You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
«Michelle Leese's book is a must-read for those interested in the German impersonal passive. Based on an experimental study of almost 400 zero-argument passives she convincingly shows that this allegedly "exceptional" passive is the very core from which all werden-passives in their meaning as "event-focused action" are derived.» (Petra M. Vogel, Professor of German Linguistics, University of Siegen, Germany) «This book presents a vast amount of original data to confront a glaring weakness of the aspect analysis of the German passive: if the actional passive is telic, why is the impersonal passive of the type Es wurde getanztatelic? The answer given is a revelation delightful in its simpli...
Professor Walter Ledermann is one of the great algebraists of the twentieth century. His memoirs begin with life in pre-war Germany, the murder of several members of his family, and of the joy he found in mathematics and music. As the story of his remarkable life unfolds, we are entranced by tales of Scotland during the war and of academic life in Manchester and Sussex. His memoirs contain numerous entertaining, and often hilarious anecdotes of his encounters with famous mathematicians and physicists, such as Issai Schur, Heinz Hopf, Max Plank, Erwin Schroedinger, Edmund Whittaker, Alec Aitkin, Max Born and Alan Turing.
An opening section on the 1950s - a decade of intense literary engagement with German victimhood before the focus shifted to German perpetration - provides context, drawing parallels but also noting differences between the immediate postwar period and today. The second section focuses on key texts written since the mid-1990s and examines shifts in perspectives on the Nazi past, on perpetration and victimhood, on "ordinary Germans," and on the balance between historical empathy and condemnation."--BOOK JACKET.
"In the Beginning was Napoleon"--"Napoleon and no end" Inspiration Bonaparte explores German responses to Bonaparte in literature, philosophy, painting, science, education, music, and film from his rise to the present. Two hundred years after his death, Napoleon Bonaparte (1769-1821) continues to resonate as a fascinating, ambivalent, and polarizing figure. Differences of opinion as to whether Bonaparte should be viewed as the executor of the principles of the French Revolution or as the figure who was principally responsible for their corruption are as pronounced today as they were at the beginning of the nineteenth century. Contributing to what had been an uneasy German relationship with t...
Lcc number: 2005048394
The GDR Today promotes interdisciplinary approaches to East Germany by gathering articles from a new generation of scholars in a variety of fields. Exploring East German everyday life, cultural policies, memory and memorialisation, the volume aims to offer new impulses to the study of the GDR.
This book aims to make an important contribution to the emerging field of German Pop Music Studies. The volume explores how pop music interacts transnationally with literature, politics, film, video and fine art. Artists examined include Kraftwerk, Einstürzende Neubauten, Tocotronic, Ja, Panik, Gerhard Richter, R. W. Fassbinder, amongst others.
An Open Access edition of this book will be available on the Liverpool University Press website and the OAPEN library. In a world increasingly defined by the transnational and translingual, and by the pressures of globalization, it has become difficult to study culture as primarily a national phenomenon. A Handbook offers students across Modern Languages an introduction to the kind of methodological questions they need to look at culture transnationally. Each of the short essays takes a key concept in cultural study and suggests how it might be used to explore and illuminate some aspect of identity, mobility, translation, and cultural exchange across borders. The authors range over different language areas and their wide chronological reach provides broad coverage, as well as a flexible and practical methodology for studying cultures in a transnational framework. The essays show that an inclusive, transnational vision and practice of Modern Languages is central to understanding human interaction in an inclusive, globalized society. A Handbook stands as an effective and necessary theoretical and thematically diverse glossary and companion to the ‘national’ volumes in the series.
None
“The West” is a central idea in German public discourse, yet historians know surprisingly little about the evolution of the concept. Contrary to common assumptions, this volume argues that the German concept of the West was not born in the twentieth century, but can be traced from a much earlier time. In the nineteenth century, “the West” became associated with notions of progress, liberty, civilization, and modernity. It signified the future through the opposition to antonyms such as “Russia” and “the East,” and was deployed as a tool for forging German identities. Examining the shifting meanings, political uses, and transnational circulations of the idea of “the West” sheds new light on German intellectual history from the post-Napoleonic era to the Cold War.