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The Art of Trespassing
Contributors explore the urban systems and structures that frame our everyday lives. The Art of Trespassing imagines networks, neighbourhoods, and relationships, exposing them as both confining and liberating.
Biting the Error
What is the best way to tell a story? In this anthology, the first-ever collection of essays by innovative, cutting-edge writers on the theme of narration, forty of the continent's top experimental writers describe their engagement with language, storytelling and the world. The anthology includes renowned writers like Kathy Acker, Dennis Cooper, Nicole Brossard, Daphne Marlatt, Lydia Davis and Kevin Killian, writers who have spent years pondering the meaning of storytelling and how storytelling functions in our culture, as well as presenting a new generation of brilliant thinkers and writers, like Christian Bök, Corey Frost, Derek McCormack and Lisa Robertson. Contemporizing the friendly an...
Performing Female Blackness
Performing Female Blackness examines race, gender, and nation in Black life using critical race, feminist and performance studies methodologies. This book examines what private and public performances of female blackness reveal about race, gender, and nation and considers how the land widely known as Canada shapes these performances. By exploring Black expressive culture in familial, literary, and performance settings, Naila Keleta-Mae theorizes that “perpetual performance” forces people who are read as female and Black to always be figuratively on stage regardless of cultural, political, or historical contexts. Written in poetry, prose, and journal form and drawing from the author’s own life and artistic works, Performing Female Blackness is ideal not only for scholars, educators, and students of the humanities, social sciences, and fine arts but also for artists and the general public too.
Stage a Poetry Slam
How can I run my own slam? For groups large and small, from single events to recurring programs, Stage a Poetry Slam explains the easy way to make your slams a success. Stage a Poetry Slam is a comprehensive guide for both budding and seasoned Slammasters — people in charge of organizing and promoting poetry slams and spoken word events. Marc Kelly Smith, grand founder of the Slam movement and host of the original Uptown Poetry Slam, the one that started them all, takes you back stage to reveal the techniques and strategies he's crafted over his 20 years plus of developing world-class Slam shows. In Stage a Poetry Slam, Marc leads you through the process of shaping your own Slam from visio...
A Lover's Quarrel
Already an award-winning poet, Carmine Starnino has also made his mark as a literary critic of great pluck, probity and irreverence. His highly regarded, often highly controversial writings on poetry have enlivened -- and often enraged -- the Canadian literary scene since they first began appearing in the late 1990s. He has tackled the careers of some of this country's most notable poets (among them Irving Layton, Michael Ondaatje, Anne Carson, Tim Lilburn, Susan Musgrave, Christopher Dewdney) and done so in prose of great subtlety and style. Indeed, in Starnino's literary criticism seditiousness and insight are made to live inside sentences that always square their shoulders and draw themselves to their full verbal height. A Lover's Quarrel culls some of the highlights of Starnino's dissenting exploits, and includes the never-before-published title essay, an ambitious reassessment of Canadian poetry. For readers unfamiliar with Starnino's criticism, the release of A Lover's Quarrel furnishes the perfect opportunity to read one of the few critics in Canada who can speak his mind and speak it well.
Ebony Roots, Northern Soil
Ebony Roots, Northern Soil is a powerful and timely collection of critical essays exploring the experiences, histories and cultural engagements of black Canadians. Drawing from postcolonial, critical race and black feminist theory, this innovative anthology brings together an extraordinary set of well-recognized and new scholars engaging in the critical debates about the cultural politics of identity and issues of cultural access, representation, production and reception. Emerging from a national conference in 2005, the book records, critiques and yet transcends this groundbreaking event. Drawn from a range of disciplines including Art History, Communication Studies, Cultural Studies, Educat...
Side/Lines
This anthology offers refereshing, cogent and insightful explanations of why young poets and writers do what they do. The thirty pieces in side/lines OCo by a unique variety of Canadian writers working in numerous genres OCo reflect on why writers write. Their reflections are not to be held as gospel or lifelong theories, but can be considered writing strategies drawn up at specific points in time, informed by certain unavoidable material conditions, such as current politics and emotions. Ask these writers to explain their craft in ten years, and you may be surprised by their answers."
Documentary Protocols (1967-1975)
"Documentary protocols (1967-1975) is the third part of a major project that ... also included two exhibitions (Documentary protocols I and Documentary protocols II) presented at the Gallery in 2007 and 2008. This ....[was] conceived and developed by Vincent Bonin ... The publication Documentary protocols (1967-1975) ... constitutes an exercise in the critical examination of the nature of curatorial work and research at the Gallery ... It is an attempt to grasp and describe ... the paradigm of self-determination in Canadian art that emerged in the mid-1960s ... and the rupture that occurred in the mid-1970s between certain aesthetic positions and political objectives."--"Exhibiting research".
The Room Is on Fire
Blends history and theory with practical descriptions of how spoken word poetry is taught and how to produce spoken word events. The Room Is on Fire offers an overview of youth spoken word poetrys history, its practitioners, participants, and practices. Susan Weinstein explores its grounding in earlier literary/performance/educational traditions and discusses its particular challenges. In order to analyze these issues, the story of how youth spoken word poetry developed as a field is told through the voices of those involved. Interviewees include the people who organized the first youth poetry slam festivals, the founders of central youth spoken word organizations, and a selection of young...
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