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The Film Factory
  • Language: en
  • Pages: 486

The Film Factory

  • Type: Book
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  • Published: 2012-10-12
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  • Publisher: Routledge

The Film Factory provides a comprehensive documentary history of Russian and Soviet cinema. It provokes a major reassessment of conventional Western understanding of Soviet cinema. Based on extensive research and in original translation, the documents selected illustrate both the aesthetic and political development of Russian and Soviet cinema, from its beginnings as a fairground novelty in 1896 to its emergence as a mass medium of entertainment and propaganda on the eve of World War II.

Derzhavin
  • Language: en
  • Pages: 312

Derzhavin

Russian poet, soldier, and statesman Gavriil Derzhavin (1743–1816) lived during an epoch of momentous change in Russia—imperial expansion, peasant revolts, war with Turkey, and struggle with Napoleon—and he served three tsars, including Catherine the Great. Here in its first English translation is the masterful biography of Derzhavin by another acclaimed Russian man of letters, Vladislav Khodasevich. Derzhavin occupied a position at the center of Russian life, uniting civic service with poetic inspiration and creating an oeuvre that at its essence celebrated the triumphs of Russia and its rulers, particularly Catherine the Great. His biographer Khodasevich, by contrast, left Russia in ...

The Cambridge Introduction to Russian Literature
  • Language: en
  • Pages: 308

The Cambridge Introduction to Russian Literature

Russian literature arrived late on the European scene. Within several generations, its great novelists had shocked - and then conquered - the world. In this introduction to the rich and vibrant Russian tradition, Caryl Emerson weaves a narrative of recurring themes and fascinations across several centuries. Beginning with traditional Russian narratives (saints' lives, folk tales, epic and rogue narratives), the book moves through literary history chronologically and thematically, juxtaposing literary texts from each major period. Detailed attention is given to canonical writers including Pushkin, Gogol, Dostoevsky, Tolstoy, Chekhov, Bulgakov and Solzhenitsyn, as well as to some current bestsellers from the post-Communist period. Fully accessible to students and readers with no knowledge of Russian, the volume includes a glossary and pronunciation guide of key Russian terms as well as a list of useful secondary works. The book will be of great interest to students of Russian as well as of comparative literature.

Kino
  • Language: en
  • Pages: 584

Kino

Documents the evolutionary development of the nation's cinema and its film artists, focusing on the period between 1896 and the death of Eisenstein in 1948.

Ruins of Modernity
  • Language: en
  • Pages: 530

Ruins of Modernity

  • Categories: Art

Images of ruins may represent the raw realities created by bombs, natural disasters, or factory closings, but the way we see and understand ruins is not raw or unmediated. Rather, looking at ruins, writing about them, and representing them are acts framed by a long tradition. This unique interdisciplinary collection traces discourses about and representations of ruins from a richly contextualized perspective. In the introduction, Julia Hell and Andreas Schönle discuss how European modernity emerged partly through a confrontation with the ruins of the premodern past. Several contributors discuss ideas about ruins developed by philosophers such as Immanuel Kant, Georg Simmel, and Walter Benja...

The Imperial Sublime
  • Language: en
  • Pages: 324

The Imperial Sublime

The Imperial Sublime examines the rise of the Russian empire as a literary theme simultaneous with the evolution of Russian poetry between the 1730s and 1840—the century during which poets defined the main questions facing Russian literature and society. Harsha Ram shows how imperial ideology became implicated in an unexpectedly wide range of issues, from formal problems of genre, style, and lyric voice to the vexed relationship between the poet and the ruling monarch.

Writers Under Siege
  • Language: en
  • Pages: 381

Writers Under Siege

An history that presents a canvas of post-war Czech literary developments within the cultural and political context of the times. It provides information about the many English-language translations from Czech literature, and the circumstances in which these translations came about.

To Heaven's Rim
  • Language: en
  • Pages: 311

To Heaven's Rim

From its very first days, the church has been lifting up its songs and poems from the earth to the heavens, whether in praise, thanksgiving, or lament. Join poets from across Syria, Europe, Armenia, Ethiopia, China, and the Philippines in raising their voices. Learn about these great Christian singers from around the world, many of whom are hardly known at all among English readers, yet who are often considered the greatest poets in their own languages. Explore the many styles and genres which Christians have used to express their faith in song, whether hymn, psalm, dream vision, epic, drama, lyric, or didactic poem. Journey through the lives of biblical characters, through abstract theological and philosophical arguments, through moments of intense personal grief and joy, through the lives of saints and terrible sinners, sometimes even through heaven and hell themselves.

Meyerhold
  • Language: en
  • Pages: 360

Meyerhold

  • Type: Book
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  • Published: 2013-12-23
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  • Publisher: A&C Black

Edward Braun's acclaimed work on Meyerhold available for the first time in paperback Vsevolod Meyerhold began his career in theatre as an actor with the Moscow Art Theatre, and after a spell in the remote provinces, he returned to Moscow at Stanislavski's invitation and founded a new, experimental studio for the Art Theatre. This book takes us through Meyerhold's extraordinary life of experiment and discovery, describing his rehearsal techniques and exercises and provides an acute assessment of his continuing influence on contemporary theatre.

The Visual Dominant in Eighteenth-Century Russia
  • Language: en
  • Pages: 379

The Visual Dominant in Eighteenth-Century Russia

The Enlightenment privileged vision as the principle means of understanding the world, but the eighteenth-century Russian preoccupation with sight was not merely a Western import. In his masterful study, Levitt shows the visual to have had deep indigenous roots in Russian Orthodox culture and theology, arguing that the visual played a crucial role in the formation of early modern Russian culture and identity. Levitt traces the early modern Russian quest for visibility from jubilant self-discovery, to serious reflexivity, to anxiety and crisis. The book examines verbal constructs of sight—in poetry, drama, philosophy, theology, essay, memoir—that provide evidence for understanding the spe...