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Inhumanities is an unprecedented account of the ways Nazi Germany manipulated and mobilized European literature, philosophy, painting, sculpture and music in support of its ideological ends. David B. Dennis shows how, based on belief that the Third Reich represented the culmination of Western civilization, culture became a key propaganda tool in the regime's program of national renewal and its campaign against political, national and racial enemies. Focusing on the daily output of the Völkischer Beobachter, the party's official organ and the most widely circulating German newspaper of the day, he reveals how activists twisted history, biography and aesthetics to fit Nazism's authoritarian, militaristic and anti-Semitic world views. Ranging from National Socialist coverage of Germans such as Luther, Dürer, Goethe, Beethoven, Wagner and Nietzsche to 'great men of the Nordic West' such as Socrates, Leonardo and Michelangelo, Dennis reveals the true extent of the regime's ambitious attempt to reshape the 'German mind'.
Detlef Mühlberger's work Hitler's Voice: The "Völkischer Beobachter," 1920-1933 is an important addition to the study of National Socialism. In today's scholarship, it is difficult to locate a detailed work on National Socialism that does not rely in some way on the Völkischer Beobachter: it was truly the bullhorn of the party from the time when the National Socialists were no more than a small group of unknowns gathering at the Munich Bürgerbräukeller until they gained power in 1933. Considering the vast amount of literature on National Socialism, however, it is surprising that until now, there have only been shorter articles and two dissertations and not a single comprehensive analysi...
As the editors write in this volume, "while the dichotomy of 'high' and 'low, ' classical and popular, elitist and trivial has occupied theorists of culture for centuries, very few of them have paid more than scant attention to the various attempts at mediating between these two levels of cultural endeavor." The essays collected here, most delivered at the twenty-second Wisconsin Workshop in October, 1991, address exactly this aspect of cultural studies, using modern Germany as their canvas. The contributors range across the entire breadth of German cultural life, analyzing developments in the arts, literature, poetry, architecture, and cinema, as well as looking at contemporary writing by w...
The result was a powerful current of skepticism with extraordinary consequences. Combined with late-seventeenth-century developments in other areas of thought and writing, it produced skepticism about the possibility of gaining any historical knowledge at all." "Joining the history of ideas to the history of journalism and publishing, Dooley sets out to discover when early modern people believed their political informants and when they did not."--BOOK JACKET.
This book takes up the stimuli of new international historiography, albeit focusing mainly on the two regimes that undoubtedly provided the model for Fascist movements in Europe, namely the Italian and the German. Starting with a historiographical assessment of the international situation, vis-à-vis studies on Fascism and National Socialism, and then concentrate on certain aspects that are essential to any study of the two dictatorships, namely the complex relationships with their respective societies, the figures of the two dictators and the role of violence. This volume reaches beyond the time-frame encompassing Fascism and National Socialism experiences, directing the attention also towa...
Writing and Rewriting the Reich tells the complex story of women journalists as both outsiders and insiders in the German press of the National Socialist and post-war years. From 1933 onward, Nazi press authorities valued female journalists as a means to influence the public through charm and subtlety rather than intimidation or militant language. Deborah Barton reveals that despite the deep sexism inherent in the Nazi press, some women were able to capitalize on the gaps between gender rhetoric and reality to establish prominent careers in both soft and hard news. Based on data collected on over 1,500 women journalists, Writing and Rewriting the Reich describes the professional opportunitie...
An award-winning historian's revisionary account of the early modern world, showing how apocalyptic ideas stimulated political, religious, and intellectual transformations "A masterful synthesis of the prognostications of faith, knowledge, and politics on a global stage. Martin's book illuminates one of the enduring themes that shaped the medieval and early modern world."--Paula E. Findlen, Stanford University In this revelatory immersion into the apocalyptic, messianic, and millenarian ideas and movements that created the modern world, John Jeffries Martin performs a kind of empathic time travel, entering into the psyche, spirituality, and temporalities of a cast of historical actors in pro...
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