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THE UNIVERSITY OF HAWAI'I-HILO
Conceived in the early 1990s by Frank T. Inouye, who served as the first director of what was to become the University of Hawai'i-Hilo, this is the history of the institution over fifty years, from 1952 to 1993.
Tsunami!
On April 1, 1946, shortly after sunrise, the town of Hilo on the island of Hawai'i was devastated by a series of giant waves. Traveling 2,300 miles from the Aleutian Islands in less than five hours, the waves struck without warning and claimed 159 lives. Fourteen years later, on May 22, 1960, a massive earthquake occurred off of the coast of Chile. The earthquake generated giant waves that sped across the Pacific at 442 miles per hour, reaching Hilo in just fifteen hours. The first wave to hit the town was a modest four feet higher than normal, the second nine feet. Before the third wave could arrive, a tidal phenomenon known as a bore smashed into the Hilo bayfront, with thirty-five foot wa...
Chinese Architecture and Metaphor
Investigating the historical tradition of Chinese architectural writing from antiquity to the twelfth century, Chinese Architecture and Metaphor reveals significant and fascinating social and cultural phenomena in the most important primary text for the study of the Chinese building tradition. Unlike previous scholarship, which has reviewed this imperially commissioned architectural manual largely as a technical work, this volume considers the Yingzao fashi’s unique literary value and explores the rich cultural implications in and behind its technical content. Utilizing a philological approach, the author pays particular attention to the traditional and contemporary architectural terminolo...
Malamalama
In 1907 Hawai‘i's fledgling College of Agriculture and Mechanical Arts, boasting an enrollment of five students and a staff of twelve, opened in a rented house on Young Street. The hastily improvised college, and the university into which it grew, owed its existence to the initiative of Native Hawaiian legislators, the advocacy of a Caucasian newspaper editor, the petition of an Asian American bank cashier, and the energies of a president and faculty recruited from Cornell University in distant Ithaca, New York. Today, nearly a century later, some 50,000 students are enrolled yearly at ten campuses--in a unique system of community colleges and professional schools. Malamalama: A History of...
Who Runs the University?
The author describes with unusual candor the behind the scenes activity, the give and take, and the decisions of high-ranking university officials responsible for exercising authority at the University of Hawaii, including regents, administrators, deans and directors, and faculty. The actions of non-university officials who influence Hawaii's higher education policy and funding are also described; federal officials, state officials, and powerful legislators.
Return to Kahiki
An important new analysis of Native Hawaiian efforts to construct relationships with other Oceanic peoples as missionaries, diplomats, and tourists.
What's Next in Love and Sex
"What's Next in Love and Sex is a comprehensive examination of contemporary academic findings relating to all matters of the mind, body, and heart in the modern world. Written by one of the pioneers of love and sex research, Dr. Hatfield, along with her colleagues Dr. Purvis and Dr. Rapson, this book uses contemporary scientific findings to provide an updated and relevant explanation for why we do the things we do when we're in love, searching for love, making love, or attempting to keep a faltering relationship together. No other book will give young people such an in-depth scientific understanding of contemporary love and sex while still providing a light-hearted, accessible, and entertaining read."--
Honua
This collection of postcolonial poems by an emerging Kanaka Maoli (Native Hawaiian) young woman poet from Hilo, Hawaii reflects a politically resistant fusion of hip hop, slam, hula, chant and mele. The title, Honua, means "land" or "earth." Poet Michael McPherson describes the collection of poems as "torrents of language whose raw intensity buries social complacency as though under molten stone."
