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In The Work of Creation, poet, editor, and translator Luke Hankins explores literature, art, aesthetics, ethics, religion, and the life of the spirit in a number of genres, including literary criticism, meditations on art and aesthetics, personal essays, and interviews. Collected in this volume are pieces that have appeared in such places as Books & Culture, Contemporary Poetry Review, Image, The Writer's Chronicle, and the American Public Media national radio program "On Being."
Aotearoa New Zealand, “a tiny Pacific country,” is of great interest to those engaged in postcolonial and literary studies throughout the world. In all former colonies, myths of national identity are vested with various interests. Shifts in collective Pakeha (or New Zealand-European) identity have been marked by the phenomenal popularity of three novels, each at a time of massive social change. Late-colonialism, anti-imperialism, and the collapse of the idea of a singular ‘nation’ can be traced through the reception of John Mulgan’s Man Alone (1939), Keri Hulme’s the bone people (1983), and Alan Duff’s Once Were Warriors (1990). Yet close analysis of these three novels also reveals marginalization and silencing in claims to singular Pakeha identity and a linear development of settler acculturation. Such a dynamic resonates with that of other ‘settler’ cultures – the similarities and differences telling in comparison. Specifically, Reading Pakeha? Fiction and Identity in Aotearoa New Zealand explores how concepts of race and ethnicity intersect with those of gender, sex, and sexuality. This book also asks whether ‘Pakeha’ is still a meaningful term.
The Waitangi Tribunal sits at the heart of the Treaty settlement process, with a unique remit to investigate claims and recommend settlements. But although the claims process has been hugely controversial, little has been written about the Tribunal itself. These essays, by leading academics, lawyers and researchers, successfully fill that gap, examining the Tribunal’s role in reshaping Māori identity and society, the Tribunal’s future mission, and its contribution to ideas of justice and reparation. This perceptive analysis of a key institution is vital reading for anyone seeking to understand Treaty settlements. Contributors: Paul Hamer Geoff Melvin Grant Phillipson Richard Boast Tom Bennion Stephanie Milroy Jacinta Ruru Deborah Edmunds John Dawson Richard Price Debra Fletcher Evan Te Ahu Poata-Smith Donna Hall Andrew Sharp
Aotearoa New Zealand is frequently viewed as the most advanced country in the world when it comes to reconciliation processes between the state and its colonised Indigenous people. The fact that this book’s contributions are written by scholars who are all engaged in such processes is alone testament to this alone. But despite all that has been achieved, the processes need to be critically evaluated. This book offers an up-to-date analysis of the reconciliation processes between Māori and the Crown by leading and emerging scholars in the field. It is the first attempt to grasp the link between contemporary politics, the notion of activist research, and historical and anthropological analy...
This account begins before the signing of the Treaty of Waitangi in 1840 and tells the story to the present day. This edition covers the challenges and settlements of the last decade of the 20th century, and includes photographs, paintings and drawings - including copies of the treaties themselves.
Combining historical, literary and ethnographic approaches, Calling the Station Home draws a fine-grained portrait of New Zealand high-country farm families whose material culture, social arrangements, geographic knowledge, and linguistic practices reveal the ways in which the social production of space and the spatial construction of society are mutually constituted. The book speaks directly to national and international debates about cultural legitimacy, indigenous land claims, and environmental resource management by highlighting settler-descendant expressions of belonging and indigeneity in the white British diaspora.
The poems of Into These Knots, Ashley Anna McHugh's debut collection, glance from heaven to earth, from earth to heaven, interrogating and elucidating in elegant and supercharged speech ultimate questions and intimate foibles. With equal parts intelligence and passion, Ms. McHugh can quarrel with scripture or riff on the amorous pleadings of Andrew Marvell or the stark musings of Baudelaire. Ms. McHugh's poems resound with a songlike intensity and an arresting power entirely their own. Personal meditations on loss, and the need to reconcile with the past, ground this collection, even as the poems struggle against their precarious conclusions. Skillfully crafted, the poems in Into These Knots capture a precise clarity of cadence, accompanied by an exacting attention to the intricacies of traditional verse. Frequently returning to their tonic chord of doubt, the poems never abandon their search for a lasting belief, an attainable transcendence, and, above all, the possibility of forgiveness.
Poems of Devotion is a collection of the finest recent poems in the devotional mode, which the editor examines in detail in the introductory essay. The seventy-seven poets collected here demonstrate the ongoing vitality of poetry as a spiritual practice, in the long tradition of poets, psalmists, and mystics from the East and West. This is an anthology that will prove deeply rewarding in the classroom, at home, or in the library of your religious institution.
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