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Miradas plurales al fenómeno humano
Se aborda la problemática que no tienen al animal humano como eje gravitacional sino al fenómeno que se deriva de ser ese \"primate inquisitivo. La intención es ofrecer un amplio panorama de reflexiones que permitan acotar temas y optar por abordajes desde una gran gama de marcos teóricos y técnicas, a fin de dar respuestas verosímiles a pequeños pero importantes cuestionamientos, sobre la inquietud antropológica.
Encuentros y desencuentros
The purpose of our research is to find an echo and resonance in society. Digging an archaeological site, elucidating the internal logic of an indigenous language, or understanding the dynamics of a social group achieve their full meaning when members of society know, receive, and appropriate this information. However, as we write specialized reports and certificates, those who have a mercantile vision of heritage use multimedia tools to spread it. This book unveils a set of strategies, programs and projects driven by interdiscipline (with efforts from archeology, physical anthropology, ethnohistory and paleontology) in favor of the protection and dissemination of cultural heritage. We seek other specialists to join these initiatives to build a collective vision that values ??and protects cultural heritage while involving society in research processes.
Teotihuacan and Early Classic Mesoamerica
The Early Classic period in Mesoamerica has been characterized by the appearance of Teotihuacan-related material culture throughout the region. Teotihuacan, known for its monumental architecture and dense settlement, became an urban center around 100 BC and a regional state over the next few centuries, dominating much of the Basin of Mexico and beyond until its collapse around AD 650. Teotihuacan and Early Classic Mesoamerica explores the complex nature of Teotihuacan’s interactions with other regions from both central and peripheral vantage points. The volume offers a multiscalar view of power and identity, showing that the spread of Teotihuacan-related material culture may have resulted ...
El llanto de la Isla de Pascua
Más de 2.800 ejemplares vendidos en Amazon en sus dos primeros meses a la venta. Sinopsis: Un arqueólogo español entra a formar parte de una ambiciosa excavación que pretende arrojar un poco más de luz sobre los numerosos enigmas que todavía hoy persisten en torno a la Isla de Pascua. Un crimen atroz y la sospecha de hallarse ante un descubrimiento antropológico sensacional, le situarán en el centro de una conspiración de la que se acabará convirtiendo en involuntario protagonista. Tras el éxito de su primera novela (La esperanza del Tíbet), José Vicente Alfaro nos propone ahora un viaje lleno de intriga a uno de los lugares más cautivadores del planeta. A través de sus págin...
ISLA
Clippings of Latin American political, social and economic news from various English language newspapers.
Government Gazette
None
The Author in the Office
Office-based writers from both sides of the River Plate chronicle the twentieth century. Martel's La bolsa (1891) initiates, and Dorfman's Reader (1995) concludes, a study of the white-collar citizens of Buenos Aires and Montevideo in their daytime habitat: the office. The literary background is the European literature of bureaucracy: Balzac, Galdós, Gogol, Dickens, Dostoyevsky, Kafka; the theoretical approach is through the sociologists Max Weber and C. Wright Mills; the historical context is the twentieth century: the decline of European power and the ascendency of the USA; two World Wars; the Wall Street crash; communism and fascism. Through the eyes of Arlt, Benedetti, Campodónico, Cortázar, De Castro, Denevi, Fernández, Marechal, Mariani, Martínez Estrada, Onetti and Ricci, we observe life on both sides of the River Plate, as the two countries succumb to polarisation, repression and, eventually, military dictatorship. This is the twentieth century, viewed by a bewildered, frequently anguished participant: the person at the next desk. PAUL R. JORDAN lectures in Hispanic Studies at the University of Sheffield.
