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Pliny the Elder’s Naturalis Historia, with its varied content, enables and expects the reader to employ a complex interpretative technique. One aspect of Pliny’s diction is that he often interrupts the discussions of topics with digressions and begins to address something that seemingly has nothing to do with the subject. The hypothesis suggested by this book is that these digressions that occur in different places and in great number throughout the text of Naturalis Historia should not be regarded as mistakes fragmenting the encyclopedia’s structure. Most of these digressions are anecdotes. Researching the aetiological anecdotes, and those about the life of animals, famous persons from political or intellectual life, and the most important Greek painters and sculptors requires the application of different perspectives. When we approach anecdotes from the perspective of narrative techniques, the role of the stories as exempla becomes clearer, and its further aspects can be spotted. This book also draws attention to Pliny the writer, an aspect of the text that has been contested until very recently.
Pliny the Elder's Naturalis Historia, with its varied content, enables and expects the reader to employ a complex interpretative technique. One aspect of Pliny's diction is that he often interrupts the discussions of topics with digressions and begins to address something that seemingly has nothing to do with the subject. The hypothesis suggested by this book is that these digressions that occur in different places and in great number throughout the text of Naturalis Historia should not be regarded as mistakes fragmenting the encyclopedia's structure. Most of these digressions are anecdotes. Researching the aetiological anecdotes, and those about the life of animals, famous persons from political or intellectual life, and the most important Greek painters and sculptors requires the application of different perspectives. When we approach anecdotes from the perspective of narrative techniques, the role of the stories as exempla becomes clearer, and its further aspects can be spotted. This book also draws attention to Pliny the writer, an aspect of the text that has been contested until very recently.
Considerations about size and scale have always played a central role within Greek and Roman visual culture, deeply affecting sculptural production. Both Greeks and Romans, in particular, had a clear notion of “colossality” and were able to fully exploit its implications with sculpture in many different areas of social, cultural and religious life. Instead, despite their ubiquitous presence, an equal and contrary categorization for small size statues does not seem to have existed in Greek and Roman culture, leading one to wonder what were the ancient ways of conceptualizing sculptural representations in a format markedly smaller than “life-size.” Even in the context of modern scholar...
Fjällbackában mindenki ismer mindenkit. Vagy ismerni vél… Az idilli tengerparti városka élete teljesen felbolydul, amikor egy halász egy halott kislányt húz ki a vízből. Gyilkosság áldozata lett. Patrik Hedström nyomozó és élettársa, Erika jól ismerte a kislányt és családját, s így talán még nehezebb a férfi dolga, amikor elkezdi kibogozni a borzalmas bűneset szálait. A nyomozás során sötét titkok kerülnek felszínre. Senki nem gondolná, hogy a városka lakói közül milyen sokaknak van rejtegetnivalója. De kiben lakozhatnak olyan ördögi indulatok, melyek képessé teszik egy gyermek meggyilkolására?
An important contribution to the study of Agnes of Bohemia, a key figure in early Franciscan female spirituality.
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The Lloyd's Register of Shipping records the details of merchant vessels over 100 gross tonnes, which are self-propelled and sea-going, regardless of classification. Before the time, only those vessels classed by Lloyd's Register were listed. Vessels are listed alphabetically by their current name.