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You with Hands More Innocent
"Poetry that once enraged the social-realist critics of her country is now recognized and respected for its romantic lyrical accomplishment. The poems in this edition are deeply moving, and great examples of language that exposes Eastern European culture to the English-speaking world - a volume that captures the feeling, essence, rhythm, and depth of the author's words as best as English can through superb translations. "--
White Stones and Fir Trees
The works gathered together here have all been written since World War II. They offer a unique opportunity to see and understand the development, nature, and main characteristics of Slavic creative writing in our time.
Grad na Durmitoru
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Signs of Friendship
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Zagreb
Situated at the foot of a range of hills on the edge of the great Pannonian Plain, for most of its history Zagreb has been a small town to which things happened. Administered from 1102 by Hungary and later absorbed into the Habsburg Monarchy, Zagreb was under threat from the advancing Ottomans until the late sixteenth century. From the mid-nineteenth century onwards Zagreb developed steadily into a modern city, reflecting all the important trends in Central European culture, architecture and fashion. Its pretty centre is laid out according to a plan incorporating trees and public gardens, forming a "green horseshoe" lined with imposing buildings. Celia Hawkesworth explores this central core and the atmospheric old town on a rise above it, finding a mix of old and modern building, a rich cultural tradition and a vibrant outdoor cafe life, in which many of the individuals who have contributed to creating the city's unique inner life are commemorated in statues in the streets and squares.
Women on War
An international anthology of women's writings from antiquity to the present.
Slavic Review
Coverage of Russian, Eurasian and East European issues.
Socialist Realism in Central and Eastern European Literatures under Stalin
Socialist Realism in Central and Eastern European Literatures' is the first published work to offer a variety of alternative perspectives on the literary and cultural Sovietization of Central and Eastern Europe after World War II and emphasize the dialogic relationship between the ‘centre’ and the ‘satellites’ instead of the traditional top-down approach. The introduction of the Soviet cultural model was not quite the smooth endeavour that it was made to look in retrospect; rather, it was always a work in progress, often born out of a give-andtake with the local authorities, intellectuals and interest groups. Relying on archival resources, the authors examine one of the most controversial attempts at a cultural unification in Europe by providing an overview with a focus on specific case-studies, an analysis of distinct particularities with attention to the patterns of negotiation and adaptation that were being developed in the process.
