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Skin
Poetry. Translated from the Slovene by Matthew Rohrer and Ana Pepelnik. Originally published in Slovenia in 2006 as Koža, SKIN is Tone Škrjanec's first full-length collection to appear in English. Škrjanec's poetic credo is not to be but to let be. His poems exist between the world of things and the mysteries of consciousness in language that is direct, shape- shifting, and lyrical. The underlying poetic procedure is assembly. His aim is to magnify and celebrate. His work in SKIN is humming with the landscape, the city, and as the title suggests, the human body. Škrjanec's is the poetry of a mindful observer.
Indigo
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Baker
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Explodity
The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), which was distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mir...
Vox angelica
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Sun on a Knee
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Ime je Burroughs
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Among trees
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I'll Calm the Horses
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