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GoldenEye 007
Bond—James Bond. In the 80s and 90s, the debonair superspy’s games failed to live up to the giddy thrills of his films. That all changed when British studio Rare unleashed GoldenEye 007 in 1997. In basements and college dorms across the world, friends bumped shoulders while shooting, knifing, exploding, and slapping each other’s digital faces in the Nintendo 64 game that would redefine the modern first-person shooter genre and become the most badass party game of its generation. But GoldenEye’s success was far from a sure thing. For years of development, GoldenEye’s team of rookie developers were shooting in the dark with no sense of what the N64 or its controller would be like, an...
Mega-city Redux
Poetry. Alyse Knorr's MEGA-CITY REDUX is a marvel. In 1405, Christine de Pizan, the world's first female professional writer, published an allegorical work called The Book of the City of Ladies, in which she imagined constructing (with the help of her fairy godmothers Reason, Rectitude, and Justice) a walled city where women could live safe from sexism, misogyny, and gendered violence. Six hundred years later, women across the world still find themselves in need of such a city. MEGA-CITY REDUX, a novel in verse remix of Pizan's allegory, charts a modern-day road-trip search for the mythical city, with the help of 21st- century feminist heroes Buffy the Vampire Slayer, Xena Warrior Princess, and Dana Scully from The X-Files.
Queer Nature: A Poetry Anthology
An anthology of queer nature poetry spanning three centuries. This anthology amplifies and centers LGBTQIA+ voices and perspectives in a collection of contemporary nature poetry. Showcasing over two hundred queer writers from the nineteenth to the twenty-first century, Queer Nature offers a new context for and expands upon the canon of nature poetry while also offering new lenses through which to view queerness and the natural world. In the introduction, editor Michael Walsh writes that the anthology is "concerned with poems that speak to and about nature as the term is applied in everyday language to queer and trans bodies and identities . . . Queer Nature remains interested in elements, flora, fauna, habitats, homes, and natural forces--literary aspects of the work that allow queer and trans people to speak within their specific cultural and literary histories of the abnormal, the animal, the elemental, and the unnatural." The anthology features poets including Elizabeth Bishop, Joy Harjo, Richard Blanco, Kay Ryan, Jericho Brown, Allen Ginsberg, Natalie Diaz, and June Jordan, as well as emerging voices such as Jari Bradley, Alicia Mountain, Eric Tran, and Jim Whiteside.
The Georgia Review
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The Problem of Relativism in the Sociology of (Scientific) Knowledge
This volume comprises original articles by leading authors – from philosophy as well as sociology – in the debate around relativism in the sociology of (scientific) knowledge. Its aim has been to bring together several threads from the relevant disciplines and to cover the discussion from historical and systematic points of view. Among the contributors are Maria Baghramian, Barry Barnes, Martin Endreß, Hubert Knoblauch, Richard Schantz and Harvey Siegel.
Hallelujah Time
Hallelujah Time, Virgina Konchan's third full-length poetry collection--and the first to appear in Canada--delivers up poetry that is unlike anything being written today. Specializing in fast-moving monologues that track the vagaries and divagations of a mind in action, Konchan cuts our most hallowed cultural institutions and constructions down to size with surprising turns of language both theatrical and sincere. Hallelujah Time embraces a dazzling mix of idioms, registers, and tones in poems that compress everything they know into aphoristic, hard-boiled insights as arresting as they are witty. "My human desire," Konchan writes, "is simple: / to live on the perpetual cusp / of extremity." Hallelujah Time is a revelation.
Copper Mother
Poetry. "In COPPER MOTHER, Alyse Knorr imagines a future in which Voyager makes first contact with alien others, who then travel to Earth and introduce themselves as 'Our Friends.' But rather than trying to experience something outside themselves, the speakers search for the 'me of ourselves' in the 'me of their flesh.' They create a projection of the 'self' that 'twists, / makes new space, / and] consumes future' within these strangers. Knorr's collection reads as a cautionary tale of ethical engagement with the other, and how such interactions can easily transform into solipsistic explorations." Joshua Ware "If the Voyager Golden Record was intended to display the diversity of culture and life on Earth, Alyse Knorr's wildly inventive COPPER MOTHER is a retake, our new rendition. Honest in critique of gender, violence, and environmental decay, these poems allow that we see ourselves from afar." Sally Keith"
Annotated Glass
Poetry. LGBT Studies. "Inside every intimate relationship, Alyse Knorr argues, lies a land of the imagination known only to those in relation. Her beautiful and wise ANNOTATED GLASS follows its protagonist, Alice, into and out of lands invented in childhood and adolescence, between family members and lovers, uncovering in each situation and between each of its characters 'a network of nerves speaking each to each.' The beauty of Knorr's writing lives in these electric connections, the way Alice's desire for her lover Jenny runs a 'current on my tongue like the inside / of a star.' But the wisdom of ANNOTATED GLASS lies in its ability to describe the loss not only of family and lovers but als...
Sisterhood
Poetry. LGBT Studies. "If we ever forgot that sisterhood is powerful, Julie R. Enszer's poetry reminds us—with frank wit, grief, compassion, and a clear sense of the joy and burden of love. Enszer is a poet of the body, of family, of 'the sighs and bellows of the heart,' of music, of travel, of breast cancer, of the plague of AIDS, of black stockings worn to funerals. As the elegist of her lost sister, Enszer writes, 'She should be telling this story. / She was more descriptive than I.' As celebrant of the revolution that opened our society to the pleasures and realities of queerness, she writes of 'the look of defiance in our eyes' and remembers, 'Once we were the match / Once we were the flames.' SISTERHOOD gives off a good heat."—Alicia Ostriker
Descent to the Roses of a Family
For those courageous enough to explore how family dynamics create and imprint the structures of white supremacy in each of us, Judy Grahn has used her masterful poem, "Descent to the Roses of a Family," to expose and closely examine her own family's roses (and thorns) of toxic racism and white supremacy. Grahn uses rich back-stories and mythology to guide us in the process of understanding and healing the split psyche that white supremacy causes and requires. "Descent to the Roses of a Family" is especially valuable for getting past endless intellectualizing about one of our most serious and tenacious social problems. Grahn demands more of us; she insists that we understand emotionally and poetically, as well as intellectually, the heart of white supremacy in the family and its consequences when taken unexamined into the larger world. She leads us out of the fog of denial. Recommended for teachers of antiracism, using literature, sociology, and mythology; also for group discussions and individuals wanting to heal themselves and future generations by finding a better way.
