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Dancing Women
Dancing Women: Female Bodies Onstage is a spectacular and timely contribution to dance history, recasting canonical dance since the early nineteenth century in terms of a feminist perspective. Setting the creation of specific dances in socio-political and cultural contexts, Sally Banes shows that choreographers have created representations of women that are shaped by - and that in part shape - society's continuing debates about sexuality and female identity. Broad in its scope and compelling in its argument Dancing Women: * provides a series of re-readings of the canon, from Romantic and Russian Imperial ballet to contemporary ballet and modern dance * investigates the gaps between plot and ...
Dancing Lives
The private and performance lives of five female dancers in Western dance history
Dancing Female
How do women set up institutions? How has higher education helped or hindered women in the world of dance? These are some of the questions addressed through interviews and researched by the educators and dancers Sharon E. Friedler and Susan B. Glazer in Dancing Female . In dealing with some of the tensions, joys, frustrations, and fears women experience at various points of their creative lives, the contributors strike a balance between a theoretical sense of feminism and its practice in reality. This book presents answers to basic questions about women, power, and action. Why do women choreographers choose to create the dances they do in the manner they do? How do women in dance work independently and organizationally?
Dynamic Women Dancers
The women profiled here have become masters of their art, dancing and choreographing their way around the world. All of them have helped transform their style of dance, paving the way for the next generation. As you read about their lives, you will see that these women share a commitment to making a difference in the world of dance and beyond. Anna Pavlova, one of history's greatest ballerinas, brought classical ballet to all corners of the globe. Geeta Chandran, a master of Indian Bharatanatyam, has used dance to protest violence against women. Judith Marcuse choreographs dances that explore such issues as teen suicide and the environment. Pearl Primus fought against racism, bringing Caribbean and African influence to modern dance. Their passion has left a lasting mark on the world.
Women’s Work
Like the history of women, dance has been difficult to capture as a historical subject. Yet in bringing together these two areas of study, the nine internationally renowned scholars in this volume shed new and surprising light on women’s roles as performers of dance, choreographers, shapers of aesthetic trends, and patrons of dance in Italy, France, England, and Germany before 1800. Through dance, women asserted power in spheres largely dominated by men: the court, the theater, and the church. As women’s dance worlds intersected with men’s, their lives and visions were supported or opposed, creating a complex politics of creative, spiritual, and political expression. From a women’s religious order in the thirteenth-century Low Countries that used dance as a spiritual rite of passage to the salon culture of eighteenth-century France where dance became an integral part of women’s cultural influence, the writers in this volume explore the meaning of these women’s stories, performances, and dancing bodies, demonstrating that dance is truly a field across which women have moved with finesse and power for many centuries past.
Women and Dance
A broad-ranging account of women's roles and experience in dance, which demolishes the myth that dance is a female art form by demonstrating the way in which it is dominated by male managers, choreographers and directors. While most dancers are women, for the most part they interpret male-constructed images rather than create their own. This is not inevitable, however, the author argues; dance is a possible arena for feminist practice and women's liberation.
Something In The Way She Moves
A sensual, evocative history of women and dance; "brilliantly researched and utterly absorbing." --Venue (UK)
Dancing Women
Dancing Women: Female Bodies Onstageis a spectacular and timely contribution to dance history, recasting canonical dance since the early nineteenth century in terms of a feminist perspective. Setting the creation of specific dances in socio-political and cultural contexts, Sally Banes shows that choreographers have created representations of women that are shaped by - and that in part shape - society's continuing debates about sexuality and female identity. Broad in its scope and compelling in its argument Dancing Women: * provides a series of re-readings of the canon, from Romantic and Russian Imperial ballet to contemporary ballet and modern dance * investigates the gaps between plot and p...
Dancing in Paradise, Burning in Hell
An often overlooked segment of Maine (and American) history is the story of women in the working class dance industries. Generally looked upon with a gasp of shock, burlesque and vaudeville dancing, and later taxi dancing and marathon dancing, were often the only way for women to survive (In taxi dancing, men paid women by the dance; while marathon dancing was a contest and women tried to outlast each other on the dance floor.) In turn-of-the-20th-century Maine, this new form of dancing was taking off, as it was elsewhere in the country. Historian Trudy Irene Scee explores the dance industries of Maine, how they were effected by national events, and how events in Maine effected national tren...
