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“An eye-opening and haunting journey into the opioid epidemic ravaging West Virginia—the constantly-chased highs . . . the devastating overdoses.” —Bustle Selected for the National Poetry Series by Ada Limón, I Know Your Kind is a haunting, blistering debut collection about the American opioid epidemic and poverty in rural Appalachia. In West Virginia, fatal overdoses on opioids have spiked to three times the national average. In these poems, William Brewer demonstrates an immersive, devastating empathy for both the lost and the bereaved, the enabled and the enabler, the addict who knocks late at night and the brother who closes the door. Underneath and among this multiplicity of vo...
'Insightful and often hilarious . . . a dazzling head-trip of a novel' Nathan Hill, author of The Nix When a once-promising young writer agrees to ghostwrite a famous physicist's memoir, his livelihood is already in jeopardy: plagued by debt, he's grown distant from his wife - asuccessful AI designer - and is haunted by an overwhelming sense of dread he describes as 'The Mist'. Then, things get worse. The physicist vanishes, leaving everything in limbo, including our narrator's sanity. 'Exquisite . . . Brewer's evocation of the Mist is among the most accurate and insightful depictions of depression I've ever read' Los Angeles Times
Used to train generations of social scientists, this thoroughly updated classic text covers the latest research techniques and designs. Applauded for its comprehensive coverage, the breadth and depth of content is unparalleled. Through a multi-methodology approach, the text guides readers toward the design and conduct of social research from the ground up. Explained with applied examples useful to the social, behavioral, educational, and organizational sciences, the methods described are intended to be relevant to contemporary researchers. The underlying logic and mechanics of experimental, quasi-experimental, and non-experimental research strategies are discussed in detail. Introductory cha...
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Essays on attitudes to same sex relationships in nineteenth century England. The essays examine writers such as Byron, George Eliot, Wilde, Shaw and others.
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Examining chameleonic identities as seen in theatrical performances and literary texts during the Romantic period, this study explores cultural attitudes toward imposture and how it reveals important and much-debated issues about this time period. Brewer shows chameleonism evoked anxieties about both social instability and British selfhood.