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Mad Madame LaLaurie
The truth behind the legend of New Orleans’ infamous slave owner, madwoman, and murderess, portrayed in the anthology series, American Horror Story. On April 10, 1834, firefighters smashed through a padlocked attic door in the burning Royal Street mansion of Creole society couple Delphine and Louis Lalaurie. In the billowing smoke and flames they made an appalling discovery: the remains of Madame Lalaurie’s chained, starved, and mutilated slaves. This house of horrors in the French Quarter spawned a legend that has endured for more than one-hundred-and-fifty years. But what actually happened in the Lalaurie home? Rumors about her atrocities spread as fast as the fire. But verifiable facts were scarce. Lalaurie wouldn’t answer questions. She disappeared, leaving behind one of the French Quarter’s ghastliest crime scenes, and what is considered to be one of America’s most haunted houses. In Mad Madame Lalaurie, Victoria Cosner Love and Lorelei Shannon “shed light on what is fact and what is purely fiction in a tale that’s still told nightly on the streets of New Orleans” (Deep South Magazine).
Women, Diplomacy and International Politics since 1500
Women, Diplomacy and International Politics since 1500 explores the role of women as agents of diplomacy in the trans-Atlantic world since the early modern age. Despite increasing evidence of their involvement in political life across the centuries, the core historical narrative of international politics remains notably depleted of women. This collection challenges this perspective. Chapters cover a wide range of geographical contexts, including Europe, Russia, Britain and the United States, and trace the diversity of women’s activities and the significance of their contributions. Together these essays open up the field to include a broader interpretation of diplomatic work, such as the un...
The Blessed Abyss
One woman's memories of her deportation to Ravensbrück Concentration Camp for Women in July 1941.
The Transatlantic Zombie
Our most modern monster and perhaps our most American, the zombie that is so prevalent in popular culture today has its roots in African soul capture mythologies. The Transatlantic Zombie provides a more complete history of the zombie than has ever been told, explaining how the myth’s migration to the New World was facilitated by the transatlantic slave trade, and reveals the real-world import of storytelling, reminding us of the power of myths and mythmaking, and the high stakes of appropriation and homage. Beginning with an account of a probable ancestor of the zombie found in the Kongolese and Angolan regions of seventeenth-century Africa and ending with a description of the way, in con...
Missouri's Mad Doctor McDowell
Discover the twisted 19th century tale of a respected St. Louis doctor who was also a body snatcher and suspected murderer in this true crime biography. Though he was never caught in the act, it was widely known among St. Louis locals that Dr. Joseph Nash McDowell routinely stole corpses for strange and illegal experiments. McDowell was so loathed for this practice that he wore body armor in public. Meanwhile, he was so idolized by his anatomy students that they often dug up the bodies for him. The ghoulish Dr. McDowell—who later served as a Confederate Army surgeon—left a host of fiendish rumors and mysteries behind. Did he ever resort to murder for the sake of a fresh specimen? Did his mother's ghost actually help him escape an angry mob? Did he really hang the corpse of his daughter in the Mark Twain Cave of Hannibal, Missouri? What very real horrors remained in his medical college after Union soldiers took it over? In this grimly fascinating biography, Victoria Cosner dissects a life surrounded by speculation and a legend littered with ghosts.
Mothers, Warriors, Guardians of the Soul
This study shows that women involved in National Socialism in the years 1924 - 1934 developed and shaped a recognizable discourse which communicated and reflected their position and status within the NS movement. The analysis is based on a variety of text-types produced by members of NS women's organisations, and includes official correspondence, circulars, reports, pamphlets, monographs and articles from NS women's journals. It draws upon several areas of linguistic theory, including feminist linguistics, semantics, pragmatics and discourse analysis, and the salient features identified in the female discourse are placed within a sociolinguistic framework. While previous research into the language of the NS-system has largely ignored the possibility of a cohesive female discourse, the study supports the idea that this discourse was dynamic, and at times heterogeneous, whilst also displaying many self-defining and self-referential features. It is characterised by its ambiguities and apparent contradictions, which expresses separateness and difference, yet also solidarity with the NSDAP.
Telling an American Horror Story
Telling an American Horror Story collects essays from new and established critics looking at the many ways the horror anthology series intersects with and comments on contemporary American social, political and popular culture. Divided into three sections, the chapters apply a cultural criticism framework to examine how the first eight seasons of AHS engage with American history, our contemporary ideologies and social policies. Part I explores the historical context and the uniquely-American folklore that AHS evokes, from the Southern Gothic themes of Coven to connections between Apocalypseand anxieties of modern American youth. Part II contains interpretations of place and setting that mark the various seasons of the anthology. Finally, Part III examines how the series confronts notions of individual and social identity, like the portrayals of destructive leadership in Cult and lesbian representation in Asylum and Hotel.
Women Under the Third Reich
Traditionally, the story of the Third Reich has been a story of men, yet women participated in all aspects of the war and on both sides of the Nazi flag. This dictionary, with entries on more than 100 women, shows the diversity of their roles in this turbulent and disturbing period. It includes entries on resistance fighters, nurses, entertainers, writers, filmmakers, spies, and prisoners with exceptional spirit and courage. The women represented here came from all the countries involved with the Third Reich and from many different occupations before their involvement in the war—housewives, secretaries, singers, film stars, pilots, and athletes. This volume reveals the women's perspective ...
Missouri's Murderous Matrons
Two notorious female serial killers from the Show Me State share the spotlight in this true crime history. At the turn of the twentieth century, people in Missouri experienced unexpected and horrible deaths due to arsenic. Two different women in two different areas of Missouri, and for two different reasons, used arsenic as a means to get what they wanted. Emma Heppermann, a black-widow killer, craved money. Bertha Gifford, an angel of mercy, took sick people into her home and nursed them to death. Follow the trails of these women who murdered for decades before being tried and convicted. From Wentzville to Steelville, Emma left a trail of bodies. And Bertha is suspected of killing almost 10 percent of the population of the little town of Catawissa. Authors Victoria Cosner and Lorelei Shannon offer the gruesome history of Missouri’s murderous matrons.
Gendering Modern German History
To provide a critical overview in a comparative German-American perspective is the main aim of this volume, which brings together experts from both sides of the Atlantic. Through case studies, it demonstrates the extraordinary power of the gender perspective to challenge existing interpretations and rewrite mainstream arguments.
