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"Zen echoes is a collection of classic koans from Zen's Chinese history that were first collected and commented on by Miaozong, a twelfth-century nun so adept that her teacher, the legendary Dahui Zonggao, used to tell other students--male and female--that perhaps if they practiced hard enough, they might become as realized as her. Nearly five hundred years later, the seventeenth-century nuns Baochi and Zukui added their own commentaries to the collection. The three voices--distinct yet harmonious--remind us that enlightenment is at once universal and individual" --Page 4 of cover.
Die weiblichen Aspekte wurden in der Vergangenheit nicht nur im Zen, sondern in fast allen Traditionen und Kulturen unterdrückt. Sie müssen aber integriert werden, wenn man ein volles Menschsein leben will: das Fließende gehört zum Harten, das Empfängliche zum Entschlossenen, das Gefühlvolle zum Geistigen, das Intuitive zum Körperlichen, die Umsicht zur Konzentration, die Kommunikation zum Schweigen, das Hüten zur Sorglosigkeit. So können wir das chinesisch-japanische Zen auch in den Boden unserer Kultur und Zeit einpflanzen und dem Tao entsprechen. Auch männliche Zen-Praktizierende haben ein Interesse daran, dass ZEN ganzheitlich praktiziert wird. Der Zen-Weg beginnt mit der Wendung nach innen und endet auf dem "Markt" des Alltags. Wir brauchen ein geerdetes Zen, das sich hier und heute manifestiert. Der Autor, *1957, hat über Meister Eckhart und Martin Heidegger promoviert und ist evang. Pfarrer im Ruhestand. Er hat Zen praktiziert unter Jyō'un-an (Joan Rieck), Zui-Un-An (Gundula Meyer) und Gesshin Myoko Prabhasa Dharma.
This volume of the Biographical Dictionary of Chinese Women completes the four-volume project and contains more than 400 biographies of women active in the Tang through Ming dynasties (618-1644). Many of the entries are the result of original research and provide the only substantial information on women available in English. Of note is the inclusion of a large number of women who reached positions of authority during this period as well as women artists and writers, especially poets, during this period of increased female literacy and more liberal social attitudes to women's cultural roles. Wherever possible, entries incorporate translations of poems and sometimes prose works so as to let the women speak for themselves. The book also includes a multitude of entertainers and actresses. The volume includes a Guide to Chinese Words Used, a Chronology of Dynasties and Major Rulers, a Finding List by Background or Fields of Endeavor, and a Glossary of Chinese Names. It will prove to be a useful tool for research and teaching.
International Book Awards—Religion: Eastern | Top Award AmericanBookFest's Best Book Awards Winner | Religion: Eastern Nautilus Award | Gold Benjamin Franklin Award | Silver Independent Book Publisher's Award | Bronze Named One of the Best Books of 2021 — Spirituality and Practice Magazine “An intriguing, challenging crash course in Zen Buddhism.” — Kirkus Reviews "A generation-defining rendering of one of the great Zen Buddhist scriptures." — Spirituality and Practice For centuries, The Blue Cliff Record has stood as one of the preeminent scriptures of the Zen Buddhist tradition in China, Japan, and Korea. However, until now there has been no published commentary by a contempora...
This landmark presentation at last makes heard the centuries of Zen's female voices. Through exploring the teachings and history of Zen's female ancestors, from the time of the Buddha to ancient and modern female masters in China, Korea, and Japan, Grace Schireson offers us a view of a more balanced Dharma practice, one that is especially applicable to our complex lives, embedded as they are in webs of family relations and responsibilities, and the challenges of love and work. Part I of this book describes female practitioners as they are portrayed in the classic literature of "Patriarchs' Zen"--often as "tea-ladies," bit players in the drama of male students' enlightenments; as "iron maiden...
Women, Rites, and Ritual Objects in Premodern Japan, edited by Karen M. Gerhart, is a multidisciplinary examination of rituals featuring women, in which significant attention is paid to objects produced for and utilized in these rites as a lens through which larger cultural concerns, such as gender politics, the female body, and the materiality of the ritual objects, are explored. The ten chapters encounter women, rites, and ritual objects in many new and interactive ways and constitute a pioneering attempt to combine ritual and gendered analysis with the study of objects. Contributors include: Anna Andreeva, Monica Bethe, Patricia Fister, Sherry Fowler, Karen M. Gerhart, Hank Glassman, Naoko Gunji, Elizabeth Morrissey, Chari Pradel, Barbara Ruch, Elizabeth Self.
Women played major roles in the history of Buddhist China, but given the paucity of the remaining records, their voices have all but faded. In Daughters of Emptiness, Beata Grant renders a great service by recovering and translating the enchanting verse - by turns assertive, observant, devout - of forty-eight nuns from sixteen centuries of imperial China. This selection of poems, along with the brief biographical accounts that accompany them, affords readers a glimpse into the extraordinary diversity and sometimes startling richness of these women's lives. A sample poem for this stunning collection: The sequence of seasons naturally pushes forward, Suddenly I am startled by the ending of the...
This book is an introduction the Japanese history, culture, and society from 1185 - the beginning of the Kamakura period - through the end of the Edo period in 1868.
Comprising the most up-to-date, interdisciplinary research on the study of Chinese religious beliefs and cultural practices, this volume explores the rich and complex religious and philosophical traditions that have developed and flourished in one of the world's oldest civilizations. Covers the main Chinese traditions of Confucianism, Taoism, and Buddhism as well as Christianity and Islam Features a unique organizational structure, with groups of readings focused on historical, traditions-based, and topical elements of Chinese religion Explores a number of contemporary religious topics, including gender, nature, asceticism, material culture, and gods and spirits Brings together a team of authors who are experts in their sub-fields, providing readers with the latest research in a rapidly growing discipline
"The Great Way is not difficult for those who have no preferences."--Seng-t'san The Hsin Hsin Ming, Verses on the Faith-Mind by Seng-t'san, the third Chinese patriarch of Zen, is considered to be the first Chinese Zen document. Lucidly translated here by Richard B. Clark, it remains one of the most widely-admired and elegant of Zen writings, and is as relevant today as it was when it was written. In a world where stress seems unavoidable, Seng-t'san's words show us how to be fully aware of each moment.