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Figures of Memory
Zsolt Komáromy’s Figures of Memory: From the Muses to Eighteenth-Century British Aesthetics effects a rapprochement between memory studies and eighteenth-century British aesthetics. It argues that the assessment of memory in the history of aesthetics and criticism has been determined by the ideological import of the creative imagination, based on the dichotomies of imitative versus creative or reproductive versus productive mental and artistic procedures. The legacy of such an opposition can still be felt in the way the literary relevance of memory is based on either viewing it as a representational (reproductive, imitative) power that is a counterterm to the creative sense of the imagina...
Yeats
Another volume in the distinguished annual
The Reception of W. B. Yeats in Europe
The intellectual and cultural impact of British and Irish writers cannot be assessed without reference to their reception in European countries. These essays, prepared by an international team of scholars, critics and translators, record the ways in which W. B. Yeats has been translated, evaluated and emulated in different national and linguistic areas of continental Europe. There is a remarkable split between the often politicized reception in Eastern European countries but also Spain on the one hand, and the more sober scholarly response in Western Europe on the other. Yeats's Irishness and the pre-eminence of his lyrical work have posed continuous challenges. Three further essays describe the widely divergent reactions to Yeats in his native Ireland, during his lifetime and up to the most recent years.
The Mind Is a Collection
The Mind Is a Collection approaches seventeenth- and eighteenth-century theory of the mind from a material point of view, examining the metaphors for mental activity that invoked the material activity of collection.
Worlds of Hungarian Writing
Worlds of Hungarian Writing responds to the rapidly growing interest in Hungarian authors throughout the English-speaking world. Addressing an international audience, the essays in the collection highlight the intercultural contexts that have molded the conventions, genres and institutions of Hungarian writing from the nineteenth century to the present. They are mapping some of the ways in which a modern literature is produced by encounters with languages, cultures, and media external to its traditionally conceived boundaries. But rather than viewing intercultural exchange as an external force, the collection recognizes its enabling importance to the globalizing reception and circulation of ...
Paradise from behind the Iron Curtain
Paradise from behind the Iron Curtain provides a detailed survey of the key responses to Milton’s work in Hungarian state socialism. The four decades between 1948 and 1989 saw a radical revision of previous critical and artistic positions and resulted in the emergence of some characteristically Eastern European responses to Milton’s works. Critical and artistic appraisals of Milton’s works in the communist era proved more controversial than receptions of other major Western authors: on the one hand, Milton’s participation in the Civil War earned him the title of a ‘revolutionary hero,’ on the other hand, religious aspects of his works were often disregarded and sometimes proactiv...
The Matica and Beyond
Nineteenth-century national movements perceived the nation as a community defined by language, culture and history. Part of the infrastructure to spread this view of the nation were institutions publishing literary and scientific texts in the national language. Starting with the Matica srpska (Pest, 1826), a particular kind of society was established in several parts of the Habsburg Empire – inspiring each other, but with often major differences in activities, membership and financing. Outside of the Slavic world analogues institutions played a similar key role in the early stages of national revival in Europe. The Matica and Beyond is the first concerted attempt to comparatively investiga...
The Other Journal: Identity
FEATURING: Judith Butler Lia Chavez Katherine James D. S. Martin Thomas Nail PLUS: What Does Where You’re From Matter? * Ta-Nehisi Coates and the Power of Lament * Sing More Like a Girl * Jesus Doesn’t Want Me for a Sunbeam * Occupied Identity * What’s So Holy about Matrimony? AND MORE . . . “We the people . . .” So begins the familiar first line to the Preamble of the United States Constitution. But even in its initial context, in a document intended to be a manifesto of hope and freedom, the matter of who exactly was to be included in this “we” was unclear and contested. First-person pronouns (i.e., I and we) roll off the tongue–or onto parchment paper–with ease, but thei...
Aspects of the Enlightenment
This volume brings to the forefront recent Enlightenment research in Hungary mapping out the complex web of Enlightenment ideas with its manifold ideological and spiritual strata and the ways the different modes of inquiries inseminated and fertilized each other. The book takes the Enlightenment as a common enterprise of the European intellectual elite, while also pointing out the different and competing spiritual climates of some of the most important national cultural traditions. Aspects of the Enlightenment offers alternative cross-sectional views of the representative ideas in Enlightenment art, philosophy, politics, morality, and religion.
