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Islamic Metalwork
Whether destined for a sultan's palace or provincial household, a vast array of functional and often luxurious metal vessels and utensils have been produced throughout the Islamic world. Although not primarily religious objects, they were traditionally made with the same skill and imagination, and their designs and decoration reflect the strong cultural influence of Islam which extended from Spain and North Africa in the west to Central Asia and the Indian subcontinent in the east.
Islamic Metalwork from the Aron Collection
The Aron Collection of Islamic Metalwork has been built over many years of research. The present catalogue, which follows the first one curated by James W. Allan in 1986, illustrates a selection of objects from the collection. It studies the main regional schools that flourished in this expression of Islamic art, in particular in the areas of Iran and Central Asia, through specimens representing the breadth of their production. The items date mainly to the Medieval era, between the 9th and the 14th centuries, but include later works too. A journey to discover an extremely technical and complex art, sometimes a real exercise in virtuosity, and one that is ultimately fascinating and sophisticated. Islamic metalwork has been deeply admired for centuries also in the Western world, providing a source of inspiration. The different shapes, uses and manufactures of the pieces in the collection offer a good overview of the main artistic streams in the metalworking art and open a window on the luxuries of the princely courts as well as on the everyday life of parts of Muslim society. They offer up a largely unknown vision of Islam.
Islamic Art
This Stunning book includes more than four hundred reproductions of treasures of Islamic art that span the world. With its large format, exquisite photographs and extensive research, this is a thorough introduction toan exceptional artistic tradition. --
Nishapur
The city of Nishapur, located in eastern Iran, was a place of political importance in medieval times and a flourishing center of art, crafts, and trade. This publication explores metalwork found at the site at Nishapur excavated by the Iranian Expedition of the Metropolitan Museum in 1935–40 and again in 1947. -- Metropolitan Museum of Art website.
Islamic Metalwork
The Nuhad Es-Said Collection of Islamic metalwork is one of the finest in private hands. It contains examples of inlaid bronzes and brasses from 6th/12th and 7th/13th Herat and 7th/13th century Mosul, from Ayvubid Syria, Saljuk Anatolia, the Mamluk empire and the Dehli sultanate, and from Il-Khanid, Timurid and Safavid Iran. Inlaid with gold, silver and copper, and bearing planetary and astrological figures, mystical symbols, and effusive dedications to sultans and petty rulers, these objects take the reader into a world where superstition, religion and politics jostle for supremacy, and are evidence that works of art reflect the societies they serve.
Metalwork and Material Culture in the Islamic World
The material and visual culture of the Islamic World casts vast arcs through space and time, and encompasses a huge range of artefacts and monuments from the minute to the grandiose, from ceramic pots to the great mosques. Here, Venetia Porter and Mariam Rosser-Owen assemble leading experts in the field to examine both the objects themselves and the ways in which they reflect their historical, cultural and economic contexts. With a focus on metalwork, this volume includes an important new study of Mosul metalwork and presents recent discoveries in the fields of Fatimid, Mamluk and Qajar metalwork. By examining architecture, ceramics, ivories and textiles, seventeenth-century Iranian painting and contemporary art, the book explores a wide range of artistic production and historical periods from the Umayyad caliphate to the modern Middle East. This rich and detailed volume makes a significant contribution to the fields of Art History, Architecture and Islamic Studies, bringing new objects to light, and shedding new light on old objects.
Islamic Art and Architecture 650-1250
This richly illustrated book provides an unsurpassed overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar’s original text, this book has been completely rewritten and updated to take into account recent information and methodological advances. The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic ev...
Metalwork and Material Culture in the Islamic World
The material and visual culture of the Islamic World casts vast arcs through space and time, and encompasses a huge range of artefacts and monuments from the minute to the grandiose, from ceramic pots to the great mosques. Here, Venetia Porter and Mariam Rosser-Owen assemble leading experts in the field to examine both the objects themselves and the ways in which they reflect their historical, cultural and economic contexts. With a focus on metalwork, this volume includes an important new study of Mosul metalwork and presents recent discoveries in the fields of Fatimid, Mamluk and Qajar metalwork. By examining architecture, ceramics, ivories and textiles, seventeenth-century Iranian painting and contemporary art, the book explores a wide range of artistic production and historical periods from the Umayyad caliphate to the modern Middle East. This rich and detailed volume makes a significant contribution to the fields of Art History, Architecture and Islamic Studies, bringing new objects to light, and shedding new light on old objects.
