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Barclays
This is a history of one of the world's most famous financial institutions from its foundation as a private Quaker partnership in 1690 to 1996. Over the course of its history, Barclays has been the largest bank in the world, in Africa, and in Britain. A pioneer in international trade finance and large-scale branch banking, Barclays was responsible for the first automated teller machine in the world. This history of innovation and expansion is a microcosm of the successes and failures of corporate strategies in banking and is especially illuminating on the twentieth century. Extensively illustrated and accessibly written, the book is deliberately designed to appeal to readers beyond those with a specialist professional interest in financial history. It makes a major contribution to the economic and social history of modern Britain and the contemporary business world.
The Funeral Effigies of Westminster Abbey
Westminster Abbey contains a unique and important group of effigies, some familiar, many little-known, including kings, queens, statesmen and national heroes, ranging in time from the middle ages to the early nineteenth century. They derive from a time when an effigy of the dead monarch, statesman or national hero played an important part in funeral ritual, offering a visible likeness as a focus to the ceremonial of the funeral. This richly illustrated book, which is the first substantial publication on the effigies since 1936, is both a history of the collection and of the origins and development of the funeral effigy, and a full descriptive catalogue of the twenty-one examples in the Abbey. Copyright © Libri GmbH. All rights reserved.
Stanley Kubrick's A Clockwork Orange
Stanley Kubrick's 'A Clockwork Orange' brings together critically informed essays about one of the most powerful, important and controversial films ever made. Following an introduction that provides an overview of the film and its production history, a suite of essays examine the literary origins of the work, the nature of cinematic violence, questions of gender and the film's treatment of sexuality, and the difficulties of adapting an invented language ('nadsat') for the screen. This volume also includes two contemporary and conflicting reviews by Roger Hughes and Pauline Kael, a detailed glossary of 'nadsat' and stills from the film.
Elapsing into Love
To some, the world seemed to be coming to an end. Thousands every day were dying at the hands of mankind. Countries were taking hold of every drop of oil they could get, and it didn’t matter how many lives they killed in order to get it. On a daily basis, people are being taken for granted lied to, and abused by their own governments, and neighbors living next door to them. The socialites of the world were living darker and darker lives as the fossil fuels we used slowly killed us, and the planet. The ice caps of our world cried out weeping its fresh water into our oceans. Our world was slowly dying because of all of us living on the planet. Harvey understood human beings were the cause of...
Jesus Then and Now
Conservative and liberal theologians engage each other in this provocative collection of essays, discussing the place of faith, the nature of history, the character of literary texts, and the purpose of theology. Original.
Cyberkids
Draws together research in the sociology of childhood and social studies of technology to explore children's experiences in the information age. Addresses key policy debates about social exclusion, identity, friends and family.
Cyberkids
As Tony Blair has said, "Technology has revolutionised the way we work and is now set to transform education. Children cannot be effective in tomorrow's world if they are trained in yesterday's skills." Cyberkids draws together research in the sociology of childhood and social studies of technology to explore children's experiences in the Information Age. The book addresses key policy debates about social inclusion and exclusion, children's identities and friendships in on-line and off-line worlds and their relationships with families and teachers. It counters contemporary moral panics about children's risk from dangerous strangers on-line, about corruption and lost innocence from adult-centred material on the web and about the addiction to life on the screen. Instead, by showing how children use ICT in balanced and sophisticated ways, the book draws out the importance of everyday uses of technology and the ways in which children's local experiences are embedded within, and in part, constitute the global.
Spaghetti Westerns--the Good, the Bad and the Violent
Spaghetti Westerns--mostly produced in Italy or by Italians but made throughout Europe--were bleaker, rougher, grittier imitations of Hollywood Westerns, focusing on heroes only slightly less evil than the villains. After a main filmography covering 558 Spaghetti Westerns, another section provides filmographies of personnel--actors and actresses, directors, musical composers, scriptwriters, cinematographers. Appendices provide lists of the popular Django films and the Sartana films, a listing of U.S.-made Spaghetti Western lookalikes, top ten and twenty lists and a list of the genre's worst.
Approaches to Teaching Baraka's Dutchman
First performed in 1964, Amiri Baraka's play about a charged encounter between a black man and a white woman still has the power to shock. The play, steeped in the racial issues of its time, continues to speak to racial violence and inequality today. This volume offers strategies for guiding students through this short but challenging text. Part 1, "Materials," provides resources for biographical information, critical and literary backgrounds, and the play's early production history. The essays of part 2, "Approaches," address viewing and staging Dutchman theatrically in class. They help instructors ground the play artistically in the black arts movement, the beat generation, the theater of the absurd, pop music, and the blues. Background on civil rights, black power movements, the history of slavery, and Jim Crow laws helps contextualize the play politically and historically.
