knowledge of Life, a book that spans twenty years of his essays and lectures, Canguilhem offers a series of epistemological histories that seek to establish and clarify the stakes, ambiguities, and emergence of philosophical and biological concepts that defined the rise of modern biology. How do transformations in biology and modern medicine shape conceptions of life? How do philosophical concepts feed into biological ideas and experimental practices, and ho...
Filling a gap in the ethnographic analysis of the role of youth in armed conflict, this book describes, from the perspective of the young fighters themselves, the tactics that young local leaders used and how the state retaliated, young peoples' experiences of pain and loss, the effect on fighters of the extensive use of informers by the state as a weapon of war, and the search for an ethic of survival.
Baxstrom and Meyers examine how violence and an unmarked, stubbornly persistent conception of 'nature' weave into the fabric of the human in the recent work of three important filmmakers. For Werner Herzog, the salience of prehistory links new cinematic formulations to a long Western tradition of metaphysics, marking man's break with nature, his fall into consciousness and history, and his impossible effort to grasp the violence of his descent. In Joshua Oppenheimer's The Act of Killing and The Look of Silence, the display of seemingly 'unrepresentable' violence rendered through reenactments of killings performed by the original perpetrators against Indonesian 'communists' in 1965-66 operates according to logics of trauma and shame, advancing a troubling ontotheology that seeks to neutralize politics and ethics in favor of a vague, curative transcendence. And finally, the films of Lucien Castaing-Taylor offer a picture of nature as a radically open, colossally empty present--nature not as a domain of redemption or restoration for us, but something that overwhelms us, evades us, and crushes us in its path.