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Werner Peiner
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Werner Peiner
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Werner Peiner
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Animals in the Third Reich
"This is the first book to explore the paradox of the Nazi cult of animals and the obsession with the annhilation of "biologically inferior" people." "Animals in the Third Reich begins by contrasting Jewish, Christian, and polytheistic traditions relating to animals in Germany, and examines the ways that the Nazi movement adopted, altered, challenged, or exploited these traditions. This discussion covers several perspectives on the treatment of animals, including those of zoologists, veterinarians, novelists, painters, sculptors, and the general public. Adopting and exploiting such traditions, the Nazis elaborated their own symbolic system of relating certain animals to supporters and antagonists of the movement - Aryan wolves and horses; Jewish pigs and apes."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Werner Peiner
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Werner Peiner - Verführer oder Verführter: Kunst des Dritten Reichs
Der Maler Werner Peiner gehorte in der Zeit des Nationalsozialismus zu den gefragtesten Staatsmalern. Als Direktor der Hermann-Goring-Malerschule schuf er mit seinen Studierenden unter anderem die Vorlagen fur die Bildteppiche der Neuen Reichskanzlei in Berlin. Adolf Hitler setzte ihn 1944 auf die Liste der gottbegnadeten Kunstler. Seine Verstrickung in den Nationalsozialismus hat der Maler sein Leben lang geleugnet. Anhand des umfangreichen schriftlichen Nachlasses konnte die Wahrheit uber Werner Peiner als Exponent des Nationalsozialismus erstmals historisch belegt werden."
Werner Peiner
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Art, Culture, and Media Under the Third Reich
Art, Culture, and Media Under the Third Reich explores the ways in which the Nazis used art and media to portray their country as the champion of Kultur and civilization. Rather than focusing strictly on the role of the arts in state-supported propaganda, this volume contributes to Holocaust studies by revealing how multiple domains of cultural activity served to conceptually dehumanize Jews and other groups. Contributors address nearly every facet of the arts and mass media under the Third Reich—efforts to define degenerate music and art; the promotion of race hatred through film and public assemblies; views of the racially ideal garden and landscape; race as portrayed in popular literatu...
