You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
In Recording History, Peter Martland uses a range of archival sources to trace the genesis and early development of the British record industry from1888 to 1931. A work of economic and cultural history that draws on a vast range of quantitative data, it surveys the commercial and business activities of the British record industry like no other work of recording history has before. Martland's study charts the successes and failures of this industry and its impact on domestic entertainment. Showcasing its many colorful pioneers from both sides of the Atlantic, Recording History is first and foremost an account of The Gramophone Company Ltd, a precursor to today's recording giant EMI, and then ...
As a record producer and administrator, Peter Andry has worked with many of the 20th century's greatest classical music artists and performers. Through his work with Decca, his years as president of EMI Classics, and his creation and direction of Warner Classics, he has collaborated with high-caliber artists such as Maria Callas, Yehudi Menuhin, and Herbert von Karajan. He associated with them in close quarters through times of work, play, stress, and relaxation. He has admired their talent, dedication, and charisma, as well as coped with their foibles, idiosyncrasies, and egos. In Inside the Recording Studio: Working with Callas, Rostropovich, Domingo, and the Classical Elite, Andry recount...
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Walter Legge was one of the greatest ever record producers. His many other activities included founding a great orchestra, the Philharmonia, which he ran for eighteen years as a 'benevolent dictator'. Music formed the central core of his life, but the printed word was also a vital source of inspiration and education. In his writings Walter Legge reveals clearly the many facets of his own remarkable personality, and from his correspondence with the great names of his day we gain rich insight into the musical world in which he played so great a part.
This book contemplates the relationship between opera and anthropology. It rests on the following central arguments: on the one hand, opera is quite a new and “exotic” topic for anthropologists, while, on the other, anthropology is still perceived as an unusual approach to opera. Both initial arguments are indicative of the current situation of the relationship between anthropological discipline and opera research. The book introduces the work of anthropologists and ethnographers whose personal and professional affinity for opera has been explicated in their academic and biographical accounts. Anthropological, ethnological, ethnographic, and semiotic accounts of opera by Claude Lévi-Str...
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
None
Maria Callas (1923–77) was the greatest opera diva of all time. Despite a career that remains unmatched by any prima donna, much of her life was overshadowed by her fiery relationship with Aristotle Onassis, who broke her heart when he left her for Jacqueline Kennedy, and her legendary tantrums on and off the stage. However, little is known about the woman behind the diva. She was a girl brought up between New York and Greece, who was forced to sing by her emotionally abusive mother and who left her family behind in Greece for an international career. Feted by royalty and Hollywood stars, she fought sexism to rise to the top, but there was one thing she wanted but could not have – a happy private life. In Cast a Diva, bestselling author Lyndsy Spence draws on previously unseen documents to reveal the raw, tragic story of a true icon.
The field of music production has for many years been regarded as male-dominated. Despite growing acknowledgement of this fact, and some evidence of diversification, it is clear that gender representation on the whole remains quite unbalanced. Gender in Music Production brings together industry leaders, practitioners, and academics to present and analyze the situation of gender within the wider context of music production as well as to propose potential directions for the future of the field. This much-anticipated volume explores a wide range of topics, covering historical and contextual perspectives on women in the industry, interviews, case studies, individual position pieces, as well as informed analysis of current challenges and opportunities for change. Ground-breaking in its synthesis of perspectives, Gender in Music Production offers a broadly considered and thought-provoking resource for professionals, students, and researchers working in the field of music production today.
Despite increasing scholarship on the cultural Cold War, focus has been persistently been fixed on superpowers and their actions, missing the important role played by individuals and organizations all over Europe during the Cold War years. This volume focuses on cultural diplomacy and artistic interaction between Eastern and Western Europe after 1945. It aims at providing an essentially European point of view on the cultural Cold War, providing fresh insight into little known connections and cooperation in different artistic fields. Chapters of the volume address photography and architecture, popular as well as classical music, theatre and film, and fine arts. By examining different actors ranging from individuals to organizations such as universities, the volume brings new perspective on the mechanisms and workings of the cultural Cold War. Finally, the volume estimates the pertinence of the Cold War and its influence in post-1991 world. The volume offers an overview on the role culture played in international politics, as well as its role in the Cold War more generally, through interesting examples and case studies.