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Into These Knots
The poems of Into These Knots, Ashley Anna McHugh's debut collection, glance from heaven to earth, from earth to heaven, interrogating and elucidating in elegant and supercharged speech ultimate questions and intimate foibles. With equal parts intelligence and passion, Ms. McHugh can quarrel with scripture or riff on the amorous pleadings of Andrew Marvell or the stark musings of Baudelaire. Ms. McHugh's poems resound with a songlike intensity and an arresting power entirely their own. Personal meditations on loss, and the need to reconcile with the past, ground this collection, even as the poems struggle against their precarious conclusions. Skillfully crafted, the poems in Into These Knots capture a precise clarity of cadence, accompanied by an exacting attention to the intricacies of traditional verse. Frequently returning to their tonic chord of doubt, the poems never abandon their search for a lasting belief, an attainable transcendence, and, above all, the possibility of forgiveness.
An Illustrated History of the Treaty of Waitangi
This account begins before the signing of the Treaty of Waitangi in 1840 and tells the story to the present day. This edition covers the challenges and settlements of the last decade of the 20th century, and includes photographs, paintings and drawings - including copies of the treaties themselves.
Reading Pakeha?
Aotearoa New Zealand, “a tiny Pacific country,” is of great interest to those engaged in postcolonial and literary studies throughout the world. In all former colonies, myths of national identity are vested with various interests. Shifts in collective Pakeha (or New Zealand-European) identity have been marked by the phenomenal popularity of three novels, each at a time of massive social change. Late-colonialism, anti-imperialism, and the collapse of the idea of a singular ‘nation’ can be traced through the reception of John Mulgan’s Man Alone (1939), Keri Hulme’s the bone people (1983), and Alan Duff’s Once Were Warriors (1990). Yet close analysis of these three novels also reveals marginalization and silencing in claims to singular Pakeha identity and a linear development of settler acculturation. Such a dynamic resonates with that of other ‘settler’ cultures – the similarities and differences telling in comparison. Specifically, Reading Pakeha? Fiction and Identity in Aotearoa New Zealand explores how concepts of race and ethnicity intersect with those of gender, sex, and sexuality. This book also asks whether ‘Pakeha’ is still a meaningful term.
Synchronized Swimming
From novelty tricks in swim classes, through the Aquacades and movies, to the highly complex Olympic competitions--this history of synchronized swimming tells how the sport grew, examines the role the United States has played in its worldwide development, and describes the status of synchronized swimming in world sporting events today. Among the topics covered are competition development, development around the United States, rules and technical changes, and leadership (from volunteers to a National Office). Four appendices list major award winners, U.S. National Champions, the results of major international competitions, and U.S. participation in international events. The work boasts photographs from the first trial national competition in 1942 to the World Championships of 2003, as well as a full bibliography.
Calling the Station Home
Combining historical, literary and ethnographic approaches, Calling the Station Home draws a fine-grained portrait of New Zealand high-country farm families whose material culture, social arrangements, geographic knowledge, and linguistic practices reveal the ways in which the social production of space and the spatial construction of society are mutually constituted. The book speaks directly to national and international debates about cultural legitimacy, indigenous land claims, and environmental resource management by highlighting settler-descendant expressions of belonging and indigeneity in the white British diaspora.
The Work of Creation
In The Work of Creation, poet, editor, and translator Luke Hankins explores literature, art, aesthetics, ethics, religion, and the life of the spirit in a number of genres, including literary criticism, meditations on art and aesthetics, personal essays, and interviews. Collected in this volume are pieces that have appeared in such places as Books & Culture, Contemporary Poetry Review, Image, The Writer's Chronicle, and the American Public Media national radio program "On Being."
Ko Te Whenua Te Utu / Land is the Price
For more than half a century, Keith Sorrenson - one of New Zealand's leading historians and himself of mixed Maori and Pakeha descent - has dived deeper than anyone into the story of two peoples in New Zealand. In this new book, Sorrenson brings together his major writing from the last 56 years into a powerful whole - covering topics from the origins of Maori (and Pakeha ideas about those origins), through land purchases and the King Movement of the nineteenth century, and on to twentieth-century politics and the new history of the Waitangi Tribunal. Throughout his career, Sorrenson has been concerned with the international context for New Zealand history while also attempting to understand and explain Maori conceptions and Pakeha ideas from the inside. And he has been determined to tell the real story of Maori losses of land and their political responses as, in the face of Pakeha colonisation, they became a minority in their own country. Ko te Whenua te Utu / Land is the Price is a powerful history of Maori and Pakeha in New Zealand
