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The Prodigious Muse
In her award-winning, critically acclaimed Women's Writing in Italy, 1400--1650, Virginia Cox chronicles the history of women writers in early modern Italy -- who they were, what they wrote, where they fit in society, and how their status changed during this period. In this book, Cox examines more closely one particular moment in this history, in many ways the most remarkable for the richness and range of women's literary output. A widespread critical notion sees Italian women's writing as a phenomenon specific to the peculiar literary environment of the mid-sixteenth century, and most scholars assume that a reactionary movement such as the Counter-Reformation was unlikely to spur its develo...
Readying Cavalli's Operas for the Stage
After more than three centuries of silence, the voice of Francesco Cavalli is being heard loud and clear on the operatic stages of the world. The coincidence of productions at La Scala (Milan) and Covent Garden (London) in the same month (September 2008) of two different operas signals a new stage in the recovery of these extraordinary works, confined until now to special venues committed to 'early music'-opera festivals, conservatory, and university productions. The works of the composer who is credited with having invented the genre of opera as we know it are finally enjoying a renaissance. A new edition of Cavalli's twenty-eight operas is in preparation, and the composer and his works are...
Sites of Performance
A primary focus of ‘Sites of Performance: Of Time and Memory’ is the impact of time and memory as they intersect and constitute the varied spaces of theatre. These spaces include more traditional sites of theatre, such as those involving stages and curtains, actors and audiences, as well as those other theatres or spaces of performance that range from performance and installation art, to the performance of a string quartet, and from the writing of performance, to the performance of writing.
Modes of the Tragic in Spanish Cinema
This book focuses on expressions of the tragic in Spanish cinema. Its main premise is that elements from the classical and modern tragic tradition persist and permeate many of the cultural works created in Spain, especially the films on which the book centers this study. The inscrutability and indolence of the gods, the mutability of fortune, the recurrent narratives of fall and redemption, the unavoidable clash between ethical forces, the tension between free will and fate, the violent resolution of both internal and external conflicts, and the overwhelming feelings of guilt that haunt the tragic heroine/hero are consistent aspects that traverse Spanish cinema as a response to universal queries about human suffering and death.
Music, Dance and Franco-Italian Cultural Exchange, C.1700
This study stems from discoveries in a trove of documents belonging to Charles-Henri de Lorraine, prince de Vaudâemont, who served as governor of Milan under the Spanish crown from 1698 to 1706. These documents, together with a mass of other sources - letters, diaries, treatises, libretti, scores - offer a vivid new picture of musical life in Paris and Milan as well as exchanges between France and Italy. The book is both a patronage study and an examination of the contributions by - and the difficulties facing - musicians and dancers who worked across national and cultural boundaries. Music, Dance, and Franco-Italian Cultural Exchange, c.1700 follows the careers of the prince and the French...
Samuel Beckett’s Italian Modernisms
In the wake of both Joycean and Dantean celebrations, this volume aims to investigate the fecund influence of Italian culture on Samuel Beckett’s work, with a specific focus on the twentieth century. Located at the intersection of historical avant-garde movements and a renewed interest in tradition, Italian modernism reimagined Italy and its culture, projecting it beyond the shadow of fascism. Following in Joyce’s footsteps, Samuel Beckett soon became an attentive reader of Italian modernist authors. These had a profound effect on his early work, shaping his artistic identity. The influence of his early readings found its way also into Beckett’s postwar writing and, most poignantly, in his theatre. The contributions in this collection rekindle the debate around Beckett as modernist author through the lenses of Italian culture. This study will be of particular interest to students and scholars in theatre and performance studies, Italian studies, English studies, and comparative literature.
The Conquest of the Soul
Carlo Borromeo earned sainthood by attempting to turn Milan into a holy city. This book is the first to interpret his program of penitential discipline as an effort to reshape Lombard society by reaching into the souls of its inhabitants.
Theatermania in Eighteenth-Century Europe
The group volume distinguishes itself by its multidisciplinary, comparative approach and by the network of relationships it weaves between the various European languages and cultures. The study takes shape from its different viewpoints and in its diverse contexts, to chart a detailed historical-conceptual map of the basic role theater played in forging the modern European consciousness. The thematic core of ‘theatermania’ lay in the authentic theatrical passion that manifested itself in different ways from one country to another throughout the 18th century. While the aesthetic, social and political value of theater took a variety of forms, its central feature was the privileged place it ...
Encyclopedia of Italian Literary Studies: A-J
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