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This work considers aspects of the art and architecture of the Soviet Union during the turbulent period of 1917 to 1922, covering a broad range of art, some modernist, some anti-modernist, but all to some degree guided by (and sometimes coerced by) the apparatus of the over-arching state.
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In 2015, its 50th anniversary year, Faber Music celebrated Dame Fanny Waterman's fundamental and vast contribution to music education with the release of her autobiography, Dame Fanny Waterman: My Life in Music. It tells the extraordinary story of one of the twentieth century's most inspirational British women. Born into an artistic family in impoverished circumstances, her prodigious musical talent and sheer determination was her passport out of hardship, leading to recognition as one of the most talented young pianists of her generation. Her emergence as a visionary teacher leads to the founding of the Leeds International Piano Competition and relationships with many internationally renowned pianists whose lives she has touched through her work. Interwoven throughout the story, Dame Fanny shares her inspirational philosophies on life, learning and music, and her compelling and utter passion for the piano.
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A fully updated new edition of this overview of contemporary Russia and the influence of its Soviet past.
Weiler argues that the processes associated with political and economic reform have, in important instances, diminished human rights in post-Soviet Russia.