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Mapping Foundations
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Ovid
Die Dichtungen des Publius Ovidius Naso (43 v. Chr. - ca. 17 n. Chr.) haben nach langen Jahren der Geringschätzung in jüngerer Zeit beträchtlich an Renommee zurückgewonnen. Die Wissenschaft würdigt seine Fähigkeit zur produktiven Aneignung und oft überraschenden Fortentwicklung der literarischen Tradition. Neben den schon immer behandelten Metamorphosen finden die liebeselegischen Dichtungen, die Fasti und die Exilelegien verstärkt Aufmerksamkeit. Zu diesem Interesse tragen auch neue, etwa durch die Intertextualitätsforschung oder die gender studies ins Spiel gebrachte Fragestellungen bei. Einer breiteren Öffentlichkeit gilt Ovid als modern anmutender Liebesdichter und Liebeslehrer...
THE FOUNDER
The conspiracy of Catiline is successful. Cicero is defeated and the history of the world changes. After many centuries, there is no more memory of Catilinarians.
Redesigning Achilles
The book is a detailed study on the structure and the topics of Ovid’s compedium of the Trojan Saga in Metamorphoses 12.1-13.622, the section also referred to as the “Little Iliad”. It explores the motives and the objectives behind the selected narrative moments from the Epic Cycle that found their way into the Ovidian version of the Trojan War. By thoroughly mastering and inspiringly refashioning a vast amount of literary material, Ovid generates a systematic reconstruction of the archetypal hero, Achilles. Thus, he projects himself as a worthy successor of Homer in the epic tradition, a master epicist, and a par to his great Latin predecessor, Vergil.
Metamorphosis
The origins of selected instances of metamorphosis in Germanic literature are traced from their roots in Ovid's Metamorphoses, grouped roughly on an 'ascending evolutionary scale' (invertebrates, birds, animals, and mermaids). Whilst a broad range of mythological, legendary, fairytale and folktale traditions have played an appreciable part, Ovid's Metamorphoses is still an important comparative analysis and reference point for nineteenth- and twentieth-century German-language narratives of transformations. Metamorphosis is most often used as an index of crisis: an existential crisis of the subject or a crisis in a society's moral, social or cultural values. Specifically selected texts for an...
Ambiguity and Religion in Ovid's Fasti
Ovid's Fasti comments on Augustan religion by means of ambivalent aetiologies, elegiac jokes and subtle allusions to the religious self-fashioning of the imperial family. Darja Sterbenc Erker carefully reconstructs Ovid's subtle unmasking of religious fundaments of Augustus' principate.
Know Yourself
The book explores ancient interpretations and usages of the famous Delphic maxim “know yourself”. The primary emphasis is on Jewish, Christian and Greco-Roman sources from the first four centuries CE. The individual contributions examine both direct quotations of the maxim as well as more distant echoes. Most of the sources included in the book have never previously been studied in any detail with a view to their use and interpretation of the Delphic maxim. Thus, the book contributes significantly to the origin and different interpretations of the maxim in antiquity as well as to its reception history in ancient philosophical and theological discourses. The chapters of the book are linke...
Echoes and Reflections
This study examines tales from The Metamorphoses by the Roman poet Ovid (43 BC-18 AD) and from The Lais by the French poet Marie de France (fl. mid-to late twelfth century) to explore a paradox: how can a vibrant, complex, and timeless vision be conveyed in convention-informed and time-bound language? Marie plays against Ovid’s tales to probe the dilemma, thereby echoing Ovid who does the same to the canonical literary monuments of his day. Both poets suggest that poetry can avoid the flattening effect of monumental canonizing not only by the creative use of literary echoes, but also by shifting perspectives on the conventional, which in turn, can encourage readers to see reflections of many stories in any given tale. Ovid and Marie suggest and encourage in this manner by presenting literary love’s topoi and traditional lovers from a variety of metaliterary perspectives, thereby eliciting active readerly memory as well as providing the opportunity to see the conventional afresh, activity that allows even canonical texts to become living memorials.
