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A London Address
In a unique collaboration between Artangel and Living Architecture, a dwelling was built on top of London's Queen Elizabeth Hall. The dwelling was a boat, Roi de Belges, inspired by the Thames and by Joseph Conrad's Heart of Darkness. Writers and artists were given short residencies and wrote about the strange experience of staying in a boat overlooking the river. This book, a collection of their pieces responding to Conrad's masterpiece, is a result of that collaboration. From Juan Gabriel Vsquez's meditation on belonging, identity and the otherness of London to Michael Ondaatje's piercing reflections on history and literature, via Jeanette Winterson's lyrical, impressionistic musings and Caryl Philips's supple and poetic observations, this is Joseph Conrad, the Thames and the capital city as you have never experienced them before.
Night Haunts
Traditional depictions of London at night have imagined a lawless orgy of depravity and pestilence. But is Britain’s capital after dark now as bland and unthreatening as an evening in any new provincial town? Sukhdev Sandhu journeys across the city to find out whether the London night really has been rendered insipid by street lighting and CCTV. Night Haunts seeks to reclaim the mystery and romance of the city—to revitalize the great myth of London for a new century.
Vatnasafn/Library of Water
Sited in a converted library building on a promontory overlooking the ocean in the town of Stykkish�lmur on the west coast of Iceland, VATNASAFN / LIBRARY OF WATER incorporates many of Roni Horn's abiding artistic concerns with water and weather, reflection and illumination, and the fluid nature of identity. Twenty-four glass columns containing water from glaciers around Iceland refract and reflect the day into a rubber floor embedded with words used to describe weather, inside or out. VATNASAFN / LIBRARY OF WATER also offers a space for community gatherings, a studio for writers, and it houses an oral archive of weather reports gathered from people who live in and around Stykkish�lmur. This book surveys the interconnecting elements of Roni Horn's long-term project on the island through a series of image sequences and texts. It also includes a selection of writings by the artist inspired by her experience of being in Iceland.
Rachel Whiteread
In 1993, Rachel Whiteread created a work of art which was hailed as one of the greatest public sculptures made by an English artist in the twentieth century. Whiteread's concrete and plaster cast of an entire house in the East End of London provoked equal measures of praise, wonder and controversy. Her monumental sculpture, on view when she won the Turner Prize, attracted some 3,000 visitors a day before it was demolished in January 1994. This book, made in collaboration with the Artangel Trust, provides a unique chronicle of this remarkable work. Photographs and working drawings chart the house's life from construction to demolition. Six key figures in art journalism contribute their thought-provokingly diverse responses: in turn, the book surveys the whole spectrum of critical reaction to the work.
End Matter
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Seizure
"Seizure is Roger Hiorns's most ambitious sculpture within an urban context to date. Writers J. J. Charlesworth, Brian Dillon and Tom Morton reflect on their experiences of the work, and Roger Hiorns discusses his interest in architecture, authorship and crystals in an extensive interview with Artangel Co-Director James Lingwood. The publication includes an introductory section of notations, sketches and research notes which chart the genesis of the project, and an extended sequence of photographs of the completed work at 159 Harper Road, London SE1."--BOOK JACKET.
Janet Cardiff
This book documents Janet Cardiff's 1999 audio project, The Missing voice (Case Study B), and includes the full audio CD as well as images from this exploration of London's inner city. Part urban guide, part fiction, part film noir, her audio walk entwines the listener in a narrative that shifts through time and space. Intimate, even conspirational, Cardiff has created a psychologically absorbing experience for an audience of one at a time. You find yourself transported back in time. What was that sound? Who is speaking to you? Where does reality end, and what's imagined begin? Also included is an extended essay analyzing the artist's career to date. Born in 1957, in Brussels, Canada, Cardiff works and lives in Alberta and has shown internationally in, among others, London, New York, Berlin, and Vienna. Her work has been included in significant group exhibitions, notably Skulptur Projekte Munster, 1997; Present Tense: Nine Artists in the Nineties, at San Francisco Museum of Modern Art; the 1999 Carnegie International; and the Museum as Muse at New York's Museum of Modern Art.
Francis Alÿs
Accompanies the exhibition Francis Alÿs Seven Walks, London, 2004-5, held 21 Portman Square, London, and The Nightwatch, held National Portrait Gallery, 28 Sept. - 20 Nov. 2005.
Artangel and Financing British Art
The Artangel Trust has been credited with providing artists with all the money and logistics they need to create one-off dream projects. An independent art commissioning agency based in London, it has operated since 1985 and is responsible for producing some of the most striking ephemeral and site-specific artworks of the last decades, from Rachel Whiteread’s House to Jeremy Deller’s The Battle of Orgreave. Artangel’s existence spans three decades, which now form a coherent whole in terms of both art historical and political periodisation. It was launched as a reaction to the cuts in funding for the visual arts introduced by the Thatcher government in 1979 and has since adapted in a di...
Restaging the Future
An examination of neoliberal ideology’s ascendance in 1990s and 2000s British politics and society through its effect on state-supported performance practices Post-Thatcher, British cultural politics were shaped by the government’s use of the arts in service of its own social and economic agenda. Restaging the Future: Neoliberalization, Theater, and Performance in Britain interrogates how arts practices and cultural institutions were enmeshed with the particular processes of neoliberalization mobilized at the end of the twentieth century and into the twenty-first. Louise Owen traces the uneasy entanglement of performance with neoliberalism's marketization of social life. Focusing on this...
