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The Restoration Mind
Through the inclusion of essays by leading Restoration scholars from around the world, this book attempts to fulfill a much-needed function for serious students of the period and uses a culture-based approach to offer a general theory regarding the Restoration mentality. The editor, W. Gerald Marshall, addresses the serious lack of an interdisciplinary, culture-based study of this important era.
A Great Stage of Fools
With few exceptions, commentaries on the four plays of William Wycherley are surface in nature and do not offer a unified vision for the dramatic canon produced by the greatest of Restoration comic playwrights. Traditionally the plays have been defined as comedies of manners or of wit, with either approach vastly limiting our understanding of the plays' depth and complexity... There is, however, a much deeper concern which lies at the heart of Wycherley's drama and gives unity to the four comedies, and it is this overriding theme that Professor Marshall explores to demonstrate Wycherley's transcendence of recognized Restoration theatrical devices and concern with theatricality itself: not with the mere social pretense... but with the ancient topos of theatrum mundi.. In short, marshall declares Wycherley's plays metatheatre, and herein lies their true substance and meaning, as well as tehir most innovative contributions to the development of English comedy (from the Introduction).
Literature and the Monarchy
This book examines the Laureateship as an exponent of complex relations between literature and the Monarchy, and defines the nature and mode of existence of laureate poetry in England from the Restoration up to the present day. With the Monarchy seen as a long-lasting foundation of Englishness, the institution of Poet Laureateship provides a symbolic component of national identity, an official link between literature, culture and the Monarchy.
Consuming Anxieties
Writers of the late seventeenth and early eighteenth centuries—a period of vast economic change—recognized that the global trade in alcohol and tobacco promised a brighter financial future for England, even as overindulgence at home posed serious moral pitfalls. This engaging and original study explores how literary satirists represented these consumables—and related anxieties about the changing nature of Britishness—in their work. Riley traces the satirical treatment of wine, beer, ale, gin, pipe tobacco, and snuff from the beginning of Charles II’s reign, through the boom in tobacco’s popularity, to the end of the Gin Craze in libertine poems and plays, anonymous verse, ballad operas, and the satire of canonical writers such as Gay, Pope, and Swift. Focusing on social concerns about class, race, and gender, Consuming Anxieties examines how satirists championed Britain’s economic strength on the world stage while critiquing the effects of consumable luxuries on the British body and consciousness.
«Remov'd from human eyes»: Madness and Poetry 1676-1774
The years 1676 and 1774 marked two turning points in the social and legal treatment of madness in England. In 1676, London’s Bethlehem Hospital expanded in grand new premises, and in 1774 the Madhouses Act attempted to limit confinement of the insane. This study explores almost a century of the English history of madness through the texts of five poets who were considered mentally troubled according to contemporary standards: James Carkesse, Anne Finch, William Collins, Christopher Smart and William Cowper were hospitalized, sequestered or exiled from society. Their works cope with representations of insanity, medical definitions or practices, imputed illness, and the judging eye of the ‘sane other’, shedding new light on the dis/continuities in the notion of madness of this period.
The Civil Wars After 1660
Drawing upon the interdisciplinary field of social memory studies, this book opens up new vistas on the historical and political culture of early modern England. This book examines the conflicting ways in which the civil wars and Interregnum were remembered, constructed and represented in seventeenth- and eighteenth-century England. It argues that during the late Stuart period, public remembering of the English civil wars and Interregnum was not concerned with re-fighting the old struggle but rather with commending and justifying, or contesting and attacking, the Restoration settlements. After the return of King Charles II the political nation had to address the question of remembering and f...
The Smoke of London
William M. Cavert investigates the origins of urban air pollution, explaining how this problem arose during the early modern period.
Individuality in Language Change
Linguists have typically studied language change at the aggregate level of speech communities, yet key mechanisms of change such as analogy and automation operate within the minds of individual language users. Drawing on lifespan data from 50 authors and the intriguing case of the special passives in the history of English, this study addresses three fundamental issues relating to individuality in language change: (i) how variation and change at the individual level interact with change at the community level; (ii) how much innovation and change is possible across the adult lifespan; (iii) and to what extent related linguistic patterns are associated in individual cognition. As one of the first large-scale empirical studies to systematically link individual- and community-based perspectives in language change, this volume breaks new ground in our understanding of language as a complex adaptive system.
Godless Fictions in the Eighteenth Century
Documents eighteenth-century literary representations of atheism, arguing that opposition to atheism generated unique forms of religious belief.
Restoration Stage Comedies and Hollywood Remarriage Films
In Restoration Stage Comedies and Hollywood Remarriage Films, Elizabeth Kraft brings the canon of Restoration comedy into the conversation initiated by Stanley Cavell in his book Pursuits of Happiness: The Hollywood Comedy of Remarriage. Before there could be imagined remarriages of the sort Cavell documents, there had to be imagined marriages of equality. Such imagined marriages were first mapped out on the Restoration stage by witty pairs such as Harriet and Dorimant, Millamant and Mirabell, and Alithea and Harcourt who are precursors of the central couples in films such as Bringing Up Baby, His Girl Friday, and The Lady Eve. In considering the Restoration comedy canon in one-on-one discourse with the Hollywood remarriage comedy canon, Kraft demonstrates the indebtedness of the twentieth-century films to the Restoration dramatic texts-and the philosophical richness of both canons as they explore the nature and significance of marriage as pursuit of moral perfectionism. Her book will be of interest to specialists in Restoration drama and film scholars.
