You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This essay goes beyong the legend of Ho Chi Minh and his disciples. Behind the facade of unity, the Vietnamese communist leadership has for years been torn by a prolonged crisis, sustained by two major ideological factions and later amplified by the development of the Sino-Soviet rift. Ho Chi Minh was far from being a dictator the calibre of Tito, for example. Rather, his style of collective leadership has contributed to the institutionalization of factionalism in Hanoi. His policy of equidistance between Moscow and Beijing became more or less a necessity for the leadership's unity. This book addresses itself to the question: Did Ho Chi Minh leave behind a unified party? The book provides an understanding of one of the most enigmatic - and the most long-lasting - leaderships in the communist annals, and examines the current state of the Hanoi regime.
Featuring diverse disciplines and including creative as well as critical work, The Ends of Theory both exemplifies the impact of critical theory and questions its future. The sixteen essays in this anthology reflect on the nature and purpose of theoretical work in the humanities and succeed in bridging critical and creative production. Contributors include Arthur Danto, Paul A. Bové, Bob Perelman, and Steve McCaffery.
Winner of the American Comparative Literature Association's Rene Wellek Prize (2004) As one of the founding poets and editors of the Language School of poetry and one of its central theorists, Barrett Watten has consistently challenged the boundaries of literature and art. In The Constructivist Moment, he offers a series of theoretically informed and textually sensitive readings that advance a revisionist account of the avant-garde through the methodologies of cultural studies. His major topics include American modernist and postmodern poetics, Soviet constructivist and post-Soviet literature and art, Fordism and Detroit techno—each proposed as exemplary of the social construction of aesthetic and cultural forms. His book is a full-scale attempt to place the linguistic turn of critical theory and the self-reflexive foregrounding of language by the avant-garde since the Russian Formalists in relation to the cultural politics of postcolonial studies, feminism, and race theory. As such, it will provide a crucial revisionist perspective within modernist and avant-garde studies.
Soldier Talk is a collection of essays about the Vietnam combat veteran and his representation of his experience. The Vietnam War created a vast archive of recorded accounts of the war, permitting an unprecedented opportunity to confront its brutal secrets. This book is about how to read and how to hear the historical, psychological, and narrative truths of soldiers' talk. The ten chapters explore the phenomenon of soldier talk; the oral narrative form of so much of the Vietnam War literature; the collection of veteran interviews published under the title Nam; Vietnam War poetry; the strange tale of Bobby Garwood, the private who disappeared 10 days before he was to return home and surfaced 13 years later in Hanoi; Vietnam oral history and revolutionary socialism; the historiography of the Vietnam War; "queering Vietnam"; the African American experience of Vietnam; and women and the war. Along the way the authors touch on most of the best-known and most important writing to come out of the war.
The stories of three of these Vietnamese who survived and eventually found their way to America are told here in stark and moving detail."--BOOK JACKET.