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The book is an intimate portrait of a part of the world that is seldom mentioned or recognised and the result of years of travelling in the area. Lasthein uses his panoramic camera as a means of both being in the middle of a situation and getting a wide-angle view of the scene. His pictures are often composed of multiple interacting actions. In the Caucasus the concept of borderland gets especially vivid. Here Europe meets Asia and Islam meets Christianity; a myriad nationalities, languages and cultures live side by side. In spite of the unresolved wars and conflicts since the fall of the Soviet Union, people of the new countries and republics are still emotionally tied together by their common history. Jens Olof Lasthein's pictures tell stories full of life from a region which is most often talked about only when bombs explode or border conflicts flare up anew.
This title chronicles the life of Albert Hastings, an octogenarian living alone in a small flat in Wales. Bert's writing is paired with Deveney's photographs and together they tell a story of fulfilment, lonliness, hope and beauty.
Photo book in diary format of the American photographer Cig Harvey (1973).
In the aftermath of Covid-19, the subject of ‘empty places’ has gained renewed topicality and resonance. Watching, Waiting presents a collection of essays that brings emptiness into interdisciplinary focus as an object of study that extends beyond the present. The contributors approach the specific interrelationships of photography and place through emptiness by considering historical and contemporary material in equal measure. Drawing on architecture, anthropology, sociology, and public health, among other fields, they provide insights into geographically and temporally diverse production models of empty places and their corresponding complex and sensitive global and local relations, wh...
Essay by Collier Schorr. Interview with Jens. F.
Laboile's timeless and universal images inspire longing for the endless summer days of our childhood.
Using everyday items of food, Sian Bonnell reconstructs the home environment in a way that is both surprising and humorous. Fried-egg bathroom mats, pasta tablecloths and sliced meat floor-tiles abound, whilst other foodstuffs take on new character - a plate of mash and peas becomes the distant landscape of some undiscovered continent; and carrots, parsnips and bananas become surreal candles in a candelabra of the absurd.
Freya Najade captures the unexpected beauty and abstraction along the waterways that course through East London. Focussing mainly on detail and colour but drawing on a tradition of landscape photography her images remind us of the hidden poetry in the city and the richness of the waters that sometimes run darkly through the heart of the capital.