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The first complete overview of the most important contemporary architecture practice ever to have emerged from China The skylines of modern China are punctuated by architecture that amazes, inspires, and awes. Many of these structures are the work of new, experimental practices like China-based MAD Architects. MAD Works not only documents the buildings of this group of avant-garde architects but also traces the development of their ideas through associated practice including art, research, and exhibition projects. Organized thematically, the book explores the underlying concepts of MAD Architects' work. MAD Works is illustrated with photographs, architectural drawings, and 3D visualizations to provide a thorough exploration of MAD Architect's international portfolio of completed works, unbuilt projects, and future ideas.
'Shanshui City', the latest book from MAD Architects' founder and principal partner, Ma Yansong, Ma's poetic, yet precise language details the development and practice of design philosophy At the core of 'Shanshui City' is the idea that, "architects should delineate a new ideal for the city of the future, to gradually construct an urban environment that embodies both the convenience of the modern city and the ancient Eastern affinity for the natural world." 'Shanshui' is an idealised worldview developed by Chinese through extended contact with the natural world, a worldview that integrates the everyday life of humanity with the impulse to seek spiritual refuge in nature. This 'Shanshui City' is not simply an eco-city, or a garden-city, nor does it imply modelling the city's architecture on natural forms such as mountains. It represents humanity's affinity for the natural world, and our quest for inner fulfilment, as expressed in philosophies of the East. 103 illustrations
A seductive vision of the future from the most promising firm in China led by Ma Yansong, an important voice in the new generation of architects. Conceived and designed by Ma Yansong, founder of MAD Architects, MAD Rhapsody documents the buildings of this avant-garde architecture firm and traces the development of their ideas through associated practice including art, research, and exhibition projects. With photographs, drawings, and models, the book highlights 23 projects from the past six years, both built and in process. Known for their “organic and dreamlike architecture” that creates a dialogue with nature, earth, and sky, MAD projects reach all over the globe. At age 46, Ma Yansong...
Wildly futuristic designs and [a] sneak peek at Asia's exciting new skylines. A compelling look at urban planning, culture, art, and iconography, through the eyes of China's most stimulating young architects.--"URBANE" Magazine.
This volume is the second in a series of pocket-book interviews with key cultural figures by internationally renowned curator, cultural agitator and pioneer J�r�me Sans. Here, Sans interviews Ma Yansong (born 1975), the founder of MAD Architects and architect of "Floating Island" and Absolute World."
A unique collection of photographs by Brigitte Niedermair, celebrating her original, creative collaboration with the House of Dior. Informed by her parallel paths as an artist and a photographer, Brigitte Niedermair expands the conventions and biases of the fashion image system. Her work focuses on representations of women’s bodies in art and culture, with deeply constructed images and striking compositions that make for a distinctive style. This volume explores the remarkable relationship between Dior and Niedermair’s aesthetic, resulting in photographs radiating a strong sense of unconventional femininity. The first section is devoted to the collaboration throughout the recent years, f...
Featuring the work of photographer Paul Barbera, this book documents creativity in 32 Japanese studios. Photographer Paul Barbera presents his next volume in the Where They Create series – this time with a different approach, by exploring the theme of his series through geographical locales. Reinvigorated by his first visit to Japan in five years, he makes this country the starting point of this new volume. Through the lens of creative spaces, Barbera chronicles his journey as he uncovers how contemporary Japanese design, art and creative thinking, has influenced and inspired the world (and vice versa). Barbera's search is simple and clear: he only visits the studios of people whose work h...
Beauty provides the dynamic catalyst for sixteen very charged and individual discussions about architecture and design. Based on a series of interviews by Yael Reisner, Architecture and Beauty has been developed into sixteen individual chapter/portraits, written up by Fleur Watson, that eloquently recount the thoughts of some of the world's most creative designers. Each interviewee candidly expresses their beliefs and experiences and espouses their own distinctive position on aesthetics. Offering up rare and often highly personal insights into the minds of today's most progressive and high-profile architects, the book is lusciously illustrated with the works that the architects discuss. Featured architects: Will Alsop, Hernan Diaz Alonso, Peter Cook, Odile Decq, Frank Gehry, Zaha Hadid, Zvi Hecker, Mark Goulthorpe, Kolatan/MacDonald Studio, Greg Lynn, Tom Mayne, Juhani Pallasmaa, Gaetano Pesce, Eric Owen Moss, Wolf Prix and Lebbeus Woods.
Journalist Michael Meyer has spent his adult life in China, first in a small village as a Peace Corps volunteer, the last decade in Beijing--where he has witnessed the extraordinary transformation the country has experienced in that time. For the past two years he has been completely immersed in the ancient city, living on one of its famed hutong in a century-old courtyard home he shares with several families, teaching English at a local elementary school--while all around him "progress" closes in as the neighborhood is methodically destroyed to make way for high-rise buildings, shopping malls, and other symbols of modern, urban life. The city, he shows, has been demolished many times before...
In the wake of architecture's digital turn, contemporary practices have taken up archaic, even "prehistoric," models for the practice of architecture and how it might develop trenchant relationships to contemporary audiences. Underneath a wildly diverse and variable set of appearances, Inscriptions: Architecture Before Speech reveals architectures that evince a stable and shared set of commitments to design as an act before speech--that is, they exceed the structural and semiotic propositions of the twentieth century which have long served as a point of beginning for the imagination of architectural thought itself. Featuring essays from Catherine Ingraham, Lucia Allais, Stan Allen, Phillip Denny, Edward Eigen, Sylvia Lavin, Antoine Picon, and Marrikka Trotter, Inscriptions rethinks architecture at the moment just before it is presupposed as the material of an indeterminably meaningful mark, the moment just before text becomes speech and before architecture becomes building--the site of inscription.