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Echoing Hooves
"Saying that horses shaped the medieval world - and the way we see it today - is hardly an exaggeration. Why else do we imagine a medieval knight - or a nomadic warrior - on horseback? Why do we use such metaphors as "unbridled" or "bearing a yoke" in our daily language? Studies of medieval horses and horsemanship are increasingly popular, but they often focus on a single aspect of equestrianism or a single culture. In this book, you will find information about both elite and humble working equines, about the ideology and practicalities of medieval horsemanship across different countries, from Iceland to China"--
Practical Horsemanship in Medieval Arthurian Romance
The figure of a knight on horseback is the emblem of medieval chivalry. Much has been written on the ideology and practicalities of knighthood as portrayed in medieval romance, especially Arthurian romance, and it is surprising that so little attention was hitherto granted to the knight's closest companion, the horse. This study examines the horse as a social indicator, as the knight's animal alter ego in his spiritual peregrinations and earthly adventures, the ups and downs of chivalric adventure, as well as the relations between the lady and her palfrey in romance. Both medieval authors and their audiences knew more about the symbolism and practice of horsemanship than most readers do today. By providing the background to the descriptions of horses and horsemanship in Arthurian romance, this study deepens the readers' appreciation of these texts. At the same time, critical reading of romance supplies information about the ideology and daily practice of horsemanship in the Middle Ages that is otherwise impossible to obtain from other sources, be it archaeology, chronicles or administrative documentation.
Religious Horror and Holy War in Viking Age Francia
Religious Horror and Holy War in Viking Age Francia explores how authorities in western Francia used horror rhetoric to cast Christian soldiers, who robbed the poor and the church, as monsters that devoured human flesh and drank human blood. Adapting modern literary horror approaches to medieval sources, this study reveals how such rhetoric served as a form of spiritual weaponry in the clergy's attempts to correct and condemn wayward military men. This investigation, therefore, unearths long-forgotten Carolingian thought about the dreadful spiritual reality of internal enemies during a time of political division and the Northmens depredations. Yet such horror also informed a new understanding of Christian heroism that developed in relation to the wars fought against the invaders. This vision of heroic soldiers, which included military martyrs, culminated in ideas about holy war against the pagans. Thus Carolingian religious horror and holy war together belonged to a body of ideas about the spiritual, unseen side of the church's cosmic conflict against evil that foreshadowed later medieval Crusading thought.
The Materiality of the Horse
Inspired by our age-old fascination with equids, Materiality of the Horse brings the latest academic research in equine history to a wider readership. Themes examined within the book by specialist contributors include explorations of material culture relating to horses and what this discloses about the horse-human relationship; fresh observations on significant medieval horse-related texts from Europe and the Islamic world; and revealing insights into the effect of the introduction of horses into indigenous cultures in South America. Thought-provoking and original, Materiality of the Horse is the second volume in Trivent Publishing's innovative "Rewriting Equestrian History" series.
Medieval Humour
Simultaneously pervasive and evasive, rebellious and oppressive, transgressive and socially specific, humour is a vast and interdisciplinary field of research. Seeking to rethink this quintessentially human expression, this volume is bringing together established and emerging directions of medieval humour research. Each contribution explores different artistic expressions, receptions and functions of humour and identifies a series of problems in researching humour historically. Medieval Humour: Expressions, Receptions and Functions dissects humour in art and thought, literature and drama, society and culture, contributing to a deeper understanding of our cultural past.
Ambiguous Women in Medieval Art
Ambiguous Women in Medieval Art brings together the work of seven researchers who, coming from different perspectives, and in some cases different disciplines, approach the question of ambiguity in relation to different case-studies where the represented women do not follow the ever-present dichotomy exemplified by Eve and Mary. In doing so, they demonstrate the complexities of a topic that is as contemporary as it is ancient. Through them, we can get valuable insights on the understanding and experience of gender in the past and the ways in which these experiences have shaped our own understanding of this topic.
Religious Horror and Holy War in Viking Age Francia
Religious Horror and Holy War in Viking Age Francia explores how authorities in western Francia used horror rhetoric to cast Christian soldiers, who robbed the poor and the church, as monsters that devoured human flesh and drank human blood. Adapting modern literary horror approaches to medieval sources, this study reveals how such rhetoric served as a form of spiritual weaponry in the clergy's attempts to correct and condemn wayward military men. This investigation, therefore, unearths long-forgotten Carolingian thought about the dreadful spiritual reality of internal enemies during a time of political division and the Northmen's depredations. Yet such horror also informed a new understanding of Christian heroism that developed in relation to the wars fought against the invaders. This vision of heroic soldiers, which included military martyrs, culminated in ideas about holy war against the pagans. Thus Carolingian religious horror and holy war together belonged to a body of ideas about the spiritual, unseen side of the church's cosmic conflict against evil that foreshadowed later medieval Crusading thought.
Mary, the Apostles, and the Last Judgment
This volume presents a timely contribution to the growing body of scholarship on the apocryphal writings and their reception in the Middle Ages, especially in connection with visual representation. It aims to bridge what often remains disconnected, the visual art and the written text, the early Christian roots and medieval reception, the East and the West, as well as methodologies of various disciplines. The studies in this volume firstly investigate issues related to the Virgin Mary, and through them, also the status, function, and identity of women. Mary and the female element thus represent significant models and/or background figures in fields pertaining to theology, religious studies, textual studies, manuscript studies, and art history in a trans-disciplinary perspective. Secondly, the studies focus on the apostles and the Last Judgment, their visual representations and the use of apocryphal sources. The volume is divided in two parts according to two major topics: Part I dealing with Mary in the Apocrypha, and Part II focusing on the Apostles and the Last Judgment.
The Mirror of Cruelty
The sixteenth century, which heralded the end of the Middle Ages and the commencement of the Early Modern Era, was a time of tremendous religious upheaval and social ferment. The nebulous conglomeration of movements often referred to as the "Reformation" led to a wave of bloodshed and persecution which engulfed most of Europe for at least a hundred years. The present volume offers a translation of a particularly graphic literary portrayal of tortures and atrocities committed against Catholics during that time--the Speculum Haereticae Crudelitatis [The Mirror of Heretical Cruelty], by Arnold Havens (1540-1610). Havens was a Carthusian monk, an accomplished historian and scholar, and a prolifi...
Voyages and Travel Accounts in Historiography and Literature. Volume I
Travelling is one of the most fascinating phenomena that has inspired writers and scholars from Antiquity to our postmodern age. The father of history, Herodotus, was also a traveller, whose Histories can easily be considered a travel account. The first volume of this book is dedicated to the period starting from Herodotus himself until the end of the Middle Ages with focus on the Balkans, the Byzantine Empire, the Islamic world, and South-Eastern Europe. Research on travellers who connected civilizations; manuscript and literary traditions; musicology; geography; flora and fauna as reflected in travel accounts, are all part of this thought-provoking collected volume dedicated to detailed as...
