You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
"The spread of printing in the 16th century severed the relationship between artist and book, but modern developments in technology - such as lithography and desk-top publishing - have enabled this relationship to be restored. This book, which explores the history of artists' involvement with the book format in the 20th century, provides the historical, philosophical and artistic background for practitioners and art historians." "The book considers the pre-history of the artist's book, beginning with the work of Mallarme and Apollinaire, Cubist, Futurist, Dada and Fluxus books; the upsurge of manifesto, serial and conceptual works of the 1960s and 1970s and the growth of a self-conscious artists' books tradition in the 1980s and 1990s. The development of the artists' books are placed in the context of technological changes and movements in the history of modern art." "Comprehensive reference material is provided by a bibliographic listing of over 500 key artists' books, an exhibition chronology, invaluable practical advice for the collector and librarian and an extensive index."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Book art object is a record of the first biennial Codex Book Fair and Symposium: The Fate of the Art,Berkeley, California, 2007. The event showcased contemporary artist books and fine press and fine art editions produced by some of the worlds most esteemed printers, designers, book artists, and artisans.The book includes transcripts of the following lectures: Sarah Bodman, Research Fellow, Centre for Fine Print Research, UWE, Bristol: The hybrid lexicon: an overview of contemporary artists publishing in the UK; Robert Bringhurst, poet, translator, and typographer: Spiritual geometry: the book as a work of art; and Felipe Ehrenberg, artist, Mexican diplomat, former publisher of the Beau Geste Press, London: Cutting and pasting: metaphor of life. The volume is superbly illustrated in full color throughout.
This book considers how a combination of place-based writing and location responsive technologies produce new kinds of literary experiences. Building on the work done in the Ambient Literature Project (2016–2018), this books argues that these encounters constitute new literary forms, in which the authored text lies at the heart of an embodied and mediated experience. The visual, sonic, social and historic resources of place become the elements of a live and emergent mise-en-scène. Specific techniques of narration, including hallucination, memory, history, place based writing, and drama, as well as reworking of traditional storytelling forms combine with the work of app and user experience...
The multi-award-winning China Miéville has been called 'the equal of David Mitchell or Zadie Smith' (Scotland on Sunday), a writer whose 'inventiveness and precision is awesome' (Independent), and who writes with 'an imagination of immense power' (Guardian). In these twenty-eight short stories, glistening icebergs float above urban horizons; a burning stag runs wild through the city; the ruins of industry emerge unsteadily from the sea; and the abandoned generations in a decayed space-elevator look not up at the stars but down at the Earth. Ranging from portraits of childhood to chilling ghost stories, from dystopian visions to poignant evocations of uncanny love, with beautiful prose and melancholy wit, Three Moments of an Explosion is a breath-taking collection that poses searching questions of what it is to be human in an unquiet world. It is a humane and unsentimental investigation of our society, our world, and ourselves.
None
The power of reportage drawing is in the immediacy of the images that are created and the feeling of the illustrator's presence on location. Comparable in some ways to photojournalism, reportage illustrators are acting as visual journalists, proactively creating narrative work about issues and subjects, translating what they witness into handmade imagery. There is evidence that illustrations connect to people in powerful ways whether they are drawings created while embedded with troops in Afghanistan, documenting during a courtroom trial or recreating the energy of the crowd at a rock concert. This area of applied illustration also provides career opportunities for students and takes them out of the classroom and into different environments and situations. With practical information about tools, techniques and coping in various situations as well as inspirational interviews and advice from reportage artists working in the field, this book will fill a gap in this growing market.
• Cutting-edge idea! • Titles on altered books are topping sales charts • Packed with valuable artists’ resources—galleries, bookstores, Web sites, book fairs, exhibitions Famous artists from David Hockney and Andy Warhol to Gilbert and George have created their own books—distinctive bound collections of work, sometimes variations on the popular altered-book craze. Now any artist can follow in the booksteps of these well-known muses, with the help ofCreating Artists’ Books. Author Sarah Bodman, an expert on artists’ books, gives wonderful inspiration and practical guidance on printmaking processes for making books, digital output and computer-based books, assembling books with limited resources, and creating altered books. An invaluable appendix lists bookstores and galleries that sell and exhibit artists’ book; book arts collections, archives, and organizations; book fairs; related Web sites; and more.Creating Artists’ Booksis packed with ideas, inspiration, and information from cover to cover.
Learning Under the Lens: Applying Findings from the Science of Learning to the Classroom highlights the innovative approach being undertaken by researchers from the disparate fields of neuroscience, education and psychology working together to gain a better understanding of how we learn, and its potential to impact student learning outcomes. The book is structured in four parts: ‘Science of learning: a policy perspective’ sets the scene for this emerging field of research; ‘Self regulation of learning’ and ‘Technology and learning’ feature findings by eminent international and national researchers in the field and provides an insight into some of the innovative research illustrat...
Pocket Workshop collects twenty-eight essays by instructors of the Clarion West Writers Workshop - essays that illuminate their authors' experiences of writing and of living as professional writers. Included here is advice for handling writer's block, working with voice, and using allegory, as well as methods for scene-setting, landing a good finish, writing despite distractions, mentoring, and so much more. Since 1984, the six-week writer's workshop has provided resources to more than 600 science fiction, fantasy, and horror writers, many of whom work today as professional and award-winning authors and editors.
`This excellent text will introduce advanced students - and remind senior researchers - of the availability of a broad range of techniques available for the systematic analysis of social data that is not numeric. It makes the key point that neither quantitative nor qualitative methods are interpretive and at the same time demonstrates once and for all that neither a constructivist perspective nor a qualitative approach needs to imply abandonment of rigor. That the chapters are written by different authors makes possible a depth of expertise within each that is unusually strong' - Susanna Hornig Priest, Texas A&M University; Author of `Doing Media Research' Qualitative Researching with Text, Image and Sound off