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Waste Not
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Plurality and Classifiers across Languages in China
Plural marking, numeral classifiers and reduplication constitute the main means of quantification marking in the domain of grammar. The contributions in this book focus on the typological correlation between the three different strategies for quantification, as well as on some general issues. A better understanding of the quantification strategies in the languages of China will enrich our comprehension of human language and thought. The book is expected to have an impact on the study of linguistic typology, language contact, and patterns of the evolution.
A History of Chinese Art in the 20th and 21st Century
This book situates the development of 20th and 21st century Chinese art in such fundamental contexts as Chinese politics and social change and is ideally suited for readers to understand the particularities of Chinese art that are distinct from Western art history. Such an approach is appropriate to the understanding of the development of modern Chinese art, which differs from both the Western approach to art history and the approach to traditional Chinese art, which is limited to the combing of ink and brush heritage and ideological traditions. Based on the scale and influence of historical works, considering the specificity of the term involving 'fine art' in China, and the scope of influence of the phenomenon of fine art in the cultural field, this book is mainly limited to the study of artistic phenomena completed by painting, sculpture, photography, video, and mixed media. The main readers of this book are: undergraduate students in art schools, graduate and doctoral students in art history; students in other humanities disciplines; experts and professors in the study of 20th century Chinese art and cultural history should be important readers of this book.
The Making of a World Order
Why does 1919 deserve further study and debate a hundred years later? What lessons for global history may we learn from the world order created at the end of the Great War? Drawing insight from the global turn of the past several decades that has forced us to reconsider the most important world events and processes since the French Revolution and especially the growing interest in World War I as a global conflict that extended far beyond the borders of Europe, this volume explores the global political ramifications of the treaties prepared at the Paris Peace Conference in 1919 by focusing on key topics: how the Paris Peace Conference re-shaped the geo-political configurations of the Middle East, the importance of transformations in Asia and particularly China in the immediate postwar period, the shifts in Southeastern Europe, new feminist movements in Central Europe, and the pre-history of neoliberalism. Read together, the papers demonstrate how the peace treaties signed in 1919 and 1920 marked a profound transformation on local, national, continental, and global scales.
Transforming History
Transforming History examines the profound transformation of historical thought and practice of writing history from the late Qing through the midtwentieth century. The authors devote extensive analysis to the common set of intellectual and political forces that shaped the study of history, from the ideas of evolution, positivism, nationalism, historicism, and Marxism, to political processes such as revolution, imperialism, and modernization. Also discussed are the impact and problems associated with the nationstate as the subject of history, the linear model of historical time, and the spatial system of nationstates. The result is a convincing study that illustrates how history has transformed into a modern academic discipline in China.
Making History
This volume analyzes the cultural origins, precedents, influences and aspirations of the contemporary Chinese artists.
Neural Computing for Advanced Applications
The two-volume Proceedings set CCIS 1637 and 1638 constitutes the refereed proceedings of the Third International Conference on Neural Computing for Advanced Applications, NCAA 2022, held in Jinan, China, during July 8–10, 2022. The 77 papers included in these proceedings were carefully reviewed and selected from 205 submissions. These papers were categorized into 10 technical tracks, i.e., neural network theory, and cognitive sciences, machine learning, data mining, data security & privacy protection, and data-driven applications, computational intelligence, nature-inspired optimizers, and their engineering applications, cloud/edge/fog computing, the Internet of Things/Vehicles (IoT/IoV),...
Modernities in Northeast Asia
To form a truer portrait of Northeast Asian perspectives on modernity, this book presents a broad range of analyses from philosophical and political-philosophical scholars specializing in the region. The book considers the encounter between "Western" modernity and "Eastern" tradition not as a simple clash of cultures, but as a generative and hybridizing process of negotiation. It examines the concrete manifestations of modernity in various intellectual and political movements that attempted to radically restructure Northeast Asian societies. And through these situated perspectives, it rethinks and redefines the idea of "modernity" itself, challenging and presenting alternatives to Western-centric thinking on the topic. This book will be of particular interest to political philosophers, political theorists, comparative philosophers, regional specialists in East Asia, and all scholars grappling with the perplexities of global "modernity."
A Rising China and Security in East Asia
A Rising China and Security in East Asia provides a systematic and in-depth analysis of the security discourse of Chinese elites on the major powers in East Asia, namely the US, Japan and Russia, and how China perceives their global security strategy.
The Chinese Filmography
From A to Z, Abandon Superstitions (1958; Po Chu Mi Xing in Chinese) to Zuo Wenjun and Sima Xiangru (1984; Zuo Wen Jun Ahe Si Ma Xiang Ru), this comprehensive reference work provides filmographic data on 2,444 Chinese features released since the formation of the People's Republic of China. The films reflect the shifting dynamics of the Chinese film industry, from sweeping epics to unabashedly political docudramas, although straight documentaries are excluded from the current work. The entries include the title in English, the Chinese title (in Pinyin romanization with each syllable noted separately for clarity), year of release, studio, technical information (e.g., black and white or color, letterboxed or widescreen), length, technical credits, literary source (when applicable), cast, plot summary, and awards won.
