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Love and War in the WRNS
Sheila Mills's story is a unique perspective of the Second World War. She is a clever, middle-class Norfolk girl with a yen for adventure and joins the WRNS in 1940 to escape the shackles of secretarial work in London, her unhappy childhood and her social-climbing mother. From a first posting in Scotland in 1940, she progresses through the ranks, first to Egypt and later to a vanquished Germany. Extraordinary and fascinating encounters and personalities are seen through the eyes of a young Wren officer: Admiral Ramsay, the Invasion of Sicily and Operation Mincemeat that triggered it, The Flap, the sinking of the Medway, the surrender of the Italian fleet and the Belsen Trials. These observations are peppered with humorous insights into the humdrum preoccupations of a typical Wren – boys, appearance and having fun, while worrying about home and family. This treasure trove of hundreds of letters, along with scrapbooks and memorabilia, some of which are reproduced here, was discovered in bin liners shortly after Sheila died. Her daughter, Vicky, has pieced together a fascinating and unusual record of the Second World War from a woman's perspective.
BOY FROM BOSKOVICE
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The Boy from Boskovice
Vicky Unwin had always known her father – an erstwhile intelligence officer and respected United Nations diplomat – was Czech, but it was not until a stranger turned up on her doorstep that she discovered he was also Jewish. So began a quest to discover the truth about his past – one that perhaps would help answer the niggling doubts she had always had about her ‘perfect’ father. Finally persuading him to allow her to open a closely guarded cache of family books and papers, Vicky discovered the identity of her grandfather: the tormented author and diplomat Hermann Ungar, hugely controversial in both life and in death, who was a protégé and possible lover of Thomas Mann, and a fri...
Focus on Nigeria
This issue of Matatu offers cutting-edge studies of contemporary Nigerian literature, a selection of short fiction and poetry, and a range of essays on various themes of political, artistic, socio-linguistic, and sociological interest. Contributions on theatre focus on the fool as dramatic character and on the feminist theatre of exclusion (Tracie Uto-Ezeajugh). Several essays examine the poetry of Hope Eghagha and the Delta writer Tanure Ojaide. Studies of the prose fiction of Chinua Achebe, Tayo Olafioye, Uwem Akpan, and Chimamanda Adichie are complemented by a searching exposé of the exploitation of Ayi Kwei Armah on the part of the metropolitan publishing world and by a recent interview...
Imperialism and Development
A compelling exploration of one of the most ill-advised and calamitous interventions in colonial development history.
My Name is Eva
You can pay a terrible price for keeping a promise… Evelyn Taylor-Clarke sits in her chair at Forest Lawns Care Home in the heart of the English countryside, surrounded by residents with minds not as sharp as hers. It would be easy to dismiss Evelyn as a muddled old woman, but her lipstick is applied perfectly, and her buttons done up correctly. Because Evelyn is a woman with secrets and Evelyn remembers everything. She can never forget the promise she made to the love of her life, to discover the truth about the mission that led to his death, no matter what it cost her… When Evelyn’s niece Pat opens an old biscuit tin to find a photo of a small girl with a red ball entitled ‘Liese, ...
Bearing Witness
Greed, frustrated love, traffic jams, infertility, politics, polygamy. These--together with depictions of traditional village life and the impact of colonialism made familiar to Western readers through Chinua Achebe's writing--are the stuff of Nigerian fiction. Bearing Witness examines this varied content and the determined people who, against all odds, write, publish, sell, and read novels in Africa's most populous nation. Drawing on interviews with Nigeria's writers, publishers, booksellers, and readers, surveys, and a careful reading of close to 500 Nigerian novels--from lightweight romances to literary masterpieces--Wendy Griswold explores how global cultural flows and local conflicts me...
The Postcolonial Exotic
Travel writing, it has been said, helped produce the rest of the world for a Western audience. Could the same be said more recently of postcolonial writing? In The Postcolonial Exotic, Graham Huggan examines some of the processes by which value is attributed to postcolonial works within their cultural field. Using varied methods of analysis, Huggan discusses both the exoticist discourses that run through postcolonial studies, and the means by which postcolonial products are marketed and domesticated for Western consumption. Global in scope, the book takes in everything from: * the latest 'Indo-chic' to the history of the Heinemann African Writers series * from the celebrity stakes of the Booker Prize to those of the US academic star-system *from Canadian multicultural anthologies to Australian 'tourist novels'. This timely and challenging volume points to the urgent need for a more carefully grounded understanding of the processes of production, dissemination and consumption that have surrounded the rapid development of the postcolonial field.
Science about Us
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Africa Writes Back
June 17, 2008, is the fiftieth anniversary of the publication of Chinua Achebe’s Things Fall Apart by Heinemann. This publication provided the impetus for the foundation of the African Writers Series in 1962 with Chinua Achebe as the editorial adviser. Africa Writes Back: The African Writers Series and the Launch of African Literature captures the energy of literary publishing in a new and undefined field. Portraits of the leading characters and the many consultants and readers providing reports and advice to new and established writers make Africa Writes Back a stand-out book. James Currey’s voice and insights are an added bonus. CONTENTS Publishing and selling the African Writers Serie...
