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Ulysse Rouchon-Charles Maurin (1856-1914).
  • Language: fr
  • Pages: 102

Ulysse Rouchon-Charles Maurin (1856-1914).

  • Type: Book
  • -
  • Published: 1922
  • -
  • Publisher: Unknown

None

Ulysse Rouchon (1878-1960) historien du Velay, membre correspondant de l'Institut de France
  • Language: fr
  • Pages: 5

Ulysse Rouchon (1878-1960) historien du Velay, membre correspondant de l'Institut de France

  • Type: Book
  • -
  • Published: 1983
  • -
  • Publisher: Unknown

None

La Vie Bruyante de Jules Vallès. [With Plates, Including Portraits.].
  • Language: en

La Vie Bruyante de Jules Vallès. [With Plates, Including Portraits.].

  • Type: Book
  • -
  • Published: 1935
  • -
  • Publisher: Unknown

None

Politics in the Rural Society
  • Language: en
  • Pages: 404

Politics in the Rural Society

A study of French rural society during an age of revolutionary experimentation with democratic institutions.

Le Musée Crozatier du Puy-en-Velay [par Ulysse Rouchon].
  • Language: fr

Le Musée Crozatier du Puy-en-Velay [par Ulysse Rouchon].

  • Type: Book
  • -
  • Published: 1926
  • -
  • Publisher: Unknown

None

The National Union Catalog, Pre-1956 Imprints
  • Language: en
  • Pages: 712

The National Union Catalog, Pre-1956 Imprints

  • Type: Book
  • -
  • Published: 1968
  • -
  • Publisher: Unknown

None

Voices of the People in Nineteenth-Century France
  • Language: en
  • Pages: 311

Voices of the People in Nineteenth-Century France

An innovative study revealing that folklore collections can shed new light on the lives of the socially marginalized.

Peasantry and Society in France Since 1789
  • Language: en
  • Pages: 276

Peasantry and Society in France Since 1789

This book examines the social, economic and cultural evolution of the peasantry in France and its place in French society since 1789.

Pissarro, Neo-Impressionism, and the Spaces of the Avant-Garde
  • Language: en
  • Pages: 392

Pissarro, Neo-Impressionism, and the Spaces of the Avant-Garde

  • Categories: Art

Martha Ward tracks the development and reception of neo-impressionism, revealing how the artists and critics of the French art world of the 1880s and 1890s created painting's first modern vanguard movement. Paying particular attention to the participation of Camille Pissarro, the only older artist to join the otherwise youthful movement, Ward sets the neo-impressionists' individual achievements in the context of a generational struggle to redefine the purposes of painting. She describes the conditions of display, distribution, and interpretation that the neo-impressionists challenged, and explains how these artists sought to circulate their own work outside of the prevailing system. Painting...