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This second volume of a trilogy provides the first comprehensive account of the economic, social, religious and intellectual world 13th and 14th century Sienese painters.
In Art as Politics in Late Medieval and Renaissance Siena, contributors explore the evolving relationship between image and politics in Siena from the time of the city-state's defeat of Florence at the Battle of Montaperti in 1260 to the end of the Sienese Republic in 1550. Engaging issues of the politicization of art in Sienese painting, sculpture, architecture, and urban design, the volume challenges the still-prevalent myth of Siena's cultural and artistic conservatism after the mid fourteenth century. Clearly establishing uniquely Sienese artistic agendas and vocabulary, these essays broaden our understanding of the intersection of art, politics, and religion in Siena by revisiting its medieval origins and exploring its continuing role in the Renaissance.
The Disordered Body presents a fascinating look at how three epidemics of the medieval and Early Renaissance period in Western Europe shaped and altered conceptions of the human body in ways that continue today. Authors Suzanne E. Hatty and James Hatty show the ways in which concepts of the disordered body relate to constructions of disease. In so doing, they establish a historical link between the discourses of the disordered body and the constructs of gender. The ideas of embodiment, contagion and social space are placed in historical context, and the authors argue that our current anxieties about bodies and places have important historical precedents. They show how the cultural practices of embodied social interaction have been shaped by disease, especially epidemics.
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We are constantly fed the line that more productivity will bring more ease, satisfaction, and meaning to our lives. But what if all the gold stars and checkboxes are just a distraction? What if we could stop project-managing life and act from our being instead of all our doing? If you long to leave the pressure to do enough behind in favor of a life full of meaning, creativity, and joy--a life where you don't feel rushed because you can't fall behind--Making Time is for you. You won't find any life hacks to control your schedule in order to cram in more work. It's about liberating yourself from the myth that humans are producers and discovering the freedom of being a maker who trusts life as a creative process. In this bold, revitalizing call back to human being, you'll learn how to · let go of the constant pressure to do more · find deeper meaning in how you spend your time and energy · resist external noise that crowds out inspiration · make what you really desire to make with your time You don't need to do more or try harder. It just takes a new, transformative vision for how to live from your values every day.
This book is an examination of the nature of the governments of towns and cities, great and small, in Renaissance Italy, and of why oligarchic regimes were becoming increasingly prevalent. Themes and questions arising from a case-study of the dramatic changes in the government of fifteenth-century Siena form the basis for the analysis of popular government and oligarchy throughout Italy, from Piedmont and the Veneto to Sicily, and of how they were shaped by social change, institutional developments and external threats and pressures, especially war. In a field dominated by local studies, this comparative approach provides a fresh understanding of the important problem of how and why broadly-based governments were losing ground to oligarchy throughout Italy.