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Mikrobiologi Industri Pertanian
Mikroorganisme dapat dimanfaatkan untuk meningkatkan nilai jual suatu produk hasil pertanian sehingga mampu meningkatkan perekonomian negara. Pemanfaatan mikroorganisme harus dilakukan melalui pengenalan terhadap mikroorganisme yang akan digunakan, substrat yang dipakai dan fermentor atau tempat berlangsungnya proses fermentasi. Tipe atau model fermentasi haruslah dipahami agar proses dapat berlangsung dengan baik, apakah fermentasi substrat padat atau fermentasi substrat cair. Pemanfaatan mikroorganisme dapat untuk kepentingan non pangan misalnya dalam produksi bioetanol sehingga dapat dihasilkan energi terbarukan. Bioetanol juga dapat dikembangkan melalui protein sel tunggal dan untuk mendukung itu semua maka produksi inokulum haruslah dipahami dengan baik. Mikroorganisme juga dapat dimanfaatkan dalam bidang pangan. Selain sebagai produk pangan hasil fermentasi, produksi probiotik juga menjadi tren saat ini. Produksi pigmen juga terus dikembangkan untuk menggantikan pewarna sintetis yang sering kali bersifat karsinogen.
Prosiding Seminar Nasional Agroforestry 2015
On development of agroforestry and agricultural innovations in Indonesia; papers of a seminar.
Merekayasa Kearifan Tempatan: Citra Seni dalam Teknologi (Penerbit USM)
Keindahan seni dan keunikan teknologi dalam kehidupan masyarakat di Nusantara khasnya masyarakat Melayu yang saling berbaur menjadikannya unggul dalam kelas yang tersendiri. Telahan ilmu yang berteraskan kearifan tempatan ditekuni melalui pelbagai disiplin yang dikelompokkan sebagai alam sejarah, alam sastera, alam pendidikan, alam masyarakat desa, alam perubatan tradisional, alam rohaniah, alam seni, alam pembinaan, alam perkapalan dan perniagaan, alam pengurusan/adat tradisional Melayu, alam air, alam belantara dan alam pertanian. Sesungguhnya, galuran ilmu yang luas ini telah memungkinkan terhasilnya teks berbahasa Melayu yang mengangkat judul Merekayasa Kearifan Tempatan: Citra Seni dalam Teknologi. Persembahan buku ini dibahagikan kepada empat bahagian, iaitu Bahagian I: Ilmu Seni Alam, Bahagian II: Teknologi Seni Persembahan, Bahagian III: Teknologi Seni Warisan dan Bahagian IV: Teknologi Seni Reka Bentuk. Perihalan kearifan tempatan yang terpancar bukan sahaja memperlihatkan kebijaksanaan masyarakat Melayu memanfaatkan alam seninya; malah menghubungkaitkannya dengan merekayasa seni dalam teknologi bagi penghasilan ilmu baharu.
Official Gazette
None
Food and Nutrition Security in the Kingdom of Saudi Arabia, Vol. 1
Food and nutrition security is a major concern for Saudi Arabia and the surrounding regions due to the range of challenges they face. These challenges include limited agricultural resources, low self-sufficiency in key food staples, climate change, and high levels of food loss and waste. This book aims to evaluate and analyze the current situation and future prospects of food and nutrition security in Saudi Arabia. Additionally, it seeks to analyze and assess the roles and functions of various institutions related to food security, providing a deeper understanding of the complex problems associated with it. Furthermore, this book aligns with Kingdom Vision 2030, which includes a set of strat...
THE INDIAN LISTENER
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them alo...
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
