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Dissatisfactions
How the queer Chicano punks of post-1960s Los Angeles developed a unique politics of style In this groundbreaking work, Joshua Javier Guzmán explores the queer punk and Chicano/Latino avant-garde art scenes in post-1968 Los Angeles from the rise of Ronald Reagan to the height of the AIDS epidemic. He demonstrates how style–as a cultural form and sensibility–becomes essential to Latino politics at the moment the utopian impulses of the 1960s begin to fade. Guzmán uncovers how queer Latinos in Los Angeles used performance, underground media, experimental art, and literature to interrogate the limits of Chicano nationalism and the burgeoning politics of gay liberation. These subcultural f...
Subjectivity
Subjectivity is one of the central issues of twentieth-century philosophy, literature and art. Modernism, which "discovered" the subconscious, put an end to the belief in the Cartesian Subject as the autonomous centre of knowledge and self-consciousness. Instead, the subject became something uncontrollable, unreliable, incomplete and fragmentary. The attempts to recapture the unity of the subject led to the existential quest and the flight into ideology (nazism, communism). Postmodernism, the cultural movement of the second half of the twentieth century, did not consider the subject any longer as an important category. Attention was focused on the "I" and the "Other", on dialogism and polyphonism (Bakhtin). Ideology lost its appeal and so did the "great" stories (Lyotard). In this issue of Avant-Garde Critical Studies the problem of subjectivity in twentieth-century culture is discussed from various angles by specialists in the field of philosophy, literature, film, music and dance.
Robert van Gulik and His Chinese Sherlock Holmes
In the post-war mid-century Robert van Gulik produced a series of stories set in Imperial China and featuring a Chinese Judge: Judge Dee. This book examines the author’s unprecedented effort in hybridising two heterogenous crime writing traditions – traditional Chinese gong’an (court-case) fiction and its Anglo-American counterpart – bringing to light how his fiction draws elements from these two traditions for plots, narrative features, visual images, and gender representation. Relying on research on various sources and literary traditions, it provides illumination of the historical contexts, centring on the cultural interaction and connectedness that occurred during the multidirectional global flows of the Judge Dee texts in both western and Chinese markets. This study contributes to current scholarship on crime fiction by questioning its predominantly Eurocentric focus and the divisive post-colonial approach often adopted in accessing works concerning foreign peoples and cultures.
Youth and Memory in Europe
This volume contends that young individuals across Europe relate to their country’s history in complex and often ambivalent ways. It pays attention to how both formal education and broader culture communicate ideas about the past, and how young people respond to these ideas. The studies collected in this volume show that such ideas about the past are central to the formation of the group identities of nations, social movements, or religious groups. Young people express received historical narratives in new, potentially subversive, ways. As young people tend to be more mobile and ready to interrogate their own roots than later generations, they selectively privilege certain aspects of their identities and their identification with their family or nation while neglecting others. This collection aims to correct the popular misperception that young people are indifferent towards history and prove instead that historical narratives are constitutive to their individual identities and their sense of belonging to something broader than themselves.
The Dead All Have the Same Skin
Vian's second noir novel under the Vernon Sullivan pseudonym is a brutal tale of racism in postwar New York City, as protagonist Daniel Parker is blackmailed by a long lost brother. Also included is the short story "Dogs, Desire and Death," and Vian's account of the controversies surrounding his previous novel I Spit on your Graves.
Origins and Legacies of Marcel Duhamel’s Série Noire
In Origins and Legacies of Marcel Duhamel’s Série Noire Alistair Rolls, Clara Sitbon and Marie-Laure Vuaille-Barcan counter the myths and received wisdom that are typically associated with this iconic French crime fiction series, namely: that it was born in Paris on a tide of postwar euphoria; that it initially consisted of translations of American hard-boiled classics by the likes of Dashiell Hammett and Raymond Chandler; and that the translations were rushed and rather approximate. Instead, an alternative vision of Duhamel’s translation practice is proposed, one based on a French tradition of auto-, or “original”, translation of “ostensibly” American crime fiction, and one that appropriates the source text in order to create an allegory of the target culture.
Is The Self Dissolved?
Dr. Vandana Pathak invites you to explore the very essence of who we are in the modern world. "Is the Self Dissolved?", is her doctoral thesis and tackles a thought-provoking question: whether our sense of self has fundamentally changed? When we read books of Victorian times, we saw a linearity in characters, there was sense and a clear trajectory, like Pip's love for Estella. But in the Modern age, there is a lack of this centrality of the Self. Let apart loving others, finding meaning in social institutions, we rarely know and love ourselves. Hence, Meursault, Josef K and Roquentin are not just characters in iconic philosophical novels, but rather pieces of the modern, scattered humans who...
Autumn in Peking
Fiction. Translated from the French by Paul Knobloch. Originally published in 1947. "In the Exopotamian desert, where hepatrols blossom and children collect little animals called sandpeepers, the sun shines in an unusual way: it produces eerie black zones whose mysteries remain unexplained. Above all, Vian's pecurilar way with language proves that, indeed, life in the desert is equal to none. Since unusual language is bound to produce unusual fiction, it follows that the story does not take place in the fall, nor is it set in China" - from the Foreword by Marc Lapprand. The fourth novel by Vian, who was a contemporary of Sartre and Beauvoir. His innovative style, cutting-edge during his lifetime, but only successful in the sixties, made him an icon of the May 1968 student movement.
Modern Capitalist Culture
This lost classic by famous anthropological theorist Leslie A. White, published now for the first time, represents twenty-five years of his scholarship on the anthropology of modern capitalism. Drawing out his now classic formulations of social organization, cultural evolution, and the relationship between technology, ecology, and culture, this major theoretical work traces a vast expanse of history from the earliest forms of capitalism to the detailed inner workings of contemporary democratic institutions. A substantial foreword by Burton J. Brown, Benjamin Urish, and Robert Carneiro both situates this posthumous work within the history of anthropological theory and shows its importance to contemporary debates within the discipline.
The Tenth
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