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An Early Encounter with Tomorrow
  • Language: en
  • Pages: 384

An Early Encounter with Tomorrow

Chicago in the late nineteenth century was the wonder city of the Western world, its famous Loop the laboratory in which to study innovative commercial architecture. There, Old World assumptions were overthrown by New World realities, as the past was discounted, the present glorified, and the future eagerly anticipated.

Architecture and Capitalism
  • Language: en
  • Pages: 316

Architecture and Capitalism

  • Type: Book
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  • Published: 2013-07-18
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  • Publisher: Routledge

Architecture and Capitalism tells a story of the relationship between the economy and architectural design. Eleven historians each discuss in brand new essays the time period they know best, looking at cultural and economic issues, which in light of current economic crises you will find have dealt with diverse but surprisingly familiar economic issues. Told through case studies, the narrative begins in the mid-nineteenth century and ends with 2011, with introductions by Editor Peggy Deamer to pull the main themes together so that you can see how other architects in different times and in different countries have dealt with similar economic conditions. By focussing on what previous architects experienced, you have the opportunity to avoid repeating the past. With new essays by Pier Vittorio Aureli, Ellen Dunham-Jones, Keller Easterling, Lauren Kogod, Robert Hewison, Joanna Merwood-Salisbury, Robin Schuldenfrei, Deborah Gans, Simon Sadler, Nathan Rich, and Micahel Sorkin.

Art Et Architecture Au Canada
  • Language: en
  • Pages: 1646

Art Et Architecture Au Canada

Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.

A Parisienne in Chicago
  • Language: en
  • Pages: 258

A Parisienne in Chicago

This fascinating account of a French woman's impressions of America in the late nineteenth century reveals an unusual cross-cultural journey through fin de siècle Paris, Chicago, and New York. Madame Leon Grandin's travels and extended stay in Chicago in 1893 were the result of her husband's collaboration on the fountain sculpture for the World's Columbian Exposition. Initially impressed with the city's fast pace and architectural grandeur, Grandin's attentions were soon drawn to its social and cultural customs, reflected as observations in her writing. During a ten-month interval as a resident, she was intrigued by the interactions between men and women, mothers and their children, teacher...

The Canadian Architect
  • Language: en
  • Pages: 762

The Canadian Architect

  • Type: Book
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  • Published: 1990
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  • Publisher: Unknown

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Gabriel Guevrekian
  • Language: en
  • Pages: 197

Gabriel Guevrekian

The Elusive Modernist setzt sich mit der Geschichte der Moderne auseinander und zwar basierend auf dem Vermächtnis eines ihrer Protagonisten, Gabriel Guevrekian (ca. 1900–1970). Der in Istanbul geborene Guevrekian wuchs in Teheran auf und zog als junger Erwachsener nach Wien, um an der Kunstgewerbeschule Architektur zu studieren. Später arbeitete er mit Oskar Strnad, Josef Hoffmann, Adolf Loos, Henri Sauvage und Robert Mallet-Stevens, und zu seinen bekanntesten Entwürfen gehören der kubistische Garten für die Villa Noailles in Frankreich und zwei Häuser für die Wiener Werkbund-Ausstellung. Mit nicht einmal dreißig Jahren galt Guevrekian als eine der bedeutendsten Persönlichkeiten ...

Re-creating the American Past
  • Language: en
  • Pages: 448

Re-creating the American Past

Although individually and collectively Americans have many histories, the dominant view of our national past focuses on the colonial era. The reasons for this are many and complex, touching on stories of the country's origins and of the founding fathers, the privileged position in history granted the thirteen original colonies, and the ways in which the nation has adjusted to change and modernity. But no matter the cause, the result is obvious: images and forms derived from and related to America's colonial past are the single most popular form of cultural expression. Often conceived solely in architectural terms, from the red-brick and white-trimmed buildings that recall eighteenth-century ...