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This collection forges new ground in the discussion of aristocratic and royal women, their relationships with their objects, and medieval geography. It explores how women’s geographic and familial networks spread well beyond the borders that defined men’s sense of region and how the movement of their belongings can reveal essential information about how women navigated these often-disparate spaces. Beginning in early medieval Scandinavia, ranging from Byzantium to Rus', and multiple lands in Western Europe up to 1500, the essays span a great spatio-temporal range. Moreover, the types of objects extend from traditionally studied works like manuscripts and sculpture to liturgical and secular ceremonial instruments, icons, and articles of personal adornment, such as textiles and jewelry, even including shoes.
In this visually rich volume, Mariah Proctor-Tiffany reconstructs the art collection and material culture of the fourteenth-century French queen Clémence de Hongrie, illuminating the way the royal widow gave objects as part of a deliberate strategy to create a lasting legacy for herself and her family in medieval Paris. After the sudden death of her husband, King Louis X, and the loss of her promised income, young Clémence fought for her high social status by harnessing the visual power of possessions, displaying them, and offering her luxurious objects as gifts. Clémence adeptly performed the role of queen, making a powerful argument for her place at court and her income as she adorned h...
This book is the first full-length biography of Joan of Navarre, a fascinating royal woman who became duchess of Brittany and queen consort of England through her two marriages in 1386 and 1403 respectively. Joan was enmeshed in the turbulent politics of the later Middle Ages as her extensive family and marital connections meant she was related to most of the royal houses of Western Europe—as well as the key protagonists of the Hundred Years War. The large foreign entourage that Joan brought with her to England, and her family ties across the Channel, made her unpopular with her subjects and her loyalties suspect, provoking several purges of her household and culminating in a charge of tre...
In 1256, the countess of Provence, Beatrice of Savoy, enlisted her personal physician to create a health handbook to share with her daughters. Written in French and known as the Régime du corps, this health guide would become popular and influential, with nearly seventy surviving copies made over the next two hundred years and translations in at least four other languages. In Visualizing Household Health, art historian Jennifer Borland uses the Régime to show how gender and health care converged within the medieval household. Visualizing Household Health explores the nature of the households portrayed in the Régime and how their members interacted with professionalized medicine. Borland f...
Seldom has a royal court invited such intensive study as that of Henry VIII, or become so prominent in popular culture. Nonetheless, Intercultural Explorations and the Court of Henry VIII is committed to offering a fresh perspective on Tudor court culture, by using continental sources to contextualize, nuance, and challenge long-held perspectives that have been formed through the use of well-studied, Anglophone sources. Using a wide variety of textual sources, from ambassadorial correspondence, account books, household étiquettes, legal records, royal warrants, and marital contracts, to play texts and travel accounts, this study presents original research in history, literature, and cultura...
These volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today’s standard division of artist from patron is not seen in medieval inscriptions—on paintings, metalwork, embroideries, or buildings—where the most common verb is 'made' (fecit). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, fro...
This book explores an alternate history of the power and agency of 30 Hungarian queens over 400 years by a rigorous examination of the material culture connected with their lives. By researching the objects, images, and spaces, it demonstrates how these women expressed and displayed their power. Queens used material culture and space not only to demonstrate their own power to a wide, international audience, but also to consolidate their own position when it was weakened by external circumstances. Both the public and private image of the queen factors significantly in understanding in her own role at the strongly centralized Hungarian court, and, moreover, how her position and person strengthened and complemented that of the king.
A new history of the Kyivan Rus, a medieval dynastic state in eastern Europe. Kyivan Rus’ was a state in northeastern Europe from the late ninth to the mid-sixteenth century that encompassed a variety of peoples, including Lithuanians, Polish, and Ottomans. The Ruling Families of Rus explores the region’s history through local families, revealing how the concept of family rule developed over the centuries into what we understand as dynasties today. Examining a broad range of archival sources, the authors examine the development of Rus, Lithuania, Muscovy, and Tver and their relationships with the Mongols, Byzantines, and others. The Ruling Families of Rus will appeal to scholars interested in the medieval history of eastern Europe.
Women's networks – their relations with other women, men, objects and place – were a source of power in various European and neighbouring regions throughout the Middle Ages. This interdisciplinary volume considers how women's networks, and particularly women's direct and indirect relationships to other women, constituted and shaped power from roughly 300 to 1700 AD. The essays in this collection juxtapose scholarship from the fields of archaeology, art history, literature, history and religious studies, drawing on a wide variety of source types. Their aim is to highlight not only the importance of networks in understanding medieval women's power but also the different ways these networks are represented in medieval sources and can be approached today. This volume reveals how women's networks were widespread and instrumental in shaping political, familial and spiritual legacies.
This book analyses the role of women in the Polish Piast dynasty from c. 965 to c.1144. It discusses gender expectations and the literary topoi employed to describe rulers’ wives and daughters as well as showing their importance in religious donations, the creation of dynastic memory, and naming patterns, as well as examining Piast women’s involvement in female monasticism. Pac takes a comparative approach to these themes, analysing Polish sources alongside sources from other areas of early and high medieval Europe.